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George Schaub Posted: May 31, 2011 0 comments

Imagine yourself walking into a room where there are numerous objects covered with small mirrors. The mirrors follow the form and shape of the objects. The walls of the room have a slot that goes continuously around the entire room. Behind the slot is a light that shines into the room and that travels the entire distance, from wall to wall. As the light travels it passes through numerous color filters built into the slot. The light reflects off the mirror facets on the objects. You can also move throughout the room and observe the objects and the light by standing with the light coming in over your shoulder, from the side or even standing behind the objects as the light hits them.

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George Schaub Posted: Apr 01, 2011 0 comments

Throughout the years we have paid close attention to the business side of photography, featuring tips and words of wisdom from working pros in Maria Piscopo’s Business Trends column, Jack Neubart’s Pro’s Choice column, and numerous articles on wedding, portrait, stock, event, and other venues in which photographers, both full- and part-time, share their experiences on how they...

George Schaub Posted: Apr 01, 2011 2 comments

In the report on the Canon PowerShot G11 (April, 2010, available at www.shutterbug.com) I concluded by saying that it was “an excellent traveling companion.” Ditto on the new G12 ($499, MSRP), the latest iteration of the Canon “G” line of integral lens cameras aimed at the photo enthusiast. In fact, you could ditto many of the form, function, and features of the G12 with the G11, so I will not...

George Schaub Posted: Apr 01, 2011 0 comments

Having flown my fair share of miles in the last few months I have come to appreciate a roller bag that can be used to carry camera gear, be carried on or checked, and that can help and not hinder the trip. I have gone from using a camera backpack loaded inside a standard roller suitcase (just to get from the airport to the destination) to leaving home gear that I later regretted not bringing...

George Schaub Posted: Mar 01, 2011 2 comments

The substrate and the image often go hand in hand, with a natural tendency to choose a matte surface for one type of scene, bucolic landscapes, perhaps, a hard gloss for commercial work, and a luster for deep blacks and a fine art feel.

George Schaub Posted: Mar 01, 2011 1 comments

At first glance you might think that Alien Skin’s Exposure 3 ($249 at www.alienskin.com/store or $99 upgrade from Exposure 1 or 2; a free trial is available on their website as well) is a push-button solution to image manipulation.

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George Schaub Posted: Mar 01, 2011 0 comments

Many photographers start their careers photographing weddings or doing portraits “on the side.” Me, too. While I was engaged in other aspects of the craft, I worked as a weekend warrior shooting weddings and social events to help raise money for new gear (and pay the rent). I set up a small studio with seamless paper on rolls in my one-bedroom apartment and would do tabletop...

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George Schaub Posted: Feb 07, 2011 1 comments

Remote viewing and shutter release capability opens up a host of picture opportunities, from working high atop camera platforms from ground level to very low level shooting without muddying your clothes (given your camera lacks an articulating monitor) to placing your camera in spots and being able to view and shoot without your being right behind the viewfinder. Many photographers routinely work with radio triggers for flash, especially in studio environments where the lights are set in position and photographer and model or subject move. The Hahnel Inspire adds to the mix with remote shutter release and viewing in one.

Here in this Hahnel supplied illustration you get a good idea of the way the unit works, setting up a signal relationship for both remote viewing and shutter release.

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George Schaub Posted: Feb 01, 2011 1 comments

No, that’s not a typo—the “T” in the acronym refers to the new mirror system in the Sony alpha a55 and stands for “translucent.”...

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George Schaub Posted: Feb 01, 2011 1 comments

OK, so I have on the meditation tape and have done my breathing exercises and now I’m ready to print on Hahnemühle’s Bamboo paper, which they dub prime for “spiritual black and white and color photography.” Made from 90 percent bamboo fibers and 10 percent cotton, and washed in “pure spring water,” the paper comes with a bit of New Age hype but at the end...

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