Smartphone News

If you’re like many photographers who travel with a laptop and often wish you had a larger monitor for working on your images, look no further: SPUD is an innovative 24-inch projection screen that weighs less than two pounds  and collapses down to the size of a book in under 10 seconds.

When a team of gimbal engineers and aerial vehicle designers get together to create an intelligent smartphone stabilizer, you know it’s going to be special. And the inexpensive new SMOVE for iOS and Android devices looks like a winner.

Last week Apple introduced the iPhone 7 and iPhone 7 Plus that boast a robust new camera system, and yesterday Sports Illustrated photographer David E. Klutho shot some impressive images with the iPhone 7 Plus while covering an NFL game for SI between the Tennessee Titans and Minnesota Vikings in Nashville.

As expected, Apple today unveiled the eagerly anticipated iPhone 7, featuring a water-resistant design, dramatically improved battery life, a 25% brighter display, and what Apple calls “the most powerful chip ever in a phone.” But the real excitement for mobile photographers is an entirely new camera system with a powerful array of imaging features.

Hasselblad has joined forces with Motorola to try bring some of the Swedish company’s legendary imaging knowledge to smartphone cameras. Called the Hasselblad True Zoom, the Hassy-branded Moto Mod device snaps onto Motorola Z smartphones using magnets and adds a 10x optical zoom and Raw image capability.

The free Snapseed app for iOS and Android phones and tablets has long been a favorite among “serious” mobile photographers who want powerful image-editing tools without a lot of superfluous gimmickry.  And now the app has been updated to include features some of us found missing.

About four years ago, Alvanas, a photographer, filmmaker, educator, digital artist, and postproduction retoucher, was attending a week-long advanced printing workshop at John Paul Caponigro’s studio. “The first day of portfolio review featured lots of prints of grand vistas from big film cameras—4x5s and 8x10s,” Alvanas says. “I showed on the second day, but I digitally projected my images.”