Sort By: Post Date | Title | Publish Date
Filed under
Howard Millard Posted: Jun 26, 2007 0 comments


Learn how to shoot striking panoramas like this at Howard Millard's
DigitalPanorami...

Howard Millard Posted: Mar 01, 2009 0 comments

Whether you shoot raw or JPEG, whether you’re on the Windows or Mac platform, the latest edition of DxO Optics Pro, Version 5.3, offers sophisticated automated image enhancement and raw conversion.

Filed under
Howard Millard Posted: Oct 25, 2005 0 comments

Could your portraits be enhanced
by the mysterious, otherworldly glow of a black and white infrared (IR) effect?
In the past, pre-digital darkroom, the only way you could get the IR look was
shooting special IR film, quite a challenge to expose, process, and print correctly.
Working digitally you can avoid many of the pitfalls and gain much more control
in the bargain. Here's how to emulate that exotic infrared look digitally:




You can start with a scan of any color slide, print, or negative you've
shot with your film camera or, even easier, with a color file from your digital
camera. If you're starting with a print, negative, or slide, scan it in
RGB color mode. Once you've got the digital file, open it in Adobe Photoshop
CS (or some earlier versions) to follow the steps outlined here. You can also
achieve the effect with Adobe Elements 2 or other advanced image-editing programs,
but the names of some tools or dialog boxes may be slightly different. Always
work on a copy to preserve your original scan. In fact, with this technique,
it is a good idea to make two or three copies in order to try different settings
in search of the effect you like best. Just follow these steps and you'll
be on your way to easy IR.

1.
I began with this original color file shot in Raw mode with a
Canon Digital Rebel 6-megapixel digital SLR with a Canon 18-55mm
lens at 55mm (equivalent to a 90mm lens in 35mm format). File
size: 18MB. (Model: Riley Messina.)

...

Filed under
Howard Millard Posted: Nov 01, 2004 0 comments

Could your portraits be enhanced by the mysterious, otherworldly glow of a black and white infrared (IR) effect? In the past, pre-digital darkroom, the only way you could get the IR look was shooting special IR film, quite a challenge to expose, process, and print correctly. Working digitally you can avoid many of the pitfalls and gain...

Howard Millard Posted: May 01, 2004 0 comments

Where in the world is that wonderful shot you took last summer of Carolyn at the lake? And whatever happened to those great photos from the trip to Yellowstone that you want to e-mail to a friend? Whether your digital pictures are from a digital camera, scans from prints, negatives (or slides...

Howard Millard Posted: Feb 01, 2005 0 comments

Does it seem that your hard drive is filling up with digital image files faster than the speed of light? Where in the world is that shot you took last summer of Steve water-skiing, and whatever happened to those great photos from the trip to Death Valley that you want to e-mail to a friend? Whether your digital pictures are from a digital camera, scans from prints, negatives, or...

Filed under
Howard Millard Posted: Jul 24, 2015 0 comments

In this article I’ll encourage you to put on your artist’s smock and dig in to your vault of photos to create new versions of them with options that look like hand made watercolor, oil, pen and ink, woodcut, serigraph (silkscreen) and pencil sketch. No drawing is required.

Filed under
Howard Millard Posted: Jun 24, 2015 0 comments
It is ironic—and a bit sad for those of us who grew up with film—that the day I began this review, Kodak announced that it would permanently stop production of slide film. So what is a digital photographer to do who still yearns for the look of film emulsions? Fortunately, DxO’s FilmPack 3 (www.dxo.com/us/photo) digitally emulates the quality, style, color, contrast and grain of 60 different film stocks, black and white and color, positive and negative, and adds 25 creative effects.
Howard Millard Posted: Mar 01, 2009 0 comments

Whether you’re starting with a portrait, landscape, or still life, it’s easy to use edge effects to give your images a distinctive look. The software we will be looking at goes from the “traditional” to the “edgy.” Most are plug-ins, but some also work as stand-alone programs, and one system is comprised of image files. Many offer literally thousands of...

Filed under
Howard Millard Posted: Mar 01, 2005 0 comments

Sometimes all it takes to lift your photo from the ordinary to the extraordinary is a striking edge or border. Would a soft-edged vignette or a unique pattern border take your image to the next level of dramatic impact? While there are myriad software programs and plug-ins designed to add special effect edges, borders and frames, you probably already have quite an array of...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading