Joe Farace

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Joe Farace Posted: Feb 04, 2014 Published: Dec 01, 2013 0 comments
Lester A. Dine invented the ringlight for making dental photos in 1952 but today people use them for all kinds of photography. A ringlight is a circular light source that surrounds the optical axis of a lens causing light to hit the subject from different angles, producing soft shadows in much the same manner as a light bank. When photographing people, the unique way that a ring flash renders light also produces a shadowy halo around the subject that’s much beloved by fashion photographers. I use a small ring flash to photograph butterflies, but if you want to photograph people, to paraphrase Jaws Chief Brody, “You’re gonna need a bigger light.”
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Joe Farace Posted: Jan 28, 2014 Published: Dec 01, 2013 0 comments
Instead of visions of sugarplums, it’s visions of gadgets, gizmos, and software dancing through digital photographers’ heads during the holiday time. Presented for your approval is a group of fun, clever, and affordable tools that will put a smile on your face when opening holiday gifts and make imaging in 2014 more exciting.
Joe Farace Posted: Jan 14, 2014 Published: Dec 01, 2013 0 comments
The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?
Joe Farace Posted: Dec 24, 2013 Published: Nov 01, 2013 0 comments
Leaves haven’t started falling on Daisy Hill, but soon will be, and just as quickly the number of leaves needing to be raked reminds me of the thousands, maybe tens of thousands, of websites I’ve looked at and written about for Web Profiles over the years. The best are presented here but there are almost as many—maybe more—near misses that fail to make the grade because they lack focus. Not the pictures, mind you, but the purpose of having a site in the first place. While it may seem obvious to you it may not be to the person who lands on your homepage. Fall is a good time to reappraise and perhaps redesign your site for the New Year, giving it not just a new look but also a new purpose. Set a goal for your site and make sure that everything from the colors used to the words and images that appear go toward achieving that goal.
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Joe Farace Posted: Dec 06, 2013 Published: Nov 01, 2013 1 comments
Shortly after I moved into my former home, there was a knock at the door. Standing in front of me was an 8-year-old girl who lived down the street. “I’m selling note cards,” she told me, “I made the pictures.” A second look showed subjects a kid might shoot but others demonstrated that she was thinking about the photographs before making them. I bought several note cards and asked about her camera, which turned out to be borrowed. With her grandmother’s permission I gave her an old, unused digital point-and-shoot. The girl loved the camera and was inspired to keep making photographs and we talked from time to time about her aspirations. Today she’s a young woman with professional ambitions.
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Joe Farace Posted: Dec 04, 2013 Published: Oct 01, 2013 0 comments
On October 2, 1950, the first Peanuts comic strip appeared in a daily newspaper. As a lifelong Peanuts fan and Snoopy collector it’s fitting that this month’s column is my 2100th published magazine article and I’d like to thank the best editorial team I’ve ever worked with—Shutterbug’s Editorial Director George Schaub and Managing Editor Andrea Keister—without whom none of this would be possible. I would also like to thank all of those readers who have hung in there with me for all these years. You are the reason I do this.
Joe Farace Posted: Dec 03, 2013 Published: Oct 01, 2013 0 comments
When I first saw the battery-powered Photoflex TritonFlash at a pro show I was impressed as much by its power output and flexibility as its tiny size. Available in a kit that includes one of the company’s light banks along with everything—except a light stand—the setup can get you started making portraits in the studio or on location with nary an electrical outlet in sight.
Joe Farace Posted: Oct 29, 2013 Published: Sep 01, 2013 1 comments
Pro shows are a great time to catch up on the latest in lighting gear and trends, so we asked Joe Farace, who does lighting equipment tests for us here at Shutterbug (type Joe’s name in the Search box at www.shutterbug.com to see the wide range of gear he’s tested) to roam the floor at the WPPI show to see what’s hot. His report covers new equipment that caught his eye there but, while there’s plenty to read about, this is not intended to be a full report on what’s new in the category. Some of these products will be covered in future issues, with promised updates from Joe. Also, the show was a few months back, so most, if not all the gear, you read about here is available now. Check our web page news for new products and developments, and follow our in-depth lighting test reports that appear regularly in Shutterbug.—Editor
Joe Farace Posted: Oct 18, 2013 Published: Sep 01, 2013 0 comments
In this test, Joe Farace tackles a higher-end LED light source that he adapted to still photography work. In it you will find technical sidebars outlining how we will test LEDs for the still photographer in the future. We offer this somewhat tech-heavy review as both a close look at this unit and a primer on LED output and LED lighting, which, as Joe states, will become increasing important, and prevalent, in studio and location work for the still shooter.—Editor
Joe Farace Posted: Oct 15, 2013 Published: Sep 01, 2013 0 comments
Mary and I have fond memories of using early generation Bowens monolights; they were our first really “good” lighting system when we set up our studio in 1982. We loved shooting with those big, black, paint-can-shaped 800B monolights because they were inexpensive, dependable, and powerful. From what I can tell from my tests of their two-light Gemini 400Rx Kit that continues to be the case.

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