Jay McCabe
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Sports/Action
Jay McCabe Jul 01, 2006 1 comments

"As they go through their routines, I see the shot. I want to see the moment so I'll know it's coming."

You'd think it would be Rule Number One: when the stock shot is a sports image, you get players, not models. Always shoot the folks who know how to play the game. But you'd be surprised how many times we've talked to sports...

Pro Techniques
Jay McCabe Nov 01, 2006 0 comments

"Photographers may believe in certain pictures, but they have to have the educated eye of the picture editor."

"We're actually looking at film," David Doubilet says. He's at the offices of National Geographic magazine, going over the take from a recent two-month assignment in the South Pacific. The job was shot with both film and...

Fast Frames
Jay McCabe Sep 01, 2011 1 comments

On the July day nature and outdoor photographer Carol Freeman went to shoot at a favorite location—a retention basin near her home in suburban Chicago—she ended up cutting short her visit as the heat index rose toward triple digits. "After a few minutes shooting, I was done," she says.

With the AC going full blast, she started to pull out of the nearby parking lot when she saw butterflies and dragonflies in the tall grasses of the lot's dividers. "I drove slowly, and when I saw something interesting, stopped, rolled down the window and took a few shots." One of the cool things she saw, and photographed with her 200mm lens, was this damselfly.

Cue the Who: "I'm an air conditioned gypsy; that's my solution."

For more cool images, visit Carol's website, www.carolfreemanphotography.com.

Student Union
Jay McCabe Apr 26, 2013 Published: Mar 01, 2013 0 comments
Joseph L. Koch
We liked Joseph’s work right away, but when we found out that he took these photos in his kitchen, we were even more impressed. “The school has a full studio,” Joseph says, “but there are 2000 students, and booking studio time when I work full-time is difficult.” A home studio setup for product-related assignments turned out to be an ideal solution.

Joseph’s job is in retail, and upon graduation this March he’ll be working toward an art director position with a major corporation, a position that he feels will allow him to showcase his photo talents and creative eye. “The fascination is to come up with a concept and then implement it, to express an idea in powerful imagery.”

Student Union
Jay McCabe Oct 29, 2012 Published: Sep 01, 2012 5 comments
When we spoke with Nathan he was less than a year out of high school and about to conclude the first year of the academy’s two-year program, where his photo class assignments are often more than classwork. “Most of them are practice for me; they get my ideas going, and I go out and do my own shots,” he says. Several of the photos here resulted from that kind of inspiration. The smoking man is Nathan’s grandfather, who also appears in the staged behind-bars image—proving once again the value of a cooperative relative.

A photo history course introduced Nathan to some of the classic black-and-white images, and their compositional strength was a major influence on his work. “I think black and white makes a stronger statement than color,” Nathan says, “and I think that all my really strong compositions will be in black and white.” Still, because he shoots Raw files with his camera set for black and white, the Raw file is preserving the scene’s color so he can compare the results after the capture.

Student Union
Jay McCabe Feb 07, 2013 Published: Jan 01, 2013 0 comments
George F. Pearson
Florida International University
Miami, Florida

George is a fine art major at FIU, taking advanced photography courses. He learned darkroom skills in a college-level photo course he took while still in high school, and today is most likely to be carrying the Mamiya RZ67 he got when he was 16.

His strongest influences are Garry Winogrand, Russell Lee, and William Eggleston. “Winogrand said that you’re basically putting four corners on a couple of facts [and] Eggleston’s work showed me a new way of looking at things,” George says. “I learned that everything can be photographed.”

Pro Techniques
Jay McCabe Jul 01, 2005 0 comments

"If you define your creativity by what the market wants, you're dead before you start."

When James Balog traveled to Banda Aceh, Indonesia, in January, he knew there was little chance of his photographs being picked up by newspapers or magazines. The tsunami, which struck the region on December 26, had been well covered by the media. But as a photographer...

Pro Techniques
Jay McCabe Sep 01, 2005 0 comments

It starts with the website, which is a key element in wedding photographer John Solano's business. John's goal is to be pre-sold before the client even meets him. "The ideal is that I don't have to show them a picture," John says. "I do that, of course, but the work kind of sells itself, and if they've seen it already, the selling is...

Lighting, Portraiture
Jay McCabe Apr 01, 2002 0 comments

As any portrait photographer knows, taking pictures of children can be a lot of fun, but also very difficult. Usually, most kids don't want to smile or sit still for the camera, particularly in front of people they don't know. Capturing a genuine...

Student Union
Jay McCabe Dec 03, 2013 Published: Oct 01, 2013 0 comments
Early this year I received an e-mail from Cheryl Zibisky, adjunct professor in technical photography at Appalachian State University in Boone, North Carolina. She wrote to recommend a student for our Student Union column. Cheryl’s name was familiar, and a quick search of the hard drive revealed why: she was our Student Union subject in the October, 2001, issue.