Jack Neubart

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Jack Neubart  |  Jun 20, 2012  |  First Published: May 01, 2012  |  6 comments

Camera bags and carriers come in every shape and style, from highly functional rollers to bags that make a fashion statement whenever you step out the door with your gear. Among the new products appearing this year are those that will fit every photographer for every photo excursion. There are backpacks for day hikers to trekkers, and rollers for making the transition from plane to city streets. Camera carrier makers are always improving product to keep up with the changing needs of photographers and their gear.

Jack Neubart  |  Jun 21, 2012  |  First Published: May 01, 2012  |  0 comments

Among the latest trends in lighting are the increasingly popular LED lights. While these lights were initially aimed at video, they serve a purpose in still photography as well, notably as accent or fill lights. In studio lighting, we have new monolight kits; and in speedlights, we have a new TTL ringflash along with a wireless TTL remote. We’ll also look at some interesting lighting accessories as well.

Jack Neubart  |  May 24, 2012  |  First Published: Apr 01, 2012  |  4 comments

“I fell into shooting the healthcare industry quite by accident,” recalls Montclair, New Jersey-based photographer John Emerson (www.johnemersonphotography.com). He’d met an art director who hired him to photograph the staff at a research lab, for Rutgers University—which remains a client some 20 years later. That was the proverbial foot in the door. Aside from that, Emerson continues to pursue his other passion: environmental portraiture of celebrities, athletes, and politicians.

Jack Neubart  |  Apr 03, 2012  |  First Published: Mar 01, 2012  |  1 comments

Andy Marcus and son Brian are second- and third-generation portrait and wedding photographers. Their New York City studio, Fred Marcus Photography & Videography (www.fredmarcus.com), continues a tradition of dedicated service established by Fred Marcus back in 1941. “Back then my dad would use a 5x7 view camera for studio work and could be seen shooting portraits in bridal salons in the prestigious Bergdorf Goodman and Saks Fifth Avenue, among other venues,” Andy recalls. “When he shot weddings, he’d bring a Speed Graphic to the event—and flashbulbs.”

Jack Neubart  |  Mar 19, 2012  |  First Published: Feb 01, 2012  |  3 comments

The merge to HDR process has for too long been a mystery wrapped inside an enigma. That cloak of mystery is one giant step closer to being removed thanks to HDR Express, from Unified Color Technologies (www.unifiedcolor.com). While this software greatly simplifies the process, successful HDR merges don’t just happen when you click a button. There is some planning involved.

Jack Neubart  |  Feb 13, 2012  |  First Published: Jan 01, 2012  |  0 comments

The new Nikon D5100 D-SLR is a compact and lightweight DX-format camera. The body is about two-thirds the size of a D300, recording on SD/SDHC/SDXC memory cards. The similarly compact kit lens, an 18-55mm VR, provides good balance, and, along with my Nikon SB-900 Speedlight, all fits neatly into a compact camera bag. The grip on the D5100 was a little smaller than what I was used to, but I soon grew accustomed to it.

Jack Neubart  |  Feb 16, 2012  |  First Published: Jan 01, 2012  |  0 comments

My impression of a tabletop tripod was probably like yours—a squat, three-legged support that collapsed down to handily fit inside a camera bag. After unpacking the 17 camera supports that arrived, I had to modify my definition of the genre to include designs that mushroom to roughly 2 feet when fully open—and some with considerable girth and heft. That also meant extending my thinking to models with a center column and multiple leg sections, which might be more correctly termed “mini” tripods. Either way, in contrast to a standard tripod at its full height, the tripods under discussion, when fully open, have a small footprint and should effortlessly fit in tight spaces.

Jack Neubart  |  Feb 29, 2012  |  First Published: Jan 01, 2012  |  1 comments

There’s a new trend in camera carriers that appeals to photographers who want to look chic while still maintaining the core functionality of the bag. In terms of style they are at polar opposites to rugged backpacks or gear-laden roller bags, yet even the most stylish camera bag has to carry gear in a practical and organized fashion. That includes being built to withstand the rigors of being jostled or bumped in crowds, and being constructed to protect against spilled drinks, or rain at the very least. At the same time, the ideal bag should be built to carry everything we may need on a shoot, and then some.

Jack Neubart  |  Mar 02, 2012  |  First Published: Jan 01, 2012  |  0 comments

Just as interchangeable lenses on an SLR each have a specific purpose or meet a certain need, the same applies to tripod heads. Even if a head comes as part of the tripod kit, you soon realize you may need to replace or supplement it. In this buyer’s guide to tripod heads we’ll look at some of the factors to consider, including budget, load considerations, applications, and matching heads to “sticks.” We’ll also look at the various types of heads available and how each can be used for very specific shooting needs.

Jack Neubart  |  Jan 23, 2012  |  First Published: Dec 01, 2011  |  0 comments

It isn’t often that as a camera reviewer you get the chance to test a camera with the technical experts right at hand, but that’s how I got to know the Phase One 645DF and IQ160 back. Actually, I attended one of the company’s Phase One Digital Artists Series workshops in Chicago with other photographers (see PODAS workshops sidebar for further info on this and other workshops the company is offering). Beyond the guided portion of the workshop, we were given time to go off and work with the camera at our own pace. It didn’t take long to find my comfort zone with the new IQ system. By the end of day one, I had a working familiarity with the camera and back and hardly paid attention to the big bundle I was hefting. Although I often felt quite at ease shooting handheld, for night photography and some other occasions I did employ my trusty Benbo tripod, with the camera seated on a Foba Superball M-2 on one day, an Acratech GP-L ball head on another.

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