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George Schaub Posted: Aug 01, 2008 0 comments

It goes without saying that digital has changed lots of things in photography. One matter that requires more thorough investigation is how it affects optics and assumptions we have made about the design, recommendations, and even the naming conventions we use. While this column length does not allow for full discussion I'll raise some of the issues and open the floor to our...

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George Schaub Posted: Aug 01, 2008 0 comments

If you ever want a unique point of view try a "fisheye" lens. Like looking through a door peephole (which in fact is a "fisheye" type) this order of lens sacrifices linear correction in favor of a very wide angle of view. Originally made for creating "full sky" images when pointed straight up, they had long ago been adopted by photographers for...

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George Schaub Posted: Jul 24, 2008 Published: Jul 30, 2008 0 comments

The Sigma APO 150-50mm lens is a moderately fast, super-telephoto zoom designed to work with both APS-C and full-frame DSLR cameras. It offers quite useful close focusing (7.2 ft) and two modes of what they deem "optical stabilization" (OS.) Weighing in at 67.4 oz you always know its there, but then again this is one impressive piece of...

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George Schaub Posted: Jul 01, 2008 1 comments

Nikon keeps cranking out new D-SLRs, most recently with the D3 and D300 (see Shutterbug reviews at www.shutterbug.com), and now, building on the great success with their amateur line-up of the D40 and D40X, the new D60. Sporting 10.2 megapixels (same as the D40X), the D60 has the lightweight and portable feel of the D40 series, with some extra tricks up its sleeve. Foregoing...

George Schaub Posted: Jul 01, 2008 0 comments

The affordable yet sophisticated self-contained Genesis 200 ws and 400 ws monolights provide all the power and lighting control needed to create professional-looking portraits and great still life tabletop photographs. They provide recycling times as low as 1 second. The 5v sync voltage is even safe for today's digital cameras.

The convenient rear control panel of...

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George Schaub Posted: Jul 01, 2008 0 comments

For those who worked in the confines of the amber-lit chemical darkroom and experienced the wonder of an image emerging from paper after being dipped in a tray of liquid, the changeover to the digital darkroom, as it has come to be known, has been radical. No longer dealing with dye and density, we are now confronted with changeable codes that are handled by graphic interfaces...

George Schaub Posted: Jul 01, 2008 0 comments

Capture One 4 (CO4, if you will) is a raw file processor/organizer that shares many features, albeit with its own nomenclature and workflow, with products such as Apple's Aperture and Adobe's Lightroom. Competitively priced at $129 (for a two computer license), owners of Phase One's Capture One LE can upgrade to 4 free of charge, and Capture One PRO users can...

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George Schaub Posted: Jun 01, 2008 0 comments

As is our wont each year we take to the aisles of the PMA Show, the annual and largest photo equipment show in the US, in search of new and innovative products for photographers. This year we had six reporters, including Jon Canfield, Jack Neubart, Jason Schneider, Robert Mayer, Peter Burian, and, new with us at PMA this year, Ibarionex Perello, covering their respective beats;...

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George Schaub Posted: Jun 01, 2008 0 comments

Every year the PMA (Photo Marketing Association) convention brings together all things photographic to one spot and attracts visitors and exhibitors from around the world. We see the show as a way to gather information about what's new, and perhaps as important, what's coming in terms of technology in the months and even years ahead. To accomplish our task we have a...

George Schaub Posted: May 01, 2008 0 comments

A funny thing happened to me while I was shooting and reviewing the new Sigma DP1 compact camera in New Mexico. I had taken a lunch break in a local taqueria and in came a couple that sat down at the next table. Next to the guy's backpack and hat he set down the Sigma DP1. I did a double take, and asked him how he liked it. "Great," he said, "the picture...

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