George Schaub

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George Schaub Posted: May 20, 2014 Published: Apr 01, 2014 0 comments
Choosing the right paper for your prints is often a matter of surface texture and tone, but there’s more to it than that when printing for exhibition or display. It’s what the paper is made of, and the inks it can handle, that make the difference between a “warrantied” saleable print and one that might be used for quick display or repro. While there are no industry standards for print longevity as of yet, working with papers that could be dubbed “archival” by their very makeup is a good place to start.
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George Schaub Posted: May 13, 2014 Published: Apr 01, 2014 0 comments
To say that photography is technologically driven these days is an understatement. While the miracle of being able to capture an image in and of itself is still a source of amazement to me, photography has changed so radically as of late that you need a scorecard to keep up with the game. That’s the intent of this issue, to bring you up to speed on the many developments that sit under the hood in capture, storage, and image delivery.
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George Schaub Posted: Apr 24, 2014 0 comments
The print completes the creative circle you began inscribing when you first viewed the image and snapped the shutter. The beauty of black and white printmaking is that you can share that vision through interpretive techniques that include expressive use of tonality, artful contrast and exposure control. Yes, digital images can be viewed on a screen and shared through the Internet to a worldwide audience. But nothing quite matches the intimate beauty of a carefully produced print, one that can be hung on a wall in your home or a gallery.
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George Schaub Posted: Apr 24, 2014 0 comments
Photographs made from above the earth cannot help but stir the spirit and this book, including photographs by astronaut Chris Hadfield that were sourced from NASA and the CSA (government of Canada) are among the best that I have seen from high above “the Blue Marble” we call home. The images in this 192-page book are beautifully reproduced and cover everything from cities to geographical features to the swirls in our vast seas.
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George Schaub Posted: Apr 07, 2014 Published: Mar 01, 2014 0 comments
Each art or craft we engage in, as participants or observers, does something for our sense of being alive, our presence in and awareness of the world. Art feeds the head and the soul and it’s an important part of what makes us human. That’s why people should be rightly upset when art is removed from the curriculum in our schools. But for photographers, one major key to that awareness is a sense and sensibility about light. That appreciation starts to build in once you start considering what to photograph and when to make an image. In many cases, if you think about it, the quality of light is often the guiding hand. The bonus is that the love of light and shadow and its levels and color stays with you even when not walking around with a camera.
George Schaub Posted: Mar 21, 2014 Published: Feb 01, 2014 0 comments
In olden times there was paper for printing color and for printing black and white. Structure, emulsions, and processing chemistry all determined how you matched media and paper, and it was all pretty self-evident. Surface choices were wider for black-and-white printmakers and while there were some choices for color (gloss, matte, semigloss) much of the surface treatment for color prints was added with sprays and varnish. Of course that’s all changed, and the “rules” regarding media and paper matching have been tossed.
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George Schaub Posted: Mar 17, 2014 Published: Feb 01, 2014 0 comments
While every image we make with a digital camera starts out as a color (RGB) image, it doesn’t preclude creating dynamic black-and-white photos from those image files. In fact, the ability to “convert” to color lends itself to producing more tonally rich images than we ever could have imagined when working with black-and-white silver materials.
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George Schaub Posted: Mar 12, 2014 1 comments
The hybridization of cameras and phones has produced various manifestations of late, one being the Samsung Galaxy S4 Zoom, reviewed here a few months back, which looks like a smartphone with a camera/lens grafted onto it’s front. The Galaxy NX comes at this combination from the other direction, a decidedly camera-like design with built-in Android functionality, sans phone capability, but with all the other amenities and accouterments included. And there’s no confusing this with a smartphone, what with it being 3x5.5x2.25 inches in size, the benefit being a very large back display, 4.77” on the diagonal and width to height ratio of 2.5 x 4 inches.
George Schaub Posted: Feb 27, 2014 Published: Jan 01, 2014 0 comments
There are many ways to share images these days, from social networks to clouds to full-fledged e-commerce platforms. For some, simple online albuming will do, but for others it can become an involving project that puts your images on the Internet in a very engaging way. It’s not only in the personalization of the look and feel of the wrapper around your image content that can separate your site from the crowd. It’s also the ability to work cross-platform, include an e-commerce component, and allow for a “translator” that can make your site accessible to folks and even clients around the world that can add to its attractiveness and functionality.
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George Schaub Posted: Feb 24, 2014 Published: Jan 01, 2014 0 comments
I have always had mixed feelings about so-called “film simulation” software, programs that offer one-click presets that add effects and options for manipulating digital images. On one side, I am unsure why the designers use visual references to types of film for their preset IDs. It strikes me that an increasingly small proportion of folks relate to them. On the other side, I admire their offering programs that open up a raft of image expressions in easy to attain fashion. I will not revisit that discussion here, although the near concomitant release of two such programs, Alien Skin’s Exposure 5 and DxO’s FilmPack 4, makes it tempting to do so.

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