As a student at the Maryland Institute College of Art, I attended a class on color and my very first assignment was landscape photography. I wasn’t then or am I now a serious landscape photographer, but as a serious student I developed a set of personal guiding principles on the “what” and “how” of photographing landscapes that I still follow today. These four principles are not cast in concrete and are presented here only as guidelines for your own explorations in landscape photography.
I’m spending the next few days working with Tim Fiedler (www.dracophoto.com) on the latest incarnation of my how-to blog (www.joefaraceblogs.com). This new version features a WordPress (http://wordpress.org) structure and theme. WordPress originally started as a free blogging system but soon evolved into a full content management system, including access to thousands of plug-ins, widgets, and themes. In January, my blog was restructured to feature a different topic for each day and since this issue’s theme is Travel & Location Photography be sure to check in on Tuesday. There are subjects for the rest of the week, too, including Macro Monday, Landscape Wednesday, Automobile Thursday, and Portrait & Glamour Friday.
As I write this, the temperature outside my office window is -11˚. It’s at times like this when my thoughts go to my favorite (warm) place to kick back and relax. Acapulco is different from other Mexican resorts because it’s a city with a wonderful history first and a resort second, and then there’s that old Hollywood connection. You can see some of my Acapulco photos in the self-published book Acapulco, Paradise of the Americas (www.blurb.com/my/book/detail/196617) with text by my friend Don Bain. For examples of my travel photography, you can preview the first 15 pages and see why I love Acapulco so much. If you would like a copy, I’ve removed all markups from the softbound edition so Shutterbug readers and their friends can purchase it for just the cost of production and shipping.
I only get to be in touch with you once a month through this column and Digital Innovations, but if you want more frequent reports, you can follow me on Twitter (www.twitter.com/joefarace) for daily updates on what’s new in digital imaging along with a dash of silliness. What’s more, my how-to blog (www.joefaraceblogs.com) has been restructured to feature a different topic each day of the week, such as Macro Monday, Travel Tuesday, and because I ran out of alliterations, Landscape Wednesday, Automobile Thursday, and Portraits and Glamour Friday.
This month I’ll celebrate one of those “milestone” birthdays that everyone talks about and here in the Pixel Palace things are definitely looking up. Digital MD’s (www.digitalmd.net) Kevin Elliott repaired all of the Windows-related problems on the Boot Camp partition on my iMac and by the time you read this I’ll have installed Windows 7. Then I’ll be ready to test all of those $29 just-as-good-as-Photoshop Windows-only products that I’ve passed on as of late. There’s no news from Yahoo! about getting my Flickr account fixed but I don’t expect any and I am just too lazy to create a new account and upload all those photos—again. You can see what’s there at www.flickr.com/photos/joefarace or better yet visit my SmugMug page (http://farace.smugmug.com/) to see how my photo-a-day project is progressing and lots more.
Tamron has always been a pioneer in the do-everything zoom lens category and their new AF18-270mm F/3.5-6.3 Di II VC PZD lens is no exception. Don’t be intimidated by those initials—it’s all good stuff—and I’ll get to them shortly. The 18-270mm F/3.5-6.3 is part of Tamron’s Di II family of lenses that are engineered specifically for digital SLRs with image sensors measuring 24x16mm, typically referred to as APS-C. The sensor size of the Canon EOS 50D I tested the lens with measures 22.3x14.9mm so I guess that’s close enough. The 15x zoom range of the lens provides a 35mm focal length equivalency of 28.8-432mm with the Canon EOS 50D’s 1.6x multiplication factor, but that will be slightly different for the Nikon and Sony versions that are also available. Shooting full frame? Check out Tamron’s Di lens series for 35mm film cameras or digital SLRs featuring larger (24x36mm) sensors.
“It is pleasant to have been to a place the way a river went.”—Henry David Thoreau
In recent months I’ve devoted this column to various themes and this month have expanded that concept to include geography. All of the photographers featured this month are located in Montana, the Big Sky state, which I think has some of the most spectacular scenery here in the lower forty-eight, as their...
“Human mechanisms are made by human hands, Robin. None of them is infallible.”—Adam West as Batman
What’s in your utility belt? This month, I’ll introduce you to some useful Mac OS and Windows imaging software that will enhance productivity, increase your creativity, and often costs just a few bucks. To add some spice I’ve included a few useful hardware accessories that will make life in...
The Nikon D3100 ups the D3000’s megapixel ante from 10.2 megapixels to 14.2, adds Live View, video capture, and support for all functions of AI-P Nikkor lenses except autofocus and 3D Color Matrix Metering II.
Everybody knows the basic concept and conceit of High Dynamic Range (HDR) imaging but first let’s get rid of yet another unnecessary acronym. What does HDRI—High Dynamic Range Imaging—add to the discussion other than just another letter?