“You can’t shoot the same thing all the time,” Sammuel Lopez-Licea says in response to our comment about the variety of subjects he chooses for his photos. The choosing is pretty much the easy part: many things catch his eye. What’s equally creative and most interesting to him is deciding how he wants to depict those interests—how he’ll use composition, framing, motion, light, and color, or how he’ll take color away in post-processing.

He figured he'd be one of the last of the holdouts. "When the whole digital revolution started, I thought I'd be the last guy to be shooting digital," David Alan Harvey says. Then along came an offer he didn't want to refuse. "Nikon was working on an ad campaign for their D100, and they asked me if I'd go down to Mexico and shoot with the...

"None of my sample albums have family formal shots. I intentionally leave them out because they're not what I specialize in."

"A lot of it comes down to your client's expectations before the wedding," Mike Colon says of his relationship to the bride and groom. "You have to talk about what they're really expecting, what...

"I built my name and reputation on safety and doing things legally, with permission."

Location is everything, and Peter B. Kaplan built his career on getting to places others couldn't...or wouldn't. Although there are images taken from blimps, balloons, and helicopters, the majority of his photographs are taken from rooftops, scaffolds, antenna...