News

When I checked Canon’s website to verify the specs on the EOS 6D Mark II ($1,999, body only; $3,099, for the test camera supplied with the EF 24-105mm f/4L IS USM “kit” lens) I was a bit surprised to see it termed a “gateway” for enthusiasts to step up to a full-frame DSLR. That’s a new one to me, but that indeed is what this camera is. 

A while back we wrote about a crazy photographer who mounted a GoPro on his DSLR and photographed a college football game, just because. And now he’s at it again, this time putting a “knockoff GoPro” on a Fuji digital camera to shoot cityscapes and street scenes in Boston.

Hasselblad has embarked on a new frontier of hi-resolution imaging with the introduction of its H6D-400c MS multi-shot digital camera that captures 100MP images in the single shot or four-shot mode, and gigantic 400MP files when used in the six-shot mode. In addition to the incredible resolution, Hasselblad says the camera also raises the bar for image quality and accurate color rendition.

Many street shooters have an obstacle to overcome before they can master the craft, and that’s getting over a feeling of shyness when photographing strangers. Making photos on the street is all about capturing fleeting moments—you see something awesome, but if you don’t act fast, it’s gone. And if you’re beset by reticence, and tend to hesitate, you’ll often miss a great shot

It’s been awhile since we’ve featured the work of French landscape pro Serge Ramelli, and this new tutorial is a good one. In just 12 minutes Ramelli demonstrates three Lightroom techniques for correcting photos with lens distortion and skewed perspective.

It’s a choice between Scylla and Charybdis. Do you shoot Raw or JPEG format images?