Buyer's Guides

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Joe Farace  |  Mar 20, 2018  |  0 comments

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance.”—W. Eugene Smith

Joe Farace  |  Mar 02, 2018  |  0 comments

When shopping for a wide-angle lens, presented for your approval, is a collection of our favorite (mostly) zoom lenses to expand your view of the world.

Jason Schneider  |  Feb 13, 2018  |  1 comments

Superzoom point-and-shoot cameras are an attractive option for everyone from casual shooters to serious enthusiasts because they provide unmatched versatility and value, typically in compact, portable packages. Here are our 7 favorites.

Joe Farace  |  Sep 05, 2017  |  0 comments

One of the hallmarks of fine art photography is the production of archival prints. Which begs the question, does the social media generation care about a print’s longevity or photographic prints at all? Maybe that changes when you drop five figures on a fine art print or hire a high-end photographer to create a portrait you expect to last as long as a traditional silver-based print.

Joe Farace  |  Jul 06, 2017  |  0 comments

“I think all art is about control—the encounter between control and the uncontrollable.”—Richard Avedon

Joe Farace  |  Apr 04, 2017  |  0 comments

How much do I hate smartphones? Let me count the ways. But seriously, they aren’t going away anytime soon and many photographers, although not moi, have found clever ways to harness the power of these mobile devices. That said, I do own a smartphone albeit an older model and am on many social media platforms.

Joe Farace  |  Mar 14, 2017  |  0 comments

The late Mr. Newton was certainly onto something. I believe the overwhelming desire of most portrait photographers is to please the client, with seduction, amusement, and entertainment far from their minds. Let me submit this idea: shoot what the client says they want and then shoot something challenging their assumptions. Most wedding clients tend to be traditional but even introducing black and white or infrared images can increase sales and show clients you’re thinking outside the veil.

Joe Farace  |  Feb 21, 2017  |  0 comments

Capturing “the decisive moment” is more than just clicking the shutter at the right time and it’s more than luck, too. It’s an artful combination of experience, talent, and preparation. Being prepared for the unexpected is just as important to photojournalists and documentary photographers as it is to a Scout and that includes selecting and using gear that can be deployed at that right time, even if preparing for a single shot or two takes several hours. Some of these tools may be obvious while others not so much.

Joe Farace  |  Jan 31, 2017  |  0 comments

This January issue’s theme was outdoor photography and other than architectural interiors and studio photography, more images are probably captured out of doors than indoors. This column’s focus is on camera bags for landscape, nature, and wildlife shooters, whose needs are different from their urban counterparts. Kelly Moore, for example, manufactures fashion bags (see the December 2016 Geared Up column) and offers the beautifully crafted Woodstock Backpack ($229) that’s probably better suited for Rodeo Drive than Jellystone Park.

Joe Farace  |  Dec 16, 2016  |  0 comments

Sports photography shares much in common with capturing images of wildlife: You’ve got an active scene captured at a distance requiring specialized equipment and knowledge of the subject’s activities while anticipating what they are going to do next…or not. Sure, you’ll need fast, long focal length lenses but you will also need camera supports and other gear that along with specialized knowledge separates the virtuosos, like Regis Lefebure (regislefebure.com), from the wannabes. Here’s a look at some of our favorite tools of the sports trade.

Joe Farace  |  Nov 08, 2016  |  0 comments

Proving you can, in fact, change your tune; Paul Simon revised the lyrics to “Kodachrome” when performing the song in Central Park in 1991 to “everything looks better in black and white.” Picky photographers insist “monochrome” is more precise because it covers images made using sepia, blue, or other tones, while images using only shades of gray are black and white.

Joe Farace  |  Oct 10, 2016  |  0 comments

In contemporary lighting equipment there are trends and there are fads with some gear seemingly having equal parts of both. And they just aren’t boxes of light anymore; they are lightsabers, small studio lights with big output, and everywhere you look it’s LED lighting in every size, shape, and price.

Joe Farace  |  Aug 30, 2016  |  0 comments

Because of the “this is why we can’t have nice things” antics of several idiots flying drones, the Federal Aviation Administration (FAA) now requires every drone (and RC aircraft) weighing more than 0.55 pounds to register their craft and have an identification label. Pilots are also required to carry Flight ID.

Joe Farace  |  Jul 26, 2016  |  0 comments

We all know nature and wildlife photographers need long focal length lenses but they’re not the only ones who need a longer-than-normal lens. While the only wildlife I have photographed are the mule deer who treat my backyard like it’s their backyard, I’ve photographed a racing car from time to time and that’s when a telephoto or long zoom lens comes to the rescue.

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