Color Efex Pro 4 is Nik Software’s (www.niksoftware.com) latest version of its digital photographic filter plug-ins for retouching and creative enhancements. It is Mac OS and Windows compatible and installs as a 32-bit and 64-bit plug-in for Adobe Photoshop CS4 or later, Lightroom 2.6 or later, Photoshop Elements 8 or later, or Apple Aperture 2.1.4 or later. The installer searches for all of the hosts that are on your computer and if you already have Photoshop, Lightroom, and Aperture installed, as I do, it will install Color Efex Pro 4 for all of the host applications.
One of the biggest improvements in Color Efex Pro 4 is the ability to use Filter Combinations that let you stack multiple filters, adjust each one’s opacity, and make selective adjustments to get the desired look. Each filter contains single-click starting points, making it possible to explore different options. Shades of Emeril Lagasse, there are Filter Recipes that let you customize and share filter combinations with others. Bam! Reminiscent of HDR Efex Pro, the 10 recipes that are part of the package are a quick way to get started using Color Efex Pro 4 and more are available for download on Nik Software’s website.
Many people’s New Year’s resolution is to lose weight and since, as of this writing, I’ve lost 53 lbs, that’s low on my list of possibilities. Last year in this column I announced a resolution to make a new photograph every day and post in a gallery called “2011 Photo of the Day” (http://farace.smugmug.com). If you visit it, you’ll see that I’ve only partially succeeded. The project turned out to be much harder than I expected and only heightened my appreciation of some of the Picture-a-Day blogs and websites featured in Web Profiles during 2011. Instead, my 2012 New Year’s resolution is to update all of my websites and blogs and I’m well on my way, including a long-overdue update to www.joefarace.com. In the meantime, you can draw some inspiration from the websites and blogs that are featured to kick off the New Year.
The half-frame 35mm Olympus Pen F was introduced in 1963 and featured none other than the late W. Eugene Smith, cigarette dangling from his lips, in magazine ads of the time. Its latest digital incarnation, the E-P3, is built using the Micro Four Thirds system that unlike the Pen F is not half-frame and uses the same chip size (17.3x13mm) as the standard Four Thirds system. Like the original Pen F, it’s an extremely sophisticated camera wrapped in a compact, interchangeable lens body that delivers SLR performance and lots more. The E-P3 is the flagship of the Olympus Micro Four Thirds system and part of a family of compact cameras that includes the E-PL3, E-PM1 a.k.a. Mini, new lenses, and a clever little wireless speedlight.
“We’ve got to consider the pros and cons, make a list, get advice…” —Jim Backus in Rebel Without a Cause
I don’t blame you for being confused. I just tested the EOS Rebel T3i, which I really, really liked, and along comes this review of the EOS Rebel T3. What’s the difference? In practical terms the Rebel T3 is somewhat smaller in size, lower in resolution (12.2 vs. 18 megapixel), and lacks the T3i’s swiveling LCD screen. Oh yeah, and it’s cheaper, too. But is it any good?
I want to extend holiday greetings to Shutterbug readers during this special time of the year. While the sites and blog presented this month do not have an overall theme—holiday or otherwise—they represent the work of talented photographers who are using the Internet to communicate and display their work. These sites come to me in many ways: sometimes a site is recommended by a reader, other times by the photographer themselves, but most times through research. This month I’ve expanded my search tools to include photographers who are following me on Twitter (www.twitter.com/joefarace), where every Monday through Friday I pass along tips, tools, and techniques that will hopefully improve your photographs. This is all done in the same spirit of giving that pervades this time of year but is offered by me on Twitter throughout the year.
This is the time of year when readers are looking for gift ideas for themselves, family, and loved ones, so, presented for your approval, is a list of gizmos, gadgets, and gear for the digitally-minded who think they “have everything” but didn’t know that they really needed more stuff to produce that ultimate image. You can use this month’s column as a shopping list for your favorite photographer or grab a Sharpie and circle all of the goodies that you want and leave it near where your spouse eats their Grape-Nuts. It’s worked for me.
Rebels have always delivered good value wrapped up in a compact package and it’s why I personally own two—a Rebel XT and a Rebel XTi—both of them converted to infrared-only capture. The 18-megapixel EOS Rebel T3i is clearly an evolutionary model in the line, but owners of older Rebels should take a hard look at this new model because it clearly represents Canon’s new face as reflected in the previously released EOS 60D—the flip-out screen, in-camera filters, and all that jazz.
The monolights that I’ve recently tested for Shutterbug combine power supply and flash head into a single unit. Handy, but an alternative approach is using power pack and flash head systems, such as those made by Broncolor (www.bronimaging.com), who offer these components as individual units that can be mixed and matched to produce different lighting setups.
It’s hard for me to believe that it’s November already. As I write this, the trees and plants on Daisy Hill are still in full bloom but this column gives me an opportunity to thank a few people who have helped me over this year. Thanks to Tim Fiedler (www.dracophoto.com) who is responsible for the redesign and implementation of my car photography website and blog (www.joefaraceshootscars.com). He also implemented my movie blog (www.ihatepopcorn.com) with an assist from Ralph Nelson (www.ralphnelson.com) who designed the header. Thanks also to Kevin Elliott (www.digitalmd.net), the computer guru who keeps my systems running. And finally I am thankful for the continuing friendship of my pal Barry Staver who started having monthly breakfasts with me 20 years ago ostensibly to share Photoshop tips but has evolved into much more than that.
Richard Avedon once said, “I think all art is about control—the encounter between control and the uncontrollable.” That’s what a dedicated studio, no matter what size it may be or where it may be located, provides a photographer. It is a safe haven from the real world where, like the Outer Limits voice says, you can control the lighting, the background, and the subject. When working in this kind of environment, I control everything from the subject’s pose to their clothing and makeup and the resulting photographs tend to be as much a portrait of me as they are of my subjects. What often emerges from all that control is a style. Photographic style is not something I’m conscious about when shooting but the truth is that over time we all develop a signature way of shooting. The danger is, of course, that we keep shooting that same way or different versions of the same shot for the rest of our lives, so any style you develop must grow and change as you learn. To get you started, here are a few tools that will help enhance or define your style.