George Schaub

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George Schaub Posted: Mar 01, 2010 0 comments

In this issue we explore the myriad options for organizing, processing, and creating new visions from your digital image files. As with many things photographic, digital processing often stirs debate about the “purity” of the image, about what is real and what is “fake” when you begin to alter the image information. Indeed, some film photographers dismiss the entire...

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George Schaub Posted: Feb 01, 2010 0 comments

The latest manifestation of desktop back-up devices from Western Digital, the My Book Studio Edition II, makes what might have seemed to some as a difficult task—backing up and retrieving image and other files—quite easy.

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George Schaub Posted: Feb 01, 2010 3 comments

Do you own a point-and-shoot and want to step up your image potential? If you are inclined to agree with these queries you might consider the Nikon D3000.

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George Schaub Posted: Feb 01, 2010 0 comments
There are profound changes occurring on the exposure side of photography that will cause many of us to rethink how we read, and even approach light. As you know, contrast has always been the problem, one more or less attacked with the Zone System (exposure and development to place tonal values) and even slight overexposure of color negative film, where dye clouds rather than silver could be...
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George Schaub Posted: Jan 01, 2010 1 comments

Much has been made of the difference in image quality between so-called full-frame and APS-C-sized sensors.

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George Schaub Posted: Jan 01, 2010 0 comments

As we come to the end of what could kindly be described as a challenging year, we look forward to lots of new photo developments coming in 2010. What began 170 years ago as a fairly provincial art practiced by a small group of scientists, dabblers, and entrepreneurs has turned into the most democratic of all forms of visual communication, with images made five minutes ago immediately available...

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George Schaub Posted: Dec 23, 2009 1 comments

The Fujifilm Finepix 200 EXR (list: $599; street, under $500) sports a 12 megapixel sensor and a 14.3X optical zoom lens that is equivalent to 30.5-436mm (!) It takes stills and high-quality video and has a built in mic that delivers quality sound without much if any whirring from the camera. Having that much zoom capability means that you never will want on the tele side with this integral lens camera, and even 30mm is not bad on the wide side.

Looking like a small D-SLR with a moderate zoom lens, the S200EXR actually sports a 30.5-436mm optical zoom, an incredible range in a lens this small, though smaller sensor size is part of the reason they could attain the smaller size.

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George Schaub Posted: Dec 01, 2009 0 comments

I realized the importance of taking location notes years back when preparing a large selection of slides for a stock agency. I was going through my “Italy” file and began to segregate out images of church interiors. Spectacular and, at the time I shot them, unforgettable locales quickly turned into a confusion of altars, statues, and naves, most of which I couldn’t honestly...

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George Schaub Posted: Dec 01, 2009 0 comments

Long considered the focal-length sweet spot for macro work, the 60mm focal length of the new Tamron 60mm f/2 lens ($569 MSRP) converts out to 96mm for Canon and 90mm for Nikon APS-C D-SLRs.

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George Schaub Posted: Dec 01, 2009 0 comments

There is an underlying desire in every travel or street photographer to be able to carry one lens to cover all contingencies.

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