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Staff Posted: Dec 20, 2013 Published: Nov 01, 2013 0 comments
A sense of scale is created by the juxtaposition of objects and subjects within the frame that establishes a size relationship based upon that juxtaposition. That sense of scale can be based upon distance, on the “true” relative sizes of the elements, or on the use of optics that exaggerate the relative sizes through near-to-far relationships that are established with the clever use of depth of field. While wide-angle lenses are most suited to creating the latter effect, in fact the setup can be made with virtually any lens, given a certain point of view of the photographer. In most cases a deep depth of field works best, since the mind can better grasp the intention when all objects within the frame are sharp. Readers sent in a wide range of images, some almost surreal and others that showed an awesome world in which we are merely the smallest of spectators.
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Staff Posted: Nov 16, 2011 Published: Oct 01, 2011 17 comments
Composition dictates that we place a frame around the world before us. The lens we use, the depth-of-field effect we choose, and most importantly the elements of the scene we choose to include and exclude make up the final image. There are numerous compositional gambits, including sense of scale, where we include familiar elements in a scene to help establish size, distance, and, metaphorically, our sense of importance, or lack of same, of the object or subject used to establish that sense of scale.
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Staff Posted: Aug 16, 2012 Published: Sep 01, 2012 0 comments
On The Cover
This month’s issue focuses on lighting, with reports on gear, techniques, and a comprehensive roundup on the wide variety of lighting equipment available to photographers today. We also have a lab report on the exciting Fujifilm X-Pro1 and special book excerpts from two of the leading lighting/software practitioners today, Kevin Kubota and Scott Kelby. Please note that with this issue our Workshop and Events listings have gone online at www.shutterbug.com.

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Staff Posted: Aug 19, 2013 Published: Sep 01, 2013 0 comments
On The Cover
This month’s issue focuses on new lighting gear and lighting tests. We look at a range of lights, including the new wave LEDs, and light modifiers, plus new products in on-camera flash. We also have a test of the premium Sony RX1, plus welcome a new columnist, Blaine Harrington, who will be covering the travel beat.

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Staff Posted: Aug 17, 2011 Published: Sep 01, 2011 1 comments
September CoverOn The Cover
This month we are bringing you the latest image processing software updates. We are also updating you on new memory card technology as both speed and capacity are on the rise. In addition, we have a report on Ilford’s new black-and-white (silver) paper, plus lighting reports on Photoflex’s StarFire Kits and Interfit’s Super Cool-lite 455. Finally, reader Dj Boyd photographed our cover shot of a yoga session. We received her photo in response to our Picture This! assignment “From Above.” To view more readers’ submissions, see page 12.

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Staff Posted: Feb 04, 2009 0 comments

Serif Ltd announced the release of Digital Photo Suite 2009. The feature-rich software suite makes it simple for everyone to organize, enhance and share their photos in new and fun ways. Combining the tagging and sorting features of Serif’s new AlbumPlus X3 with the best-in-class image stitching of PanoramaPlus 3 and other one-click image editing tools, this package of products offers an unrivalled combination of features and value enabling everyone from novices to experienced photographers to take control of their growing digital photo collections.

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Staff Posted: Sep 17, 2013 Published: Aug 01, 2013 2 comments
Our Picture This! assignment this month dealt with the entirely photographic and visually arresting technique built around the idea that foreground/background sharpness differentials can create both a painterly effect and a more prominent foreground subject, thereby adding a sense of dimensionality in what is essentially a 2D medium. This approach considers more than just what is sharp and unsharp, but also has a profound effect on compositional decisions, where the placement of the unsharp portion of the image can be used to juxtapose or, more likely, reinforce the color and design of the subject that sits at the main point of sharpness. Readers sent in a wide variety of images, with the preponderance being natural subjects, which for many seemed to be a perfect way to express this technique.
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Staff Posted: Jun 15, 2009 0 comments

ShootQ, a web-based studio management solution for event photographers, announced the general availability of ShootQ v2. The newest version of the ShootQ solution offers several new features including a new user interface, powerful business reporting tools and improved integration capabilities.

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Staff Posted: Sep 20, 2012 Published: Aug 01, 2012 0 comments
On December 12, 1925, the world’s first motel opened just north of Santa Barbara. At that time, the Milestone Mo-Tel in San Luis Obispo sat along the nascent two-lane highway, the “101,” and charged $1.25 a night for a bungalow with an attached garage. The era of automobiles as status symbol had begun; for it was only those with cruise-worthy cars that would stop at the Motel Inn on their way between LA and San Francisco.
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Staff Posted: Apr 12, 2013 Published: Mar 01, 2013 2 comments
Color in photography has had a checkered history. Although photographs in color had been desired since the medium’s invention in the nineteenth century, commercially viable color photographic processes were not available until the early twentieth century. By that time, monochromatic photography had become a common part of everyday life, so much so that black-and-white images seemed “real” despite their chromatic deficiencies. As color photographic technologies developed, discussions about the realism of black and white versus color emerged.

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