Film & Film Cameras Here’s another in our series of reports from photokina 2012. As you will have noticed we do not attempt to create a laundry list of new products and companies from the show, but prefer to report on what struck our eye and thought might be of special interest to Shutterbug readers.
SIGMA DP3 Merrill The Sigma DP3 Merrill is the latest Sigma camera with the new Foveonsensor.
With this sensor, the camera can capture complete RGB information for every single pixel and doesn’t need to interpolate colors like all other digital cameras with Bayer pattern sensors.
Accessories, Albums & Presentation Products While photokina could be considered a distant memory, we have a number of reports yet to run that deal with products that were new to market and caught our reporter’s eye, and that in many cases are just becoming available now. Here’s a report on useful items filed by Roger Hicks that covers interesting accessories and other products he found at the show.
Nikon D600 The Nikon D600 is the smallest of the company’s full-format sensor cameras yet due to the same seals and protections as the Nikon D800 and its very robust body, it can be used outdoors under rugged and rainy weather conditions. The camera has a standard SLR design with a bright and large optical viewfinder. In addition, it offers a live preview on its 3.2” LCD screen, which has a high resolution of 921,000 RGB dots.
The Fujifilm XF1 has a compact body with a retro design that is emphasized by the optional black, brown or red artificial leather and the matte metal finish. The camera doesn’t have an on/off switch but is activated by turning the lens ring on the camera front. This then opens the lens cover and extends the lens system.
Sigma Corporation has announced the new SIGMA DP3 Merrill, featuring a 50mm F2.8 lens. The SIGMA DP3 Merrill is the next generation of high image quality compact digital cameras. Equipped with the Foveon X3 image sensor, the DP3 Merrill ensures outstanding resolution and natural rendering with rich gradation as well as a three-dimensional feel.
Olympus has the M.ZUIKO ED 75-300mm f4.8-6.7 II lens (35mm equivalent 150-600mm). Olympus has redesigned the lens to match the distinctive OM-D E-M5 and PEN Micro Four Thirds series cameras and added a new advanced ZERO (Zuiko Extra-low Reflection Optical) coating to keep scratches off, and eliminate ghosting and lens flare even in bright lights.
The Samsung Galaxy is a new type of camera that’s more like a tablet computer with an integrated camera system. However, rather than using a small low resolution camera module (like smart phones and tablet computers) it offers a “real” camera module with an ultra zoom lens. This lens system offers a 21x zoom lens with a focal length of 23 to 483mm (35mm film equivalent).
The Noyes Museum of Art of Stockton College presents an Artist Talk: South Jersey Wetlands – Painting with Pixels by David Woeller on Thursday, February 21 at 6:30 pm. Woeller is a talented nature photographer and president of the Stay Focused Photo Club of the Forsythe National Wildlife Refuge. He will present a slideshow of his stunning photographs of the wetlands and coastal areas of New Jersey, describing his thought process for capturing each image. There will be a discussion of digital capture and processing and the freedom of expression that they have given photographers in the digital world. Images will include both traditional presentations and digital manipulations with an explanation of the processing techniques used and the reasoning for those choices. Questions and discussion are encouraged during the presentation.
Sony is expanding its popular E-mount camera system with the addition of two new lenses compatible with all alpha E-Mount cameras and semi-professional camcorders.
When mounted on any Sony α E-Mount camera, the sharp new SEL20F28 ”pancake” lens creates an exceptionally versatile, portable package ideal for a broad range of everyday shooting opportunities ranging from interiors to landscapes, street photography, casual snapshots and more.
With essays by ...
Feb 07, 2013
Published: Jan 01, 2013
From 1977 to 1983, Michael Somoroff, then a gifted young New York photographer in his twenties filled with passion, drive, and unbridled enthusiasm, had the privilege of photographing some of the greatest photographers of the 20th century, including Brassaï, Elliott Erwitt, Andreas Feininger, Ralph Gibson, André Kertész, Duane Michals, Arnold Newman, Helmut Newton, and Jacques Henri Lartigue, among others. He was first introduced to many of these icons through his father, Ben Somoroff, who studied under Alexey Brodovitch, and was one of the most influential still life photographers in the history of the medium. These photo sessions granted to Michael were deeply personal, and it was never his intention to make the resulting images public.
This pair of cream-colored mountain goats presented themselves on one of my early morning trips to the Mt. Evans Wilderness in Arapaho National Forest, southwest of Idaho Springs, Colorado. They could have been mates, sisters, brothers, or rivals. The hair raised along their backbones, particularly the goat on the right, suggests they were spooked by the presence of people. At 13,000 feet above sea level, this scene, as well as the thin air, literally took my breath away. Only three photographers were privileged to shoot this scene, which changed a second later, for eternity. Nature and photography are funny that way.
Growing up in San Juan, Puerto Rico, I used to love playing in the Spanish colonial castles in Old San Juan, imagining I was a Spanish conquistador getting ready to do battle with foreign attackers. My interest in castles and history has never subsided, although the only shooting I imagine anymore involves my camera, not guns. I was therefore excited when I had the opportunity to visit and photograph a number of castles in Northumberland, a region located in England’s northeastern corner abutting the North Sea. Besides its numerous castles, Northumberland also features wide beaches and tall sand dunes, rugged cliffs, rolling hills, and quaint fishing villages.
There are those who make prints often, and there are those who make prints occasionally. The split, you might think, is between amateur and pro, but that’s not always the case. Some “amateurs” print as much if not more than some pros, and some pros make their own prints only when they have time, usually for their personal portfolio, but certainly not on every job. That’s why pigeonholing the Epson R3000 in terms of intended audience, amateur or pro, is not so easy. It certainly delivers the quality you might expect from a higher-end Epson model, given its attributes, ink set, fine nozzles, and highly evolved print head, etc., but it’s by no means a volume/production printer, given its single sheet feed for “art” paper, albeit with larger capacity ink carts than some past 13x19” printers, and roll feed capability.