Outdoor/Travel

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Daryl Hawk  |  May 01, 2007  |  0 comments

Helicoptering over the dramatic Southern Alp mountain range at sunrise. Traversing a glacier filled with mighty cascades of ice tumbling down a valley toward the sea. Tramping on the world's best nature trails. Driving past stunning and magical scenery that constantly changes at every turn. Hanging out in pubs with the world's friendliest people--the Kiwis. New...

Clint Farlinger  |  May 01, 2004  |  0 comments

As I slipped and fell helplessly to the ground for the 102nd time that afternoon (give or take a fall or two), I decided not to get up again. Despite the fact we were still a good half-mile from the trail leading...

Steve Bedell  |  Aug 01, 2001  |  0 comments

I live on the East Coast, and I mean right on it. My studio is located about 8 miles from the Atlantic Ocean. People who live here love the beach, and of course the tourists who descend like swarming flies on a slain wildebeest every...

Maynard Switzer  |  Aug 29, 2013  |  First Published: Jul 01, 2013  |  1 comments

For almost a year I planned for the 22-day trip I took this past January to photograph among the indigenous people of Ethiopia. I did a lot of research so I’d know what to expect and how to deal with everything from the customs of the country to the weather and the traveling conditions. Also, I’d have a driver and a guide, and along the way I’d pick up local guides who’d know the ins and outs of specific villages, tribes, and dialects.

Maynard Switzer  |  Aug 27, 2012  |  First Published: Jul 01, 2012  |  0 comments

Often people will ask me, “How do you get that great color in your photos?” I appreciate the compliment, but it’s usually followed by, “You must do a lot of retouching.” Actually I don’t. I will do a little color enhancement, but how color looks in my images has to do partly with how I set certain camera controls, how I control or use lighting in the scene, and how I compose the photograph.

Maynard Switzer  |  Apr 30, 2013  |  First Published: Mar 01, 2013  |  0 comments
Every traveler with a camera will welcome the words “smaller” and “lighter.” Because I travel and photograph for a living, I not only welcome them, I search for them. I want to see those adjectives accompanying nouns like camera, lens, laptop, and drive (the portable kind).
Jack Neubart  |  Jul 01, 2005  |  0 comments

When hiking or traveling with my SLR system, whether 35mm or digital, I prefer hand holding the camera to shoot nature and scenic views. Yet the value of a tripod is not lost on me, especially when confronted with the relatively long exposures required to capture a gracefully cascading waterfall or the warm glow of a sunset, or when employing a long lens with wildlife (especially...

Maynard Switzer  |  Mar 01, 2010  |  0 comments

One of the things I always try to do when I’m planning a trip is check out the events calendars of the cities and towns I’ll be visiting to see what sort of festivals might be taking place. Sometimes I’ll even rearrange my schedule to make sure I hit those places at the right time; that’s how important it is for me to take advantage of these photo opportunities. Images of...

Maynard Switzer  |  May 01, 2010  |  0 comments

This may surprise you, but I prefer to travel with single focal length lenses rather than zooms.

I have several reasons. First, my primes are usually one to two stops faster than zooms, which is important not so much because I shoot with my lenses wide-open but rather because the extra one or two stops of speed makes the image brighter in the viewfinder—which means...

Maynard Switzer  |  Jul 01, 2010  |  0 comments

Travel photographers call them fixers, and that’s what they do: they fix things to make sure the way is smooth so the photographer can do what he needs to do—get pictures that the average tourist can’t. And if you want those kinds of opportunities—in other words, if you’re really serious about your travel photography—there’s no substitute for a savvy...

Maynard Switzer  |  Jan 01, 2010  |  0 comments

My route to travel photography was not direct, but looking back, I realize the direction was set fairly early.

While attending the Art Center College of Design in Pasadena, California, I got a chance to spend a semester break photographing in Arkansas at the oldest bluegrass festival in the US. I never forgot how much I’d enjoyed photographing the festival and the local...

Barry Tanenbaum  |  Apr 01, 2008  |  0 comments

Here are a few things AJ Neste's learned about photographing surfers:
One, it's the singer, not the song. "The most important part of being successful at this," he says, "is knowing the surfer. It's not just showing up somewhere and taking photos of random surfers. You won't know their personal style."

...

Staff  |  Jan 20, 2017  |  0 comments

Outdoor photography is a favorite with Shutterbug readers so this was a very competitive assignment. But we were looking for more than just your summer vacation photos at Yosemite: we were seeking something both beautiful and different. We also asked you to keep your mind open for what’s considered “The Great Outdoors.” We were looking for everything from images of the majestic wonder in Denali National Park in Alaska, to the delicate pink-hued skies of Key West, to a stunning vista as seen right from your backyard. Most importantly, we asked you to remember to keep the “great” in the Great Outdoors with your photography submissions for this assignment.

Brad Perks  |  Apr 01, 2008  |  0 comments

Rainbows have inspired legends of luck and good fortune. The beautiful colors are created in a simple process. Capturing a rainbow with your camera takes a bit of that good luck.

Rainbows require two simple ingredients--sunlight and raindrops. They combine at just the right angle to colonize a beautiful picture. The colors are formed when...

Jack Hollingsworth  |  Feb 01, 2006  |  0 comments

Here's an e-mail I sent to a friend at the end of June last year:

"Hey, man, I just returned from Prague with some pretty cool pictures--all lifestyle shots of models. I went with no planning, no preproduction, no shot list, no schedule. And no earthly idea of what I'd come back with. It was three days of me, my camera, a local...

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