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Stan Trzoniec Posted: Aug 01, 2004 0 comments

For Nikon, 1996 was an exciting year. That was the introduction date of the F5 camera that revolutionized the way handheld cameras would be used. It was also the year that true Silent Wave Technology was brought on-line in the form of the 300, 500, and...

Stan Trzoniec Posted: Aug 01, 2001 0 comments

Picking up a Nikon 300mm f/2.8 for the first time was certainly a humbling experience. This lens was not only large in physical size, it was heavy! Specifications show that it checked in at around 51/2 lbs and measured almost a foot in...

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Stan Trzoniec Posted: Aug 01, 2010 1 comments

Nikon’s entry into past universal 80-200mm f/2.8 lenses started back in 1978 with a manual focus, push-pull lens checking in at 4 lbs. Ten years later the autofocus model arrived sporting ED (Extra-low Dispersion) glass; ’92 marked the “D” package. In ’96 the AF-S version came along, followed by the new generation of front motor drive “G” models. Now we...

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Stan Trzoniec Posted: Jul 01, 2010 0 comments

No matter how light you pack, you always feel like you could add just one more item. Knowing photographers, if you can take it, you will. If you plan your trip correctly, you will save weight and not only make your outing a success, but be more mobile and comfortable as well.

With that in mind, let’s look at some “ounce saving” tips. Your...

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Stan Trzoniec Posted: Jul 20, 2011 Published: Jun 01, 2011 1 comments
Brute horsepower, large diesel engines pulling thousands of tons of freight, heavy plumes of exhaust pouring from their stacks, sand being put down on the rails for traction, and the rumble of steel wheels passing by—all are part of the American railroad scene. For both the novice and advanced photographer, the challenge of capturing the drama of moving trains and finding suitable locations is all part of the excitement.
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Stan Trzoniec Posted: Jul 01, 2005 0 comments

Photographers, by nature, love accessories. But sooner or later we all have to face the fact that we can only carry so much equipment. When I go out I go through a mental check list and include the basic equipment that I've outlined in this article. Please keep in mind this is my personal list; vary yours to suit the terrain, subject, and distance covered.

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Stan Trzoniec Posted: Sep 01, 2005 0 comments

Now doesn't it seem ironic that just as we're in the midst of the digital revolution that slide films are at the peak of performance and quality? While all sounds like doom and gloom when it comes to silver-based products, around my circle of friends I find that most are still shooting film at a rate close to or even sometimes more than they were shooting before. Sure...

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Stan Trzoniec Posted: Feb 08, 2016 0 comments

When I was a cub photographer in high school, I was very proud of my Kodak Signet 40 camera. With the attached flash unit, even if I did not look like a professional, I felt like one. Later, thanks to my obsession with large aperture lenses, I moved up to a Heiland H2 Pentax camera complete with its awesome Auto Takumar 50mm f/2 lens that I carried throughout Europe and later for the local newspaper.

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Stan Trzoniec Posted: Oct 18, 2012 0 comments

In all my years of shooting in the field, I have yet to meet a photographer who did not like the look, isolation qualities or the sharpness modern telephoto lenses offer.

When it comes to possibilities, they seem endless. Wildlife is at the top of the list for many, perhaps to focus in on that bright cardinal outside your window or to record that special wolf pack in Yellowstone. Whatever your subject, a long telephoto will bring it in closer, sharper and with more detail than you’ve ever experienced before. Buying a telephoto lens might mean spending as much or more than the camera in your hands right now, so knowing what to get, and what it will get you, is an important part of making any purchasing decision. With that in mind, here’s a number of frequently asked questions on the subject of telephotos.

Stan Trzoniec Posted: Jul 01, 2004 0 comments

Like modern automobile engines, most digital cameras equipped with interchangeable lenses seem to have most of their power or torque at the high end of the focal length scale. In digital SLRs with smaller than full-frame sensors, your 300mm might be a...

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