LATEST ADDITIONS

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Monte Zucker Posted: Sep 01, 2002 0 comments

I began my column last month by saying, "I really never know what to expect when I'm taking one of my classes on a field trip." Boy, is that the truth! Since I began this column a couple of weeks ago I've been on several more field trips, all of which have continued to...

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Robert E. Mayer Posted: Sep 01, 2002 0 comments

Most devoted photographers will have several different types and sizes of light boxes for use in a variety of situations. Possibly the most common use for a smaller, basic light box is in the darkroom to evaluate a negative or transparency prior to...

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Ben Clay/Web Photo School Posted: Sep 01, 2002 0 comments

Recently, I was at a local dance studio taking a headshot for one of their dancers, Crystal. While headshots can be fairly straightforward, it is always good to keep different lighting approaches in mind. Here, I ran through some fairly fundamental...

Joe Farace Posted: Sep 01, 2002 0 comments

Produced in cooperation with Panasonic, Leica's 4-megapixel Digilux 1 digital camera has a die-cast magnesium body and a form factor that echoes their traditional rangefinder cameras. When I first heard the Leica Digilux 1 would take styling cues...

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Rosalind Smith Posted: Sep 01, 2002 Published: Aug 01, 2002 0 comments

Judith Vejvoda began her photographic career at the Art Institute of Boston in 1982. While there she photographed jazz musicians and performance pieces that were published in the Boston Globe Magazine. In 1998 she left Boston and pursued her graduate degree...

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Michael LaRosa Posted: Sep 01, 2002 0 comments

A coat hanger with one clothespin to hold the film on at the top and another to keep it from curling at the bottom worked well enough for me for quite some time. In my home darkroom--a large closet in the back bedroom--there is seldom a need to rush things. But when I recently purchased a new monolight...

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Rick Sammon Posted: Sep 01, 2002 0 comments

"It's the light Rick. You have to see the beautiful quality of light that you find only in Taos." That's what George Schaub, Shutterbug's Editorial Director, told me shortly before our Taos Digital Photo Workshop, which was held in April of this...

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Darryl C. Nicholas Posted: Sep 01, 2002 0 comments

Making prints from color negatives in a home darkroom is not nearly as difficult as most folks seem to think it is. You just need to have a little understanding of the equipment and materials you are using. After that, everything else sort of falls into...

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Joe Farace Posted: Sep 01, 2002 0 comments

"Nature and books belong to the eyes that see them."--Ralph Waldo Emerson

All kinds of photographers, from amateurs to aspiring pros to professionals, are using e-books to share their...

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David B. Brooks Posted: Sep 01, 2002 0 comments

Scanner software driver pre-scan tools have come a long way in the last few years, but scanning black and white silver-based film negatives has remained a neglected stepchild. This is not to say some scanners don't work OK with some black and white negative films. But if you want optimum quality with all...

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