CES Photo Tech Notes In an attempt to connect everything electronic, this year’s CES/PMA show in Las Vegas was awash in “smart” TVs, tablets, and various and sundry devices that can link to your device—be it phone, tablet, or camera—and allow you to access “image content” anywhere, anytime. There was also a rash of rough cameras, a 3D lens for still and video, new ways to customize your camera, and a major boost in USB storage and memory card speed.
Film & Film Cameras Here’s another in our series of reports from photokina 2012. As you will have noticed we do not attempt to create a laundry list of new products and companies from the show, but prefer to report on what struck our eye and thought might be of special interest to Shutterbug readers.
SIGMA DP3 Merrill The Sigma DP3 Merrill is the latest Sigma camera with the new Foveonsensor.
With this sensor, the camera can capture complete RGB information for every single pixel and doesn’t need to interpolate colors like all other digital cameras with Bayer pattern sensors.
Accessories, Albums & Presentation Products While photokina could be considered a distant memory, we have a number of reports yet to run that deal with products that were new to market and caught our reporter’s eye, and that in many cases are just becoming available now. Here’s a report on useful items filed by Roger Hicks that covers interesting accessories and other products he found at the show.
“From Fleeting to Forever” E-Book Most of us spend endless hours snapping pictures and recording video in an effort to preserve and recall the best moments in life. While smartphones and digital cameras have made it easier than ever to capture every fleeting moment, they’ve also created some unique challenges.
Pelican ProGear Pelican Products, Inc. has introduced the Pelican ProGear™ S130 Sport Elite Laptop/Camera Divider Pack, the newest addition to its consumer products line, Pelican ProGear.
Our Picture This! assignment this month was “Water Reflections,” and readers sent in a wide variety of images ranging from abstract to actual, with every shot showing the magical quality that happens when water and light interact. Often, images of reflections display the border between the real and the fanciful, and as the wind blows those borders become even less defined. In all, the images are a celebration of light and the fluid nature of perception. (Note: You have the option to view this page upside down as well, as many of the shots take on a whole other meaning when viewed that way.)
Epson today announced a continuation of its “Finish Strong” advertising campaign, developed by M&C Saatchi Los Angeles, with a new photography contest. Photographers are invited to submit an idea for Epson’s next Finish Strong ad. The winner will receive either an opportunity to attend an actual photo shoot with world-renowned photographer Joe McNally or a $5,000 cash prize.
The Fujifilm XF1 has a compact body with a retro design that is emphasized by the optional black, brown or red artificial leather and the matte metal finish. The camera doesn’t have an on/off switch but is activated by turning the lens ring on the camera front. This then opens the lens cover and extends the lens system.
Sigma Corporation has announced the new SIGMA DP3 Merrill, featuring a 50mm F2.8 lens. The SIGMA DP3 Merrill is the next generation of high image quality compact digital cameras. Equipped with the Foveon X3 image sensor, the DP3 Merrill ensures outstanding resolution and natural rendering with rich gradation as well as a three-dimensional feel.
Olympus has the M.ZUIKO ED 75-300mm f4.8-6.7 II lens (35mm equivalent 150-600mm). Olympus has redesigned the lens to match the distinctive OM-D E-M5 and PEN Micro Four Thirds series cameras and added a new advanced ZERO (Zuiko Extra-low Reflection Optical) coating to keep scratches off, and eliminate ghosting and lens flare even in bright lights.
The Samsung Galaxy is a new type of camera that’s more like a tablet computer with an integrated camera system. However, rather than using a small low resolution camera module (like smart phones and tablet computers) it offers a “real” camera module with an ultra zoom lens. This lens system offers a 21x zoom lens with a focal length of 23 to 483mm (35mm film equivalent).
The Noyes Museum of Art of Stockton College presents an Artist Talk: South Jersey Wetlands – Painting with Pixels by David Woeller on Thursday, February 21 at 6:30 pm. Woeller is a talented nature photographer and president of the Stay Focused Photo Club of the Forsythe National Wildlife Refuge. He will present a slideshow of his stunning photographs of the wetlands and coastal areas of New Jersey, describing his thought process for capturing each image. There will be a discussion of digital capture and processing and the freedom of expression that they have given photographers in the digital world. Images will include both traditional presentations and digital manipulations with an explanation of the processing techniques used and the reasoning for those choices. Questions and discussion are encouraged during the presentation.
Sony is expanding its popular E-mount camera system with the addition of two new lenses compatible with all alpha E-Mount cameras and semi-professional camcorders.
When mounted on any Sony α E-Mount camera, the sharp new SEL20F28 ”pancake” lens creates an exceptionally versatile, portable package ideal for a broad range of everyday shooting opportunities ranging from interiors to landscapes, street photography, casual snapshots and more.
With essays by ...
Feb 07, 2013
Published: Jan 01, 2013
From 1977 to 1983, Michael Somoroff, then a gifted young New York photographer in his twenties filled with passion, drive, and unbridled enthusiasm, had the privilege of photographing some of the greatest photographers of the 20th century, including Brassaï, Elliott Erwitt, Andreas Feininger, Ralph Gibson, André Kertész, Duane Michals, Arnold Newman, Helmut Newton, and Jacques Henri Lartigue, among others. He was first introduced to many of these icons through his father, Ben Somoroff, who studied under Alexey Brodovitch, and was one of the most influential still life photographers in the history of the medium. These photo sessions granted to Michael were deeply personal, and it was never his intention to make the resulting images public.