Outdoor Photography How To

Let’s face it: we’ve all seen, taken, edited, judged, read, or written about so many photographs over so many years, sometimes we get…well, jaded. Then, if we’re lucky, along comes something that delivers a jolting reminder of the surprise and delight photography is capable of delivering.

Whether you’re an amateur photographer or an experienced pro, nearby city streets offer great opportunities for making captivating images, especially when you run out of other ideas. This quick tutorial discusses five common mistakes, and how to avoid them when shooting on the street.

The video below is a follow-up to yesterday’s primer on understanding and using a camera’s Shutter Priority exposure mode. In this tutorial, British pro Adam Kappa demonstrates how to make awesome landscape photos using a DSLR’s manual settings.

We recently shared a fascinating video from Romanian pro Toma Bonciu, in which he discussed how much he’s learned by studying the work of fine art landscape photographer Clyde Butcher. And in today’s revealing video, the self-taught Bonciu explains how much his photography has evolved after scrutinizing the images of the iconic Art Wolfe.

Professional photographer Peter McKinnon admits it: He’s always been intimidated by shooting after dark, explaining that “The rules are completely different at night, and it’s a whole different ballgame.” Thus, until recently, McKinnon’s photography always ground to a halt after the sun dropped below the horizon.

This Lightroom tutorial deals with a situation we’ve all encountered: “You make a photo, you think ‘yes, this it,’ I GOT that shot.” But when you get home and look at the image on you’re computer, you say to yourself, “Yo, this photo is kind of boring.”

Most of us are familiar with the use of out-of-focus, seamless backgrounds by studio photographers, especially those who shoot portraits. Often, these backgrounds are a single color, such as white, black, or gray. In other cases, the backgrounds are a muslin material, adding texture to the background. The sole purpose of these backgrounds is to create a cleaner overall composition, giving the viewer no choice but to look at the man, woman, or child.