SIGMA DP3 Merrill The Sigma DP3 Merrill is the latest Sigma camera with the new Foveonsensor.
With this sensor, the camera can capture complete RGB information for every single pixel and doesn’t need to interpolate colors like all other digital cameras with Bayer pattern sensors.
Accessories, Albums & Presentation Products While photokina could be considered a distant memory, we have a number of reports yet to run that deal with products that were new to market and caught our reporter’s eye, and that in many cases are just becoming available now. Here’s a report on useful items filed by Roger Hicks that covers interesting accessories and other products he found at the show.
Nikon D600 The Nikon D600 is the smallest of the company’s full-format sensor cameras yet due to the same seals and protections as the Nikon D800 and its very robust body, it can be used outdoors under rugged and rainy weather conditions. The camera has a standard SLR design with a bright and large optical viewfinder. In addition, it offers a live preview on its 3.2” LCD screen, which has a high resolution of 921,000 RGB dots.
Tamron SP 24-70mm F/2.8 Di VC USD The difference between a “constant” aperture zoom and other standard zooms is that when you increase the focal length on the standard zoom the maximum aperture narrows. This might make the difference between being able to hand hold or not when zooming in, and may indeed force the use of higher ISOs. Known as “fast” lenses, constant aperture zooms are pricier and bulkier than their variable-aperture counterparts.
Sony is expanding its popular E-mount camera system with the addition of two new lenses compatible with all alpha E-Mount cameras and semi-professional camcorders.
When mounted on any Sony α E-Mount camera, the sharp new SEL20F28 ”pancake” lens creates an exceptionally versatile, portable package ideal for a broad range of everyday shooting opportunities ranging from interiors to landscapes, street photography, casual snapshots and more.
With essays by ...
Feb 07, 2013
Published: Jan 01, 2013
From 1977 to 1983, Michael Somoroff, then a gifted young New York photographer in his twenties filled with passion, drive, and unbridled enthusiasm, had the privilege of photographing some of the greatest photographers of the 20th century, including Brassaï, Elliott Erwitt, Andreas Feininger, Ralph Gibson, André Kertész, Duane Michals, Arnold Newman, Helmut Newton, and Jacques Henri Lartigue, among others. He was first introduced to many of these icons through his father, Ben Somoroff, who studied under Alexey Brodovitch, and was one of the most influential still life photographers in the history of the medium. These photo sessions granted to Michael were deeply personal, and it was never his intention to make the resulting images public.
This pair of cream-colored mountain goats presented themselves on one of my early morning trips to the Mt. Evans Wilderness in Arapaho National Forest, southwest of Idaho Springs, Colorado. They could have been mates, sisters, brothers, or rivals. The hair raised along their backbones, particularly the goat on the right, suggests they were spooked by the presence of people. At 13,000 feet above sea level, this scene, as well as the thin air, literally took my breath away. Only three photographers were privileged to shoot this scene, which changed a second later, for eternity. Nature and photography are funny that way.
Growing up in San Juan, Puerto Rico, I used to love playing in the Spanish colonial castles in Old San Juan, imagining I was a Spanish conquistador getting ready to do battle with foreign attackers. My interest in castles and history has never subsided, although the only shooting I imagine anymore involves my camera, not guns. I was therefore excited when I had the opportunity to visit and photograph a number of castles in Northumberland, a region located in England’s northeastern corner abutting the North Sea. Besides its numerous castles, Northumberland also features wide beaches and tall sand dunes, rugged cliffs, rolling hills, and quaint fishing villages.
There are those who make prints often, and there are those who make prints occasionally. The split, you might think, is between amateur and pro, but that’s not always the case. Some “amateurs” print as much if not more than some pros, and some pros make their own prints only when they have time, usually for their personal portfolio, but certainly not on every job. That’s why pigeonholing the Epson R3000 in terms of intended audience, amateur or pro, is not so easy. It certainly delivers the quality you might expect from a higher-end Epson model, given its attributes, ink set, fine nozzles, and highly evolved print head, etc., but it’s by no means a volume/production printer, given its single sheet feed for “art” paper, albeit with larger capacity ink carts than some past 13x19” printers, and roll feed capability.
The Ojibways, inhabitants of the Lake Superior Region for some five centuries, had a name for tribal bands that lived on the south and north shores of the lake they called Keche Gumme. They were called Keche-gumme-wi-ne-wug—Men of the Great Water. If there is one non-Native American who deserves to be an honorary member of those lake dwellers, it’s nature photographer Craig Blacklock.
Nikon Inc. has introduced the AF-S NIKKOR 800mm f/5.6E FL ED VR super-telephoto lens. Specifically engineered for sports, wildlife and photojournalists, the 800mm f/5.6 offers the longest focal length of any NIKKOR autofocus (AF) lens, affording photographers the opportunity to get closer to their subject with extreme telephoto capability.
Our Picture This! assignment this month was “In the Forest,” and judging by the number of images we received it’s clear that readers love to spend time and photograph in the forest as much as we do. As you’ll see, the photos ranged from mystical to magnificent, with patterns, color, and light and shadow play all playing a part.
The Phottix BG-5DIII Multi Function Battery Grip is made for use with the Canon EOS 5D Mark III D-SLR. It holds one or two LP-E6 or six AA batteries and features AF/On, FEL and AF Points buttons, a vertical shutter button, a command dial, and a power switch. The BG-5DIII provides a comfortable vertical shooting position with an additional shutter release and a scroll wheel for access to the camera’s functions when shooting in vertical orientation. It features a tripod socket, comes with a user’s guide, and has a retail value of $129.99.
Argraph Corporation is introducing two new pro-level photo/video monopods.
The Sirui P-324X and P-424X Photo/Video Monopods have three sturdy fold-down support feet that provide the stability of a tripod with the convenience of a monopod! The rugged feet can be stepped on, to prevent the monopod from moving, allowing you to creatively pan the monopod 360° and tilt up to 15° in any direction. This is possible thanks to the extremely smooth and adjustable ball head base located on the bottom of the monopod leg.
When not needed, the support feet fold flush and lock in place against the monopod leg, allowing it to be used as a conventional monopod. The large, slip-free rubber foot lets you work on any surface.