Jon Sienkiewicz

Sort By: Post Date | Title | Publish Date
Jon Sienkiewicz Posted: Aug 01, 2014 0 comments

The White Balance feature on your digital camera does more than advertised. Read this Easy Tip to learn how to add subtle adjustments to sunset and sunrise shots.

Jon Sienkiewicz Posted: Jul 27, 2014 0 comments

Micro Four Thirds mirrorless camera systems promised us lenses that are more compact but fully featured. That promise has finally been fulfilled—and it took Tamron, the master of the All-in-One Zoom, to make it happen.

Jon Sienkiewicz Posted: Jul 11, 2014 0 comments

You may have used a beauty dish in the studio. Here’s a very portable model that you’ll find hard to leave at home. It’s quite affordable, too.

Jon Sienkiewicz Posted: Jun 25, 2014 0 comments

Beauty is as beauty does. A Leica M with a 50mm APO Summicron attached is the iconic archetype of modern digital cameras with retro design. Using it is a prodigious experience comparable to, let’s say, playing a concert Steinway grand piano, or maybe setting the hands on a Patek Philippe timepiece. I’m only guessing here, ‘cause I’ve done neither. But I did use a Leica M and 50mm APO Summicron for a week. Did they perform? Read on…

Jon Sienkiewicz Posted: Jun 19, 2014 0 comments

If a visitor from another planet arrived on Earth and asked to see the perfect specimen of what a digital camera and lens should look like, this combination might be the best choice. In terms of design and construction, fit and feel, the Leica M with 50mm APO Summicron is nearly perfect.

Jon Sienkiewicz Posted: May 25, 2014 0 comments

Misprint? No. The latest “all-in-one” zoom lens from Tamron ranges from 16mm to 300mm, the equivalent of 24mm to 450mm on my Nikon D300s (with APS-C size sensor). Add Vibration Compensation (VC), excellent Macro focusing and PZD Piezo Drive for quiet and blazing-fast autofocus and you’ve got “Lensational.”

Filed under
Jon Sienkiewicz Posted: Jun 05, 2014 Published: Apr 01, 2014 0 comments

We live in a world of color. Rendering a multicolored scene in monochrome, or as “black and white” (in quotes because that label is a misnomer), is a paradox. Back in the old film days, the difference between shooting color and shooting black and white was explained like this: amateurs begin with black and white, graduate to color, and when they really understand their art, go back to black and white. I subscribe to that theory, and that’s why my mission today is to warn you to never let your camera create monochrome images for you.

Jon Sienkiewicz Posted: Feb 07, 2014 Published: Jan 01, 2014 0 comments

It all began back in 1990 with a shareware program called Paint Shop. Debuting the same year as Adobe PhotoShop 1.0, comparison to that legendary product has been inescapable. Paint Shop, known as PaintShop Pro X6 Ultimate in its current incarnation, has always been associated with three characteristics: extreme affordability, sufficient power for most photo enthusiasts, and Windows-only compatibility. PaintShop Pro has continued to evolve and improve, and today offers many significant enhancements, including the ability to run smoothly on Macs using a Windows emulation program.

Jon Sienkiewicz Posted: Nov 24, 2013 0 comments

Lensbaby Spark lets your camera color outside the lines. It mounts directly on your Canon or Nikon and focuses manually when you squeeze it toward the rear while watching the sharp, sweet spot move around in the viewfinder. The affordable Lensbaby Spark deserves a spot on every photographer’s holiday wish list.

Jon Sienkiewicz Posted: Oct 23, 2013 0 comments

Ever have a camera or gadget bag strap that wouldn't stay on your shoulder? Read about this tacky solution.

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading