Sylke Jackson is a writer and a teacher with a true passion for architectural preservation. This book clearly expresses that passion as we join Jackson on a virtual tour of the US and Canada to explore lighthouses. This is both an educational and a visual treat since Jackson wisely included a brief and high informative history of lighthouses from the Roman era to the twentieth century and a history of each of the structures photographed.
Award-winning photographer Nick Veasey used his artist’s eye to move beyond the surface of every day objects in order to reveal the complex beauty hidden deep within them. His book, X-Ray, contains a wonderful collection of unique and well-crafted images that allow you to see the world like never before. With the aid of scientists and medical personnel, Veasey used X-rays to capture the inner workings of everything from musical instruments, animals, plants, various types of electronics and people. The results are both stunning and inspiring.
Having worked with Steve in the past, and knowing him for many years, we are always pleased to feature his photography and writing. Recently a new book of his came across our desk (ISBN: 978-1-4547-0327-3, published by Pixiq, www.pixiq.com, 272 pages, $29.95) and we are happy to offer an excerpt of just a few pages of the tip and technique filled volume here. This is one book where Steve’s personality, experience, and expertise certainly comes through in each and every well-illustrated page.—Editor
May 30, 2013
Published: May 01, 2013
Photographing Waterdrops is a beautifully illustrated how-to photography guide that serves as both a technical tutorial and visual photography inspiration. Its collection of imagery explores the world within the tiniest droplets of water. Written by award-winning photographer Harold Davis, author of more than 30 books including the bestselling title, Photographing Flowers: Exploring Macro Worlds with Harold Davis, this photography book is intended to offer a fresh, creative perspective into the dynamic possibilities of natural waterdrop photography. Davis draws from his professional expertise and artistic perspective to offer advice on capturing extraordinary waterdrop compositions. Readers learn how to use light and reflections to their advantage, which tools and equipment work best for macro photography, and how to perfect their waterdrop shots both before and after shooting.
Joey L. Forewor...
Apr 11, 2013
Published: Mar 01, 2013
Serious amateur and professional photographers get a master class in lighting and portrait techniques from acclaimed photographer Joey L. in Photographing Shadow and Light (Amphoto Books, on sale $29.99). In this behind-the-lens guide, Joey L., arguably the most exciting young talent in professional photography today, shares anecdotes, techniques, lighting diagrams, and postproduction notes for a wide range of his commercial and personal work.
Using Nikon system Speedlights, photographer Stephanie Zettl guides the reader through the fundamentals of flash photography then shows how to make the most of more advanced features such as flash exposure compensation, Nikon’s Creative Lighting System, setting custom flash functions, and using high-speed sync and off-camera flash techniques, including i-TTL radio triggers. Her text and images make the Nikon Speedlight Handbook (Amherst Media, ISBN: 978-1608954513, 160 pages, soft cover, $34.95) a handy guide.—Editor
Flash Exposure Compensation
Flash exposure compensation (FEC) is valuable when working in any of the automatic flash modes (auto or TTL), where the flash or camera’s meter determines how much output the Speedlight should give. You can adjust your exposure compensation on the camera or directly on the flash.
The J. Paul Getty Museum in Los Angeles has announced the publication of Eliot Porter: In the Realm of Nature (Getty Publications/November 2012), presenting work from the acclaimed American photographer’s illustrious six-decade career spanning the 1930s to the 1980s. Known for his exquisite images of birds and landscapes, Eliot Porter (1901–1990) was a pioneer in the use of color photography during a time when most serious photographers were working with black-and-white film.
With essays by ...
Feb 07, 2013
Published: Jan 01, 2013
From 1977 to 1983, Michael Somoroff, then a gifted young New York photographer in his twenties filled with passion, drive, and unbridled enthusiasm, had the privilege of photographing some of the greatest photographers of the 20th century, including Brassaï, Elliott Erwitt, Andreas Feininger, Ralph Gibson, André Kertész, Duane Michals, Arnold Newman, Helmut Newton, and Jacques Henri Lartigue, among others. He was first introduced to many of these icons through his father, Ben Somoroff, who studied under Alexey Brodovitch, and was one of the most influential still life photographers in the history of the medium. These photo sessions granted to Michael were deeply personal, and it was never his intention to make the resulting images public.
Feb 07, 2013
Published: Jan 01, 2013
It’s getting harder and harder to find publishers for photographic coffee-table books. They cost so much to produce that most of them never make back their investment costs. Photographers, of course, want to see their work on the printed page, and books are the best venue for many of those projects.
When we received a review copy of Pring’s Photographer’s Miscellany (Ilex, $12.99, ISBN: 978-1-907579-43-1) we felt there was so much fun information about photography included that it would be great to share this book with readers. The excerpts here are just a few of the many illuminating, humorous, and at times arcane information Pring’s delivers. The book also contains numerous quotes to ponder from photographers and philosophers alike.—Editor
The Minox subminiature camera was invented in 1936 by Walter Zapp, a German living in Estonia (this modern Estonian stamp celebrates Zapp’s original patent). Unable to get it manufactured locally, he eventually established production in neighboring Latvia, but during World War II the factory was overrun, once by German forces and twice by the Russians. Production resumed in former West Germany in 1948, by which time the Minox had become the preferred equipment of real or imagined espionage agents worldwide. Grasping the attached measuring chain, the spy in a hurry could extend it to touch the secret item, shoot without using the viewfinder, and be assured of a sharp copy of, for example, an A4 or 8 1/2 x 11 inch document. The Minox uses specially cut, unsprocketed film which is advanced each time the case is closed, an action which also protects the viewfinder and lens.
Colors define a lot about our world and ourselves—the season, our personalities and moods can be reflected in the colors surrounding us. National Geographic Books is showcasing the power of colors in a stunning new photography book, Life in Color: National Geographic Photographs (National Geographic Books; ISBN: 978-1-4262-0962-8; on sale now; $40 hardcover) with a foreword by designer Jonathan Adler.
Oct 22, 2012
Published: Sep 01, 2012
Each year, Scott Kelby trains thousands of professional photographers during his seminar tours and now he’s taken that incredibly popular style of learning and put it into book form. Among topics covered are step-by-step layouts for creating the most-requested and sought-after lighting looks; the camera settings, gear, and power settings for every shot; retouching techniques the pros really use to make their subjects look their very best; and a host of insider tricks, invaluable shortcuts, and special effects. Kelby’s book is unique in that he combines his myriad skills for a full range of workflow options, from setup to output. (Abridged from liner notes.)
We are pleased to bring you this excerpt from an excellent book that takes it all in-house, from setup to lighting to retouch and output. Time spent with this book is certainly time well spent, as Kelby is that rare photographer/author/Photoshop teacher who brings it all together under one roof.—Editor
Oct 12, 2012
Published: Sep 01, 2012
Kevin Kubota is an internationally recognized speaker who has presented programs for every major photographic convention in the US. His Kubota Image Tools have won numerous “Hot One” awards and his Digital Photography Bootcamp workshops, and book by the same name, have been recognized as high energy creative environments in which photographers come away inspired and educated about the great creative potential of their work. In his new book, Kevin Kubota’s Lighting Notebook (2011, John Wiley & Sons, Inc., ISBN: 978-1-118-03510-8), Kubota shares creative lighting techniques that help create mood, define the subject, and give unique dimension to your images. In this excerpt we show but two of the 101 teaching lessons in this handsomely done and fully illustrated 298-page book.—Editor
Black and White Step by Step; by Roger Hicks and Frances Schultz; $9.99; e-book; www.rogerandfrances.com.
This is one of the many new e-books from noted photography team Roger Hicks and Frances Schultz. Overflowing with plenty of sample images, the book begins with a review of the basics like choosing the right camera and lens, film, using 35mm, medium and large format, exposure, and filters. It then moves on to explain basic and advanced film development, chemicals, printing materials and technique. Hicks and Schultz provide a wealth of pro-quality advice and easy-to-understand lessons that are certain to help you not only understand but master black-and-white photography to take your work to the next level.
Elizabeth Messina, with Jacqueline...
Aug 16, 2012
Published: Jul 01, 2012
Natural light is by far the favorite choice of most amateur, wedding, and portrait photographers, but many stick to conventional approaches, leaving the myriad, gorgeous possibilities of natural light unexplored. In this first book by an award-winning wedding, lifestyle, and portrait photographer, Elizabeth Messina shares her secrets on capturing flattering natural light in any setting. The book (The Luminous Portrait, Amphoto Books, ISBN: 978-0-8174-0012-5, $29.99) is beautifully illustrated with accompanying text that offers an insider’s look into a wide range of subject matter and picture styles. This excerpt is part of an introduction to the many charms of working in natural light.—Editor