Jon Sienkiewicz

There were so many three-legged accessory creatures at the last Photo Plus Expo in New York that for a moment I thought I was at a petting zoo in Chernobyl. Seriously—I dreamed I was surrounded by a herd of tripedal giraffes with skinny, hairless legs. The experience made me realize that for most photographers, choosing the right tripod is more difficult than searching for the right emoji on a smartphone while wearing mittens. Henceforth and therefore, here’s a non-zoological look at a trio of terrific tripods.

If you’re stumped picking out a holiday gift for the photographers in your life, you’ve come to the right place. They say one should only give gifts that they’d like to have themselves—and that’s a good compass. So buy two and keep one, no one will know. And your budget won’t explode either, because these gifts cost less than 30 bucks each.

In this two-part story we first looked at the conversion of a digital camera to shoot color IR photos. Link to that story is here. Here in Part 2 we go out into the field with my converted Fujifilm X-Pro1 and explore everything you need to know to get great results when shooting and processing infrared images.

Shooting incredible color infrared (IR) photos is fascinating and surprisingly easy if you use the right tools and techniques. In this two-part story we first look at the conversion of a DSLR to shoot IR photos, and then later in Part 2 we explore everything you need to know to get great infrared imaging results (setting White Balance, Channel Swapping and post-processing techniques). Ready for some mind-blowing colors? Read on…