Joe Farace

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Joe Farace Posted: Oct 24, 2012 Published: Sep 01, 2012 21 comments
If you’re looking for European build quality at a reasonable price, Multiblitz’s series of Profilux monolights are a good place to start. Built in Germany, the two Profilux models—250 and 500 watt second versions—are the perfect tool for the serious amateur or established professional and feature fast recycling times, short flash durations, and consistent color temperatures. The Profilux 250 has a five-stop power range that’s adjustable in 1/10-stop increments with a modeling lamp that delivers an expected service life of 2000 hours. The Profilux 500 delivers all of the same features as the 250 but with twice the output power.
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Joe Farace Posted: Oct 15, 2012 Published: Sep 01, 2012 2 comments
One trend much in evidence for lighting these days is the use of LED as a light source. Rotolight, distributed in the US by R.T.S. Inc. (www.rtsphoto.com), has several new products in this space, beginning with their RL48-B RingLight. As a continuous light source, the Rotolight is useful for video or still photography. The basic RL48-B includes a filter holder and a Lee Filters Calibration Filter Kit (CTO: 205, 223, and 285; ND/Diffusion: 298, 209, and 216).
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Joe Farace Posted: Oct 01, 2012 Published: Aug 01, 2012 8 comments
For the past 10 years, my personal photography has enjoyed a burst of creativity that Mary alternately credits to a change in camera brands and a change in my home office environment. Certainly living and working on Daisy Hill has renewed my interest in personal assignments, but I think improvements in imaging technology are another catalyst. How can hardware and software increase or help a person’s pursuit of creativity?
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Joe Farace Posted: Sep 26, 2012 Published: Aug 01, 2012 0 comments
I’m often asked how photographers can have their website appear in this column, so I decided to offer some advice that even if it doesn’t get you featured in Web Profiles will improve the quality of your site.

Don’t use Flash. It may be fun, but why spend time and money to limit the number of people who can view it? Using Flash means literally millions of iPhone and iPad users can’t see your site.

Avoid the temptation to fill the site with graphics that compete with your photographs. First impressions count and you want visitors to focus on your images.

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Joe Farace Posted: Sep 04, 2012 Published: Jul 01, 2012 6 comments
This month marks the anniversary of a column that began in July 1999 as Website of the Month and has evolved into Web Profiles. Along the way, I’ve tried to include tips and trends to help readers improve their own web-based activities. Take Pinterest (http://pinterest.com), for example. It’s a virtual pinboard that lets you organize and share images, among other stuff, with people on the web. It’s like Twitter (www.twitter.com) for your photographs! I’m going to give it a try and so should you. In the meantime, I’ll continue to seek out new websites, to boldly go…sorry, I got carried away. I try to include at least one Shutterbug reader’s site in each episode but I can’t always tell that from your site, so click the Contact button on my website, www.joefarace.com, and tell me about it. You could find yourself featured in an upcoming column.
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Joe Farace Posted: Aug 31, 2012 Published: Jul 01, 2012 1 comments
When I was studying photography at the Maryland Institute College of Art, one of my instructors commented that some of the best photographs were made in the break room. Not real photographs, mind you, but chitchat among my erstwhile colleagues about the great photographs they were going to make—someday. While some of those images may have eventually gotten made, I’ll bet only a few of my fellow students actually produced the photographs they talked about so excitedly. And that’s because it’s easy to get wrapped up in what you have been successfully doing for so long that you forget to explore what attracted you to photography in the first place. You can be so mesmerized by the pixels on your monitor that you forget to create new photographs, something that’s different from the last batch of images captured. That’s why I think it’s a good idea to not only take time to smell the roses but to photograph them as well.
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Joe Farace Posted: Aug 16, 2012 0 comments
A typical digital camera’s sensor sees a range of light in wavelengths from approximately 350 to 1000 nanometers. A nanometer (nm) is a metric unit of length equal to one billionth of a meter. Your eyes usually see a range of light from approximately 400 to 700 nanometers. Most digital cameras place a low pass filter directly in front of the imaging sensor to allow low frequency light visible to the human eye to pass through to the sensor. It blocks unwanted light from the infrared and ultraviolet spectrums (the high end and the low end wavelengths) from polluting a photograph’s color. As owners of early Leica M8 cameras quickly discovered, this piece of glass is very important for maintaining maximum color fidelity.
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Joe Farace Posted: Aug 05, 2012 Published: Jun 01, 2012 1 comments
One of the guiding philosophies for my personal work is to “have fun with photography” and that involves using image manipulation software to create either an idealized version, as in a portrait of a subject, or an interpretation of a previously captured photograph. Retouching portraits goes back to the hand-tinting Mathew Brady added to daguerreotypes delivered to his customers but in more recent times photojournalists have been fired from newspapers for applying a bit too much Photoshop on their images. The whole question of what is “too much” is fraught with contradictions: since we see the world in color, is a black-and-white photograph manipulated? Is burning and dodging or changing an image’s contrast a manipulation? Trying to find answers that everyone will agree on is enough to make you crazy so I don’t let it bother me because all I want to do is have fun with my photography. If you agree, here are some useful tools to help you do just that.
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Joe Farace Posted: Jul 30, 2012 Published: Jun 01, 2012 2 comments
Tiffen’s Dfx 3.0 offers photographers software that can make their images stand out from the crowd. The bundle is a digital emulation of 2000 of the company’s glass filters that for convenience uses the same names of the company’s Soft/FX or Pro-Mist filters, so those who’ve shot with their filters in the past know exactly what to expect when applying their digital equivalents. For those who haven’t, rest assured that the company who made their name in filters knows their stuff. As a bonus, the software also includes effects created by lenses, lab processes, film grain, color correction, plus natural light effects.

I must confess that previous versions of Tiffen’s Dfx Digital Filter Suite, while interesting, did not make the final cut of power tools in my personal digital toolbox. All that’s changed in 3.0. It takes all of the good stuff from the previous versions, blends in new options, and wraps it around an interface that, while still containing a few less-than-elegant elements, retains its individuality and provides for smooth workflow.

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Joe Farace Posted: Jul 23, 2012 Published: Jun 01, 2012 14 comments
While National Photography Month may be the entire month of May, Camera Day is celebrated on June 29th. That day is also the 126th anniversary of the birth of James Van Der Zee, the African-American photographer of the Harlem Renaissance that occurred during the 1920s and ’30s. It’s also a day when photographers of all ages and abilities should venture forth into the world to capture all the beauty that surrounds us. Follow the examples set by the four photographers who are featured in this month’s column and I’m sure they’ll serve as great sources of inspiration for your images.

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