LATEST ADDITIONS

Filed under
Jay Abend Posted: May 01, 2002 0 comments

In my quixotic search to find the perfect location strobe system I've used and owned practically everything--including dry-cell powered Matadors in the 1970s to Norman 200bs in the '80s to Lumedynes and Hensels in the '90s, I've tried everything.

Filed under
Steve Bedell Posted: May 01, 2002 0 comments

I must admit that when I travel I usually don't bring along a lot of camera gear. Depending on my mood and how much I've been shooting before I travel, I can bring anything from a full medium format system with back up to a point-and-shoot 35.

Filed under
Frances E. Schultz Posted: May 01, 2002 1 comments

One of the never-ending
fascinations of darkroom work is the way in which you can manipulate your
images. Two effects in particular, softening and vignetting, can give
you lovely, vintage looking pictures with a minimum of effort. Both tend
to...

Filed under
Jay McCabe Posted: May 01, 2002 0 comments


San Joaquin
Delta College
Stockton, California

Filed under
David Wade Posted: May 01, 2002 0 comments

Call it photographer's myopia. Or maybe it's the "greener pastures" syndrome. Why is it that photographers, seeking more exotic locales often overlook the most interesting subjects right in their own backyard? It took me more than 12 years working as a photographer in...

Filed under
W.L. Fadner Posted: May 01, 2002 0 comments

The MZ-S is Pentax's recently
introduced professional level camera with new styling and some excellent
new features. It is the replacement camera for the Pentax PZ-1P, although
that camera is still available.

Filed under
Monte Zucker Posted: May 01, 2002 0 comments

Photoshop Fun
Sammon's photography and knowledge of Photoshop flipped us all out. He inspired me to try things that I have never done before. Here, I've taken one of my simple sunrise shots and in Photoshop modified it by going through...

Filed under
Clint Farlinger Posted: May 01, 2002 0 comments

"What are you photographing?" I was so lost in the scene in my viewfinder that it took a few moments before I realized she was talking to me.

"All the textures and colors in the...

Filed under
Ben Clay/Web Photo School Posted: May 01, 2002 0 comments

Most people assume that professional portraiture requires expensive camera strobes for good results. Strobes can work beautifully with portraits, particularly when used with softboxes, but they are not necessary in many situations. Armed with equipment to...

Filed under
Larry Mulvehill Posted: May 01, 2002 0 comments

As a film-based Nikon photographer for 40 years, I made my first foray into digital with the purchase of a Nikon D1 before leaving for a month in southeast Asia. I was determined to satisfy my urge to use digital exclusively on this trip in a totally professional way...

Pages

Share | |

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading