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Jack Neubart Posted: Feb 01, 2016 0 comments

Without telling us why, Olympus ferried a number of the photo press to Austin, Texas last week, myself included. As it turned out, the purpose was to debut the new Olympus Pen-F Micro Four Thirds digital mirrorless camera ($1199.99, body only). We got to test out the new Olympus Pen-F for several days in Austin, and all I can say is, Wow! 

Jack Neubart Posted: Jan 29, 2016 0 comments

Scott Serfas is one photographer who likes to get in on the action. In fact, he thrives on it. There is a certain amount of serendipity involved, but there is also a certain amount of passive control, in the sense that Serfas knows what to expect and expects the unexpected.

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Jack Neubart Posted: Jan 06, 2016 0 comments

Call them what you will – ultra-wides or super-wides – I love ‘em. By covering a breathtaking expanse, these types of extreme wide-angle lenses are not only capable of capturing most landscapes, they also help sweep you into that landscape, making you feel a part of the scene in the process.

Jack Neubart Posted: Dec 29, 2015 0 comments

For those of you who have never worked in medium format, trust me, there is a difference you can see and feel. It’s no wonder that photographers such as Douglas Sonders choose a medium format camera system over a DSLR for the bulk of their work. And in Sonders’s case, his workhorse camera system is Phase One.

Jack Neubart Posted: Dec 01, 2015 0 comments

For a sports photographer, the thrill of the game is superseded only by the thrill of capturing that peak moment of action. For the uninitiated, photographing a sport—especially football—can be intimidating and certainly challenging. Hit-or-miss, in fact. But not to a seasoned pro like Peter Read Miller. This illustrious Sports Illustrated photographer, who now largely shoots for commercial clients, shares with us his experience and knowledge of how to shoot the game of football.

Jack Neubart Posted: Nov 06, 2015 0 comments
Cole Thompson is a refreshing voice in photography, speaking through the medium of black and white as he sees it. Self-taught, he seeks out the simple and intrinsic beauty in life and the world around him. For Thompson, shades of black, white, and gray are enough to define the most complex elements that surround us, even the nature of the universe.
Jack Neubart Posted: Oct 06, 2015 0 comments

Dividing his time between his New York City and Paris studios, photographer Adam Savitch specializes in still life and motion studies for advertising and editorial clients, often with an avant-garde mindset. When it comes to lighting, Savitch believes in the old adage “less is more.” He doesn’t throw a light at every nook and cranny of his tabletop sets. Instead he mostly employs only one light and finesses its effect on the subject.

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Jack Neubart Posted: Sep 28, 2015 0 comments
A colorful dragonfly alighted on a tree branch adjacent to the patio, so I went inside to grab my Nikon D300 and attached a Tamron 70-300mm lens. With strong backlighting, flash fill was mandatory, so I added an SB-900 speedlight to the mix.
Jack Neubart Posted: Sep 15, 2015 0 comments

Award-winning photographer and filmmaker/director Vincent Laforet has observed the world from both sides now: on the ground and in the air. And these days, he much prefers shooting from an elevated perspective that is proving both challenging and exciting, with a hint of danger to spice things up. What is that element of danger? Flying thousands of feet up in an open helicopter—at night, no less. Strap yourselves in for a wild ride…
Who Is Vincent Laforet?

Jack Neubart Posted: Aug 21, 2015 0 comments

I didn’t realize how much I could appreciate a mirrorless CSC (Compact System Camera) till, after working with the Samsung NX500 for several days, I picked up my Nikon D610 DSLR and realized I was carrying a brick in my hands. Don’t get me wrong, though. I still love my D610 and wouldn’t trade it in for anything (not just yet), but the new NX500 felt like a feather around my neck and in my hands. Even when I added the relatively heavy 50-150mm S-series lens, the combo still left me feeling as if I were working with a lyre, not a harp. Admittedly, like the lyre, it’s not as full-bodied an instrument, but the NX500 still plays a sweet tune.

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