Rosalind Smith

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Rosalind Smith  |  Jan 01, 2006  |  First Published: Jan 01, 2007  |  0 comments

How do you translate an idea into an image? Or convert words into a photograph? How can a picture create a sense of fear and is this fear something we are born with? Perfect pitch... How might you define this phenomenon with your camera? Or hypergraphia, the compulsive need to write?

These were among the puzzles that confronted Cary Wolinsky for his story on...

Rosalind Smith  |  Nov 01, 2002  |  0 comments

"Photography is magic. It has always been and always will be for me--just magic. Because you see the world in a microcosm. You see the world on a piece of paper. And it is real in a way yet it is illusory. And it is a way of translating...

Rosalind Smith  |  Feb 01, 2009  |  1 comments

The photographs of Philip Perkis come from his own inner world; they are quiet images that speak to us intimately. Presented in a recent show at the Alan Klotz Gallery in New York, many of them grace the pages of his new book The Sadness of Men, published by The Quantuck Lane Press.

Currently a teacher at Pratt Institute and the School of Visual Arts...

Rosalind Smith  |  Mar 01, 1999  |  0 comments

People come and go in Raphael
Noz's photographs, unaware that the strange, little man holding
an object out in front of him is taking their picture. He encounters
his subjects crossing a street, at a bus stop, ori...

Rosalind Smith  |  Apr 01, 2009  |  0 comments

When Canadian engineer Joseph Cacic designed and built a tripod in the late 1990s that would accommodate bird’s eye aerial images, Boston photographer Frank Siteman was among his first customers. For Siteman it was the perfect solution for the environmental photographs that he favors. Weighing 75 lbs and easy to roll, the tripod can be placed in a garden without disturbing any of the floras...

Rosalind Smith  |  Feb 01, 2003  |  0 comments

Resonant Images

It is a spiritually rewarding experience to stand before the black and white photographs of David Fokos. The mood created by the large areas of rich blacks is haunting while the isolation of objects conjures...

Rosalind Smith  |  Apr 01, 2007  |  0 comments

As a newspaper photographer, you never know when you show up in the morning what you're going to be working on--sometimes it's an environmental portrait, other times a feature, or a documentary image that is posed," San Francisco-based Peter DaSilva says.

"Whatever it is, I need to produce a picture of quality every time I'm sent...

Rosalind Smith  |  Jan 01, 1998  |  0 comments

Peter McDonough is concerned
with perception; not the physiological aspects of perception, but rather
how the eye sees and converts its image, what people see and what they
don't see of a given subject. Quotingthe...

Rosalind Smith  |  Aug 01, 2003  |  0 comments

Steve Gottlieb's Abandoned America

Steve Gottlieb's photographs are bits of life that have vanished from our world forever--structures emptied of any signs of human existence, fragmented testimonials of our past.

Rosalind Smith  |  Sep 01, 2003  |  0 comments

The objects in Sal Lopes' latest photographs reveal themselves in surprising ways. Objects that appear insignificant to the naked eye become multidimensional as they unfold in full splendor in the darkroom. In one macro photograph a tiny rock takes...

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