LATEST ADDITIONS

Robert E. Mayer  |  Mar 01, 2010  |  0 comments

If, like many Shutterbug readers, you have a film SLR camera plus several interchangeable lenses, you might be wondering if you can use those lenses with your new D-SLR camera of the same, or even different, brand.

John Wade  |  Mar 01, 2010  |  0 comments

In 1947, the English Wray Optical Company took out a patent on an amazing and innovative 35mm Single Lens Reflex (SLR). It had an eye-level penta-prism viewfinder, instant return mirror, Through The Lens (TTL) metering, and a built-in clockwork motor drive—four features never before seen on this type of camera.

 

The design was acquired from an...

Jeff Wignall  |  Mar 01, 2010  |  0 comments

The following is a book excerpt from Jeff Wignall’s new book “Winning Digital Photo Contests.” Have you ever daydreamed about having your photo featured in a major publication, or displayed on a giant screen in Times Square? Do you want to compete for top prizes and worldwide recognition? Digital photo competitions are everywhere and this in-depth guide will show you how to find...

Howard Millard  |  Mar 01, 2010  |  0 comments

For portrait, wedding, landscape, and fine art photographers, Corel’s new Painter 11 excels when you want to emulate traditional art media from your images, including oil paint on canvas, pastels on textured art paper, woodcut, silkscreen, watercolor, and more.

Joe Farace  |  Mar 01, 2010  |  0 comments

“They have been at a great feast of languages, and stolen the scraps.”
—William Shakespeare

Although I like their search engine, I’m not a huge fan of Google as a company, but every now and then something happens that makes me appreciate some things they do. Take Google Alerts. These are e-mail updates of relevant Google results (web, news, etc.) based on your...

Staff  |  Mar 01, 2010  |  0 comments

I shot this image casually, as a friend and I relaxed in a nearly empty waterfront café after a shoot. I can’t tell you why I shot it, but I can tell you why it gradually has become a sort of personal favorite. Although it contains nothing dramatic, it says something very basic about photography.

We don’t know whose sunglasses these are, how they came to be...

Roger W. Hicks  |  Mar 01, 2010  |  0 comments

There are plenty of reasons to eschew perfect sharpness. A classic application was to suppress lines and wrinkles, or just for a light, airy mood: as Tallulah Bankhead once said, “They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.” Another reason is to create the sense of something half-remembered, imperfectly limned in the picture as in...

Joe Farace  |  Mar 01, 2010  |  0 comments

The new EOS 7D fills a gap in Canon’s D-SLR line-up that never existed before, fitting somewhere between the EOS 5D Mark II and EOS 50D; it also goes head-to-head with the Nikon 300S I tested for the January 2010 issue of Shutterbug.

Lou Jones and Bob Keenan and Steve Ostrowski  |  Mar 01, 2010  |  0 comments

“The difficult chore of lighting has been made easier using speedlights. Speedlights have the capability of being used wirelessly, automatically, and without additional accessories.

Howard Millard  |  Mar 01, 2010  |  0 comments

Whether you shoot people, products, or landscapes and nature, Mystical Tint Tone and Color 2.0 offers a cornucopia of 60 filters to add subtle to striking effects to enliven and enrich your photos.

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