David B. Brooks

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David B. Brooks Posted: Aug 22, 2012 Published: Jul 01, 2012 1 comments
Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All questions sent to him will be answered with the most appropriate information he can access and provide. However, not all questions and answers will appear in this department. Readers can send questions to David Brooks addressed to Shutterbug magazine, through the Shutterbug website (www.shutterbug.com), directly via e-mail to: editorial@shutterbug.com or goofotografx@gmail.com or by US Mail to: David Brooks, PO Box 2830, Lompoc, CA 93438.
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David B. Brooks Posted: Jul 23, 2012 Published: Jun 01, 2012 19 comments
Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All questions sent to him will be answered with the most appropriate information he can access and provide. However, not all questions and answers will appear in this department. Readers can send questions to David Brooks addressed to Shutterbug magazine, through the Shutterbug website (www.shutterbug.com), directly via e-mail to: editorial@shutterbug.com or goofotografx@gmail.com or by US Mail to: David Brooks, PO Box 2830, Lompoc, CA 93438.
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David B. Brooks Posted: Jun 29, 2012 Published: May 01, 2012 1 comments
Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All questions sent to him will be answered with the most appropriate information he can access and provide. However, not all questions and answers will appear in this department. Readers can send questions to David Brooks addressed to Shutterbug magazine, through the Shutterbug website (www.shutterbug.com), directly via e-mail to: editorial@shutterbug.com or goofotografx@gmail.com or by US Mail to: David Brooks, PO Box 2830, Lompoc, CA 93438.
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David B. Brooks Posted: Jun 04, 2012 Published: Apr 01, 2012 0 comments
Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All questions sent to him will be answered with the most appropriate information he can access and provide. However, not all questions and answers will appear in this department. Readers can send questions to David Brooks addressed to Shutterbug magazine, through the Shutterbug website (www.shutterbug.com), directly via e-mail to: editorial@shutterbug.com or goofotografx@gmail.com or by US Mail to: David Brooks, PO Box 2830, Lompoc, CA 93438.
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David B. Brooks Posted: May 10, 2012 Published: Apr 01, 2012 45 comments
I usually do not write reports on new computers, but the new 2011 Apple Mac mini (www.apple.com) is an exception. It is not because it has the fastest CPU, as that is not a major advantage for working with digital photographs. In fact, doing digital photographic editing does not involve much computation (“compute” is to calculate or reckon a figure or amount) and no calculation is needed to edit an image with Photoshop. When an image editor opens a digital photographic file, the entire image, every pixel, is put into RAM memory.
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David B. Brooks Posted: Apr 24, 2012 Published: Mar 01, 2012 0 comments
Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All questions sent to him will be answered with the most appropriate information he can access and provide. However, not all questions and answers will appear in this department. Readers can send questions to David Brooks addressed to Shutterbug magazine, through the Shutterbug website (www.shutterbug.com), directly via e-mail to: editorial@shutterbug.com or goofotografx@gmail.com or by US Mail to: David Brooks, PO Box 2830, Lompoc, CA 93438.
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David B. Brooks Posted: Mar 28, 2012 Published: Feb 01, 2012 0 comments
Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All questions sent to him will be answered with the most appropriate information he can access and provide. However, not all questions and answers will appear in this department. Readers can send questions to David Brooks addressed to Shutterbug magazine, through the Shutterbug website (www.shutterbug.com), directly via e-mail to: editorial@shutterbug.com or goofotografx@gmail.com or by US Mail to: David Brooks, PO Box 2830, Lompoc, CA 93438.
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David B. Brooks Posted: Mar 15, 2012 Published: Feb 01, 2012 50 comments
If you are a serious digital photographer you probably have a good D-SLR camera. And you expect it will capture sharp, finely focused, high-quality photographic images. It follows that the display you choose should be capable of reproducing all the attributes and qualities your camera has recorded. Most of the displays sold with computers in box stores, however, are not much better at reproducing photographs than the old-type big and heavy CRTs we had back in the mid-1990s.
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David B. Brooks Posted: Mar 14, 2012 Published: Feb 01, 2012 31 comments
Pigment inks, CD disc printing, and moderate cost have kept me a loyal user of Epson Stylus Photo printers. I attribute this to the different set of ink colors compared to what’s found in Epson’s professional pigment-ink printers. With the R1900, and now the new R2000, besides the standard cyan, magenta, and yellow, there is red, blue, and orange ink in the set. I find this is favorable to reproducing all my favorite photography subjects, including people, flowers, and landscapes. But, you might ask, without support for black-and-white grayscale printing, how do I get by? Well, I actually use my R1900 to print black-and-white images and a good part of my testing with the R2000 involved printing black-and-white photographs as well.
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David B. Brooks Posted: Feb 21, 2012 Published: Jan 01, 2012 21 comments
In this month’s column David Brooks takes a brief recess on answering reader mail to address a topic that is the subject of many queries he receives—getting effective scans from your “old” film library. We think you’ll enjoy his observations and that you’ll find you have much in common with his experiences.—Editor

Many of the questions I receive in my e-mail involve what readers are doing, or want to do. A frequent topic involves what to do with a collection of old film photographs. That is also a problem I have and work at a lot these days, and my film library is the accumulation of a long lifetime of photography. But many of you have not started scanning your collection of film photographs yet. One reason may be that it’s intimidating, and like going in the water at the beginning of the season, getting your feet wet is the hard part. But the question I have the most difficulty answering is from those who want a quick and easy solution.

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