Roger W. Hicks & Frances E. Schultz

Sort By: Post Date | Title | Publish Date
Roger W. Hicks & Frances E. Schultz  |  Nov 01, 2008  |  0 comments

If you own and use an M-series Leica, a Zeiss Ikon, or a bayonet-mount Voigtländer Bessa, Leica’s 16-18-21mm Tri-Elmar is so staggeringly desirable that it is almost easier to list the reasons for not buying one than to list its advantages—though these are easy enough to list, too. It is compact, sweet handling, sharp, contrasty, rangefinder-coupled, unbelievably convenient, and...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

One of the great things about photokina is that you find a lot of “straws in the wind”: not necessarily major introductions from major manufacturers, but intriguing indicators of which way the wind is blowing.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

In all probability, most photographers could gain more from investing in lighting equipment than from investing in new cameras. Not professionals, perhaps, though studio lighting continues to come on in leaps and bounds, but countless amateurs could greatly improve both the range and quality of their work.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

Countless things appear at photokina that are not cameras, lenses, tripods, bags, materials, or lighting and studio. It’s part of the magic of the place. Calling this category “accessories” won’t do, because for most of us, “accessories” consist mostly of small things in blister packs: cable releases, lens caps, that sort of thing. At photokina, it can...

Roger W. Hicks & Frances E. Schultz  |  Feb 01, 2011  |  0 comments

In our recent photokina reports (January, 2011, issue) we covered products and trends at the show. Here’s a brief follow-up on some film and paper processing items and information on friends old and new, present and gone.

 

In our photokina reports we mentioned Kodak’s new film, of course, and Harman’s Direct Positive paper, and...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2007  |  0 comments

When Shutterbug reporters are covering photokina, we understandably concentrate on what's new, and we each have our own assigned ranges of subjects. As a result, even after allowing for my "Weird Stuff" category, a number of really useful items and trends can either fall into the gaps between our coverage--"I thought you would be covering...

Roger W. Hicks & Frances E. Schultz  |  Mar 01, 2007  |  0 comments

The name says it all: Rollei's ScanFilm 400CN Pro is an ISO 400 color negative film (Kodak C-41 compatible) for scanning, rather than for wet printing. The big difference is that the orange mask, incorporated in almost all color negative films since the 1950s, is omitted: it just isn't needed if you are scanning.

On the other hand, the orange mask is no...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2009  |  0 comments

Every photokina, we are assigned a category that for want of a better term we call “weird and wonderful.” It’s stuff that doesn’t easily fit into any other category, or differs so much from the mass of its competitors that it deserves special mention.

Some products are just bizarre: we’ll come to what we thought was the most bizarre trend at the end...

Roger W. Hicks & Frances E. Schultz  |  Dec 01, 2002  |  0 comments

Summing It Up

Everyone's photokina is different. We look for what interests us; we discover different things by accident; we see (to a considerable extent) what we want to see. Admittedly, we are also helped or hindered by the manufacturers' willingness to tell us...

Roger W. Hicks & Frances E. Schultz  |  Apr 01, 2006  |  0 comments

The Zeiss Ikon--hereafter ZI--has all the features you might hope for, plus optional autoexposure. At $1617, the body lists between Leica and Voigtländer. In features, it goes head-to-head with the Leica M7. Because we received the camera and no fewer than six lenses--15mm f/2.8, 21mm f/2.8, 25mm f/2.8, 28mm f/2.8, 35mm f/2, and 50mm f/2--we have split...

Pages

X