Pro Techniques
Sort By: Post Date | Title | Publish Date
Pro Techniques
Lou Jacobs Jr. Apr 01, 2011 1 comments

When the Virginia Tourism Corporation needed a series of illustrations, to help publicize tourism with imaginative style, photographer Keith Lanpher, based in Norfolk, was chosen for the job. This was a location project that called for seven days of shooting with numerous models as well as a passel of dogs and a large smoke machine.

Lanpher knew it would...

Pro Techniques
Maynard Switzer Mar 01, 2011 1 comments

I’m writing this in mid-December as I’m making plans for a February trip to Vietnam. As those plans are shaping up, it might be a good time to talk about how I decide what to take on my photo trips and how I try to ease it all through the world’s airports.

The gear I take depends on where I’m going, how long I’ll be there, and what I expect to accomplish. One thing I know from the...

Gary Fong Mar 01, 2011 2 comments

Many photographers will walk out the door for a portrait shoot with little more than a camera and a reflector. They do so based on the common belief that flash photography is meant exclusively for indoor shooting, that flash is only used when there isn’t enough light to achieve a perfect exposure. However, based on my experience, a flash combined with a few affordable accessories has tremendous...

Pro Techniques
Lorraine A. DarConte Mar 01, 2011 1 comments

In recent years, “posing” has made a big comeback thanks in part to the deluge of photo enthusiasts with decent, affordable equipment who have swelled the ranks of wedding photographers to the point of bursting. This situation isn’t likely to change any time soon, so smart photographers have been buying books and videos and attending workshops and conventions to learn how to properly pose people...

Pro Techniques
Mike Ware Mar 01, 2011 1 comments

For its first 160 years, photography was based on silver. Effectively all camera negatives have to be made of this metal because only silver halides are fast enough to record analog chemical images “instantaneously”—or even in a couple of minutes. But printing from the negative need not be speedy, so the door is open to several slower photochemical processes for printmaking.

Lighting, Pro Techniques
Steve Bedell Mar 01, 2011 1 comments

Most of us know about making outdoor portraits using the small fill flash on our cameras. But these photos have a “look” that tells everyone they were “made with flash.” They have a flat, often harsh look to them. A more sophisticated technique that can be accessed with many new cameras is the use of off-camera flash; you can even use multiple units controlled directly from the camera. I use...

Pro Techniques
Jack Neubart Feb 01, 2011 0 comments

“My look is all about capturing a natural quality in the person I’m portraying,” Bil Zelman observes. “I find that strobe is very distracting for people.” That doesn’t mean that Zelman entirely shuns strobe. On the contrary, he’ll use it, but more often than not chooses available light to imbue the shot with the quality he’s after. As we’ll...

Pro Techniques
George Schaub Feb 01, 2011 0 comments

Every digital image starts out as a color image, an RGB that, when shot in Raw format and loaded as a 16-bit file, contains millions of color and brightness codes. These codes, or pixel addresses, can be manipulated in many ways using presets or “manual” adjustments to create looks that range from “true” to highly stylistic interpretations of the content within the image.

Pro Techniques
Steve Bedell Feb 01, 2011 0 comments

Eric Luden is a former executive at Ilford Photo, a noted commercial and fine art photographer, and the founder of Digital Silver Imaging, a New England lab that works exclusively in black and white. During the 1990s, he served as a consultant with Eastman Kodak’s black-and-white division before joining Ilford, where he worked for over 12 years. In 2006, he became the VP of North American...

Maynard Switzer Jan 01, 2011 0 comments

Ten years ago, when I was primarily a fashion photographer, I did a shoot in Cuba. Normally I’d have used medium and long telephoto lenses, but because the narrow streets I was shooting on featured colorfully painted walls, I switched to a 35mm lens. With that lens I was able to show not only the models but also the background, which revealed a bit about the location. Equally important, I...

Pro Techniques
Lou Jacobs Jr. Dec 01, 2010 0 comments

Photo Arts group members live in the Palm Springs, Redlands, and Joshua Tree areas of California, and we are very informal with no officers or rules at monthly meetings. We exchange critiques and chat about photography in many of its myriad forms. We also eat well.

Some members are experts in Photoshop and related programs, some are infrared fans, a few favor black and white, and...

Jack Neubart Dec 01, 2010 4 comments

Berlin is a vibrant city, alive with a history, culture, and counterculture all its own. I didn’t expect to fall in love with it, but did. Interestingly, everywhere you turn in this metropolis you see huge derricks craning their necks in the midst of constructing yet another building. While many scenes may reflect this burgeoning vitality, there are countless views free of any construction...

Pro Techniques
Jack Neubart Nov 01, 2010 1 comments

“I can trace my roots in photography back to when I was a student at the Ontario College of Art (Toronto),” Andrew Eccles recalls. “But there was one problem: back then, I found it intimidating to approach people with the camera, so I avoided photographing them.

“Then I came to New York and started studying magazines such as Rolling Stone, and, through a...

Pro Techniques
Jack Neubart Oct 01, 2010 0 comments

“Most of the photo equipment that I use is rented,” says Atlanta, Georgia-based pro photographer David Stuart (www.davidstuart.net). “I don’t even own that much gear to begin with.”

For most of his assignments, Stuart prefers a Hasselblad H2 with a Phase One P 45+ back...

Pro Techniques
Jay McCabe Oct 01, 2010 0 comments

I’ve shamelessly borrowed the title of E.B. White’s classic 1949 essay, and I’ve done it because my first views of Lindsay Silverman’s High Dynamic Range (HDR) photos of New York made me think of White, wandering the city, constantly re-examining its continuing spectacle in the hope that he could put it on paper.

Lindsay’s...