Jason Schneider

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Jason Schneider Posted: May 20, 2014 Published: Apr 01, 2014 0 comments
Given that the physical and perceptual experience of making a photograph is shaped by technology, and that technology is also embedded in the resulting images, one of the chief and perhaps most profound changes in how we make an image has been the changes in focusing—and recently autofocusing—technology. There’s a reason that the documentary photojournalism of Lewis W. Hine (shot with a ponderous 5x7 view camera or a 4x5 Graflex SLR) has a qualitatively different feel from that of Alfred Eisenstaedt or Henri Cartier-Bresson (shot with pocket-sized 35mm rangefinder cameras). It’s not only framing—it’s responsiveness, spontaneity, and, perhaps, repose, that underlies what these image-makers showed us.
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Jason Schneider Posted: May 01, 2007 18 comments

Horseman is a name associated with high-quality, large format Japanese view and press cameras and lenses, but it's also noted for innovative designs. An excellent example is the Horseman 3D, the company's first 35mm stereo rangefinder camera. Basically it's a Hasselblad Xpan II that's been modified by installing a unit containing two 38mm f/2.8 Super...

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Jason Schneider Posted: Aug 01, 2009 1 comments

Editor’s Note: Our intent in bringing you this interview is to give you a look inside the technical development of new products and laud the achievements of engineers, scientists, and designers who contribute to advances in photography and imaging. We look forward to publishing a series of these interviews from many different aspects of the photographic world in the future.

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Jason Schneider Posted: May 01, 2010 1 comments

The first digital Leica M with a full-frame, 24x36mm sensor (active area 23.9x35.8mm), the M9 offers 18-megapixel capture and unrestricted coverage with nearly the entire range of Leica lenses past and present, including extreme wide angles.

Perhaps even more important, the M9’s exclusive 18-megapixel CCD, developed by Kodak with input from Leica, has addressed the foibles that...

Jason Schneider Posted: Apr 01, 2006 0 comments

Renowned "camera collector" Jason Schneider is out there scouring camera stores, Internet sites, and camera shows to bring you the best bargains in user collectibles, recent gems, and vintage gear.
--Editor

Presuming you haven't been meditating in a cave in Tibet for the past few years, you know that the prices of medium format...

Jason Schneider Posted: May 01, 2006 0 comments

While I am hardly a charter member of the anti-digitist (I shoot about 70 percent digital these days, mostly with a Canon EOS 20D, and I'm currently nursing a bad case of 5D lust) I will confess to being a long-time Nikon nut. When I acquired my first Nikon F in the early 1960s, I thought I had died and gone to heaven, and there are at least half a dozen Nikon cameras on my...

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Jason Schneider Posted: Mar 01, 2006 1 comments

This month we begin a new column with renowned "camera collector" Jason Schneider. Jason will be out there scouring camera stores, Internet sites, and camera shows to bring you the best bargains in user collectibles, recent gems, and vintage gear.
--Editor

Is there a camera enthusiast on the planet who hasn't pored over the...

Jason Schneider Posted: Jul 01, 2006 0 comments

Before launching into paeans of praise for the Nikon F, which, in my arrogant opinion, may well be the most important 35mm SLR of the 20th century, I must confess to being a tiny bit biased. When I acquired my first F as a teen-ager back in 1961 (alas after trading in a mint Leica IIIg with a 50mm f/2.8 collapsible Elmar) I knew I had finally arrived. I strutted around lower...

Jason Schneider Posted: Apr 01, 2007 0 comments

The redoubtable Nikon F3 was scorned by traditionalists in 1980, but variants of this modern classic remained in production for over 21 years--longer than any other pro 35mm SLR.

When the sleek, ergonomically contoured, ruggedly reliable Nikon F3 debuted back in '80, it was greeted with cheers and jeers. Some long-time Nikon fans were gratified to have an...

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Jason Schneider Posted: Jul 02, 2012 Published: May 01, 2012 4 comments
As advanced electronics continue to supplant more and more elements of camera function and design, often displacing optical and mechanical systems, the camera of the future is being redefined. To give you a clearer picture of the emerging technologies that are destined to change the shape of cameras to come, let’s take a closer look at the implications of some of the emerging new tech found in the latest models.

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