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Jason Schneider Posted: Aug 17, 2015 1 comments

Over the past few years an amazing transformation has been taking place in photographic lens design. As a result, scores of innovative new interchangeable lenses have recently been announced by major camera manufacturers, and by optical specialty companies such as Sigma, Tamron, and Tokina.

Jason Schneider Posted: Jul 20, 2015 1 comments

If you read our story on "7 Reasons You Still Need a Flash Bracket for Photography," perhaps you’ve decided it’s time to purchase one of these photography workhorses. Here are our recommendations for 8 Great Flash Brackets to help you achieve studio-quality lighting on the fly.

Jason Schneider Posted: Jul 20, 2015 0 comments

The flash bracket has become the “forgotten accessory” in photography but it’s still an essential tool if you’re looking to achieve consistent studio-quality lighting on the fly.

Jason Schneider Posted: Jan 28, 2015 0 comments

I’m hardly what you’d call a Film Dinosaur. Over 98% of the images I shoot are captured digitally. But, after I recently ran a dozen rolls of Kodak Tri-X 120 through some ancient medium-format roll film cameras, and had it developed, scanned, and printed on Fuji Crystal Archive photographic paper, I’m a much better digital photographer because of it.

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Jason Schneider Posted: May 20, 2014 Published: Apr 01, 2014 0 comments
Given that the physical and perceptual experience of making a photograph is shaped by technology, and that technology is also embedded in the resulting images, one of the chief and perhaps most profound changes in how we make an image has been the changes in focusing—and recently autofocusing—technology. There’s a reason that the documentary photojournalism of Lewis W. Hine (shot with a ponderous 5x7 view camera or a 4x5 Graflex SLR) has a qualitatively different feel from that of Alfred Eisenstaedt or Henri Cartier-Bresson (shot with pocket-sized 35mm rangefinder cameras). It’s not only framing—it’s responsiveness, spontaneity, and, perhaps, repose, that underlies what these image-makers showed us.
Jason Schneider Posted: Jul 02, 2012 Published: May 01, 2012 0 comments

As advanced electronics continue to supplant more and more elements of camera function and design, often displacing optical and mechanical systems, the camera of the future is being redefined. To give you a clearer picture of the emerging technologies that are destined to change the shape of cameras to come, let’s take a closer look at the implications of some of the emerging new tech found in the latest models.

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Jason Schneider Posted: Oct 26, 2011 Published: Sep 01, 2011 0 comments

The performance parameters of today’s cameras are flat-out astonishing. Many current entry-level and middle-tier D-SLRs provide image sensors with resolutions ranging from 12-18 megapixels (MP), burst rates of 5-7 fps, and full 1080p HD video capability. Sophisticated digital point-and-shoots are not far behind, with 10-14MP sensors, 720p or 1080p HD video, and respectable burst rates in the 3-5 fps range. Needless to say, pro and prosumer D-SLRs often exceed even these incredible specs, with sensors in the 20-25MP range, blistering burst rates up to 10 fps, deep buffers, and phenomenally rapid image processing software. Not surprisingly, flash memory manufacturers have responded with a veritable explosion of high-capacity, high-speed memory cards with incredible write speeds and an array of enhancements aimed at increasing reliability and security.

Jason Schneider Posted: Aug 01, 2010 0 comments

A while back I had picked my top 20 cameras of all time, a topic that still draws comment on the Shutterbug Forums. While few Shutterbug readers venomously assailed my choices or impugned my historical accuracy, practically everyone posting on The Top 20 Cameras of All Time Forum was rooting for their favorite cameras, or complaining that their gems weren’t included.

This...

Jason Schneider Posted: May 01, 2010 0 comments

The first digital Leica M with a full-frame, 24x36mm sensor (active area 23.9x35.8mm), the M9 offers 18-megapixel capture and unrestricted coverage with nearly the entire range of Leica lenses past and present, including extreme wide angles.

 

Perhaps even more important, the M9’s exclusive 18-megapixel CCD, developed by Kodak with input from Leica, has addressed the foibles that...

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Jason Schneider Posted: Aug 01, 2009 1 comments

Editor’s Note: Our intent in bringing you this interview is to give you a look inside the technical development of new products and laud the achievements of engineers, scientists, and designers who contribute to advances in photography and imaging. We look forward to publishing a series of these interviews from many different aspects of the photographic world in the future.

 

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