The Nissin Di622 Mark II offered some notable improvements over the original Di622, but that flash didn’t offer the firepower of the Nissin flagship Di866 Professional. So I was curious and eager to see what the new Di866 Mark II Professional had in store.
“Many of my portraits come out of the sense that it is a conversation with the person being photographed,” Donald Graham observes. “It’s important to look deeply into a person’s eyes and, in so doing, to understand better who that person is.”
Graham, who works around the world but primarily in Los Angeles and New York, did not arrive at this viewpoint overnight. A pro shooter since 1983, he focuses on fashion, movies, music, and advertising. “My specialty is clearly people.”
Gitzo turned the tripod world upside down—literally—when the company first introduced the Traveler, a true travel tripod. This lightweight carbon-fiber support was unusual for its inverted, contortionist-like design, where the legs fold back 180 degrees on themselves and the leg tips hug the ball head, making it more compact.
For those who travel far and wide there’s nothing to beat the convenience and comfort of a roller camera case. With a roller in tow, instead of a heavy pack on your back or a bag hanging off your shoulder, you’re likely to arrive feeling less fatigued. In this roundup we’ll take a look at a good sampling of roller bags that are especially constructed for photographers.
I’ve worked with numerous macro flash systems. Most focus on the flash being on axis with the lens, often in the form of a ring flash mounted directly onto the lens. Alternatively, a twin-head system can be used, which attaches by way of a mounting ring. Here, the ultra-lightweight/ compact heads practically hug the lens. Usually, the flash heads are tethered to a controller, which also serves as the battery housing. While they may have some freedom of movement, the individual flash heads can’t be easily used entirely off-camera because they have nothing to support them when you’re shooting handheld.
“I started in my father’s darkroom, retouching negatives at 5 years old,” recalls New York City-based photographer Paul Aresu. “My father was a wedding photographer, with 10 studios and maybe 50 photographers working under him.” In his late teens, Aresu was already shooting weddings for his dad. “It grew from there.” He achieved a BFA from New York’s School of Visual Arts and went on to assist Pete Turner and Tom Arma for several years. “I learned a lot about the business from them.”
Tabletop photography can be a small product or it may be a fantasy world in miniature. It can be used to make flattering images of things you want to sell online, as a way to catalog a collection you own or as a photographic exercise for a rainy day.
Slik introduced the first pistol grip over 25 years ago, heralding an innovative adaptation of the ball socket head. Still in production, that head has not changed, but today there are numerous variations on this basic design. Several are fashioned along the lines of a video game joystick. Two other types included here are the collar lock ball head and what I call the “vice grip” head.
While I’ve found Nikon’s wireless TTL system to be a great asset, I also understand that it has inherent weaknesses when used around obstacles that block the signal, as well as outdoors beyond a few feet or under sunlight. Enter PocketWizard’s ControlTL (Control The Light) TTL-auto radios for Nikon (originally introduced for Canon). These radios are designed to respond in every respect as a dedicated extension of the Nikon CLS/i-TTL system. And they have the potential to do that, provided you keep on top of firmware updates (www.pocketwizard.com/support). I conducted my tests using my Nikon D300 together with the Nikon SB-900 speedlight (verified by PocketWizard as compatible) and briefly an SB-700 (not confirmed at time of testing).
Erik Almas is truly passionate about his photography and will go to great heights to shoot a picture—literally. He and his camera have gone mountain climbing, skydiving, and flying in microlight aircraft. That said, most of his images are shot on terra firma.
Beyond that, he will spend upward of $10,000 on a personal project to create images he strongly believes in for his portfolio. The project may involve travel with a crew and hired talent and renting gear where needed. He does not believe in limiting himself or his creative vision, and his clients appreciate that.