Photoshop How To

Today we’re not going to get into another discussion of the many advantages of Raw files compared to JPEGs. Let’s just assume that, for whatever reason, you shot a bunch of JPEG images and they look really awful.

Let’s face it: Not all of us have the time or means to go on safari to photograph exotic animals in their natural habitat. The next best option is a trip to the local zoo with a long lens, and that can be a load of fun.

It’s not uncommon to have a distracting object or two in otherwise beautiful outdoor images. Sometimes that’s because you weren’t paying attention, while in other cases there was simply no way to compose the scene without the offending objects in the frame.

One of the basic tenets of landscape photography is to “be at the right place at the right time,” which is why many of us prefer to shoot at blue hour—just before sunrise or after sunset. But what if you stumble upon a beautiful scene earlier in the day when the light isn’t quite right?

Macro photography in winter? You bet. Opportunities abound this time of year, from snowflakes, berries, and pinecones, to frozen dewdrops and barren tree branches covered with sparkling frost. If you’re new to close-up photography, the quick tutorial below will help you get started.

There’s nothing more distracting that a beautiful photo with distorted vertical or horizon lines, or a crooked horizon. Fortunately, there’s a simple method for straightening everything out during the editing process in Photoshop or Lightroom.

One challenge with all forms of outdoor photography is that we're always at the mercy of the weather and prevailing lighting conditions. That fact is particularly evident when you wake up on a nice day, pack your gear, and travel to a favorite location—only to confront a pretty scene with a rather boring sky.