Equipment Reviews
Fujifilm X-M1
The Fujifilm X-M1 is an extremely compact system camera that uses Fujifilm’s 16MP X-Trans CMOS sensor. The camera offers very high image quality due to its special RGB filter array which differs from the standard Bayer RGB pattern. The pattern on the APS-C-sized X-Trans sensor resembles the random pattern of grain of analog film and reduces image noise. The interpretation of this RGB pattern isn’t very easy, but the most current versions of Adobe’s Photoshop Camera Raw plug-in and Adobe’s Lightroom are able to convert this pattern correctly.
Sigma 18-35mm F/1.8 DC HSM Lens
Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.
Elinchrom D-Lite RX ONE To Go Kit
First impressions: the D-Lite RX ONE To Go Kit includes a pair of Elinchrom monolights so you know it’s going to contain quality products. Then you discover that the maximum output of each light is 100 watt seconds and you start to think you’ll need more power. That’s until you’re reminded that this fully loaded two-monolight Elinchrom kit sells for less than $700.
Digital Innovations
The paradigm shift in imaging that digital capture kicked off continues to roll on with ever capable smartphones and wearable tech such as Google Glass, and it all shows no sign of letting up and has me wondering where it will end. Cameras such as the UK-based OMG Life Autographer has a form factor not much different than the original Minox subminiature film camera, which measured 3.1x1x0.62” and weighed 4.5 oz.
Techniques
Business Trends
While it might seem that much of this is peripheral to your honed photo skills, you won’t be working weekends unless you can book the job.
Landscapes
As primarily a landscape photographer Iam often in a situation where I am struggling to give a feeling of scale to big dramatic views.
Personal Project
It is probably true that a photographer, through almost single-minded devotion to a place, can help make it known, understood, and appreciated.
Personal Project
The idea for Phil Pantano’s photographic series, “The American Worker,” walked into his office at a local steel mill in Lackawanna, New York, where Pantano holds a day job as a computer analyst. Others have photographed workers at similar job sites.
News
Obscura ILFORD
The original kit continues to be available and comes complete with starter packs of black and white film and paper, together with a simple Exposure Calculator and Instruction Book.
Olympus SP-100
Olympus introduced a breakthrough in its Ultra Zoom camera line-up with the new STYLUS SP-100, the world’s first-ever camera with a built-in dot-sight.
iON Video Camera
The Air Pro 3 Wi-Fi is a wearable, high-definition video camera features compact size, light weight and fully-waterproof design.
Slinger BigBag
Adorama recently enhanced its Slinger camera bag collection with nine new BigBag camera bags, available exclusively at Adorama and designed for a wide range of photo and video accessories.
Latest Additions

Talking Pictures
Staff Oct 04, 2013 Published: Sep 01, 2013 0 comments
August, 8:45pm. The sun just set and the mercury is still hovering above 95. Not even a whisper of a breeze. It’s hot. It’s too hot to sleep, too hot to work—too hot to think. My only hope sits out back, parked on a pad covered with pavers. I simply need to turn the key, press the start button, and my ride will roar to life with only a single thought—escape the heat! I head west on State Route 412, a lonely deserted road that goes nowhere but has lovely sweeping curves and hard level straightaways where my baby can cut loose. With my feet on the pegs, the wind blows my hair back and sweat evaporates from my skin. Blessed relief!
Joe Farace Oct 04, 2013 Published: Sep 01, 2013 1 comments
As I write this controversy is swirling over Adobe Systems abandoning Creative Suite to focus on Creative Cloud. Even if this is solved by the time you read this, there will come a time when you’ll have to face a decision about whether or not to upgrade your software. There are two different schools of thought on software upgrades: one approach suggests that if a program is working, why spend money to upgrade? The reason behind this philosophy is that sometimes upgrades create more problems than they solve. A second viewpoint is to always upgrade to the latest version—no matter what. The thinking is that since change is inevitable that you should upgrade to the newer version to minimize or eliminate future problems. How Adobe has handled Camera Raw over the past few Photoshop upgrades is a testament to that theory. Over the years I’ve changed from an upgrade-regardless person to a more cautious approach. I may prefer to have the latest version of everything being used on a daily basis but now will wait weeks (months, years?) all the while listening to the drumbeat of grumbles from early adopters. That’s why I’m waiting to see what happens with Adobe’s new policy.
News
Press Release Oct 04, 2013 1 comments
“Our mini accessories were designed for the convenience and creativity of today’s spontaneous point-and-shoot and action video camera users, as well as smartphone users who use their devices to shoot images and enjoy media,” said Michael Jue, director of product design and management. “The new tripod stands support consumers as they use their technical tools to get creative with their photos and videos,” he added.
News
Press Release Oct 03, 2013 0 comments
Tamron USA announced that the company now offers 3-business day repair service turnaround for photographic lenses. This achievement works to alleviate customer concerns that when they send in a product for repair service, they may be left without that product for some time. Now, all lenses received in our system by noon EST are estimated the same day and moved onto the next stage. Lenses under warranty (Tamron USA offers a 6-year limited warranty on its photographic lenses) are repaired and shipped back to the customer within three business days. Out of warranty lenses are repaired and shipped back within three business days of the customer's approval of the repair estimate.
News
Press Release Oct 02, 2013 0 comments
The SB-300 Speedlight is small enough to fit comfortably into a shirt pocket yet it is built for the user looking to take flash photography to the next level. Providing more power and coverage than a built-in flash, the versatile and portable SB-300 is a simple and valuable lighting accessory compatible with both Nikon D-SLR and Advanced Performance COOLPIX cameras. This new Speedlight covers a wide-angle 18mm in DX-format and operates via simple on-camera controls, making it easy for beginner photographers to use light to their advantage.
George Schaub Oct 01, 2013 Published: Sep 01, 2013 0 comments
Way back in 2006, Innova Art brought out their FibaPrint White Gloss 300 gsm, and while not what I’d call a big brand name here in the US, digital printmaking aficionados who had come from the fiber-paper darkroom tradition took note. Here was an inkjet paper that emulated, and some say matched, the look and feel of traditional bromide silver printing paper. Other surfaces have since been introduced in this line, including the new FibaPrint Warm Cotton Gloss 335gsm that’s the subject of this report. Of course, this is not the only paper that claims the “fine art” pedigree, but due to its weight, its ability to reproduce a wide range of tones with clarity, and its acid- and lignin-free constitution it has all the required specs.
Picture This
Oct 01, 2013 Published: Sep 01, 2013 0 comments
This month’s Picture This! assignment was Shadow Play, the role played by shadows in a photograph’s composition and, often, meaning. Shadows define form and shape, but they also can add an aura of mystery and intrigue, one where the recognizable subjects are altered by their presence. They can also be the subject of the image, and dominate the frame to create an abstract view of the world. Readers sent in images that accomplish all the above, with photos of people, places, and things that are enhanced by the sense of depth and space created by these light-formed elements.
News
Press Release Oct 01, 2013 1 comments
Handcrafted by Gura Gear in Ogden, Utah, Sabi is an innovative step up from the traditional photography beanbag. Sabi is a compact, yet stable support system designed by photographers simply trying to hold still while they shoot. The innovative double-pillow design lets you adapt to whatever the situation without the bulk of traditional beanbags. There is no 'wrong' way to use a Sabi; they are designed for versatility. Great for shooting from the car, rocks, tree stumps, or just on the ground, Sabi is perfect for those times when a tripod just doesn't make sense. With Sabi, the world is your tripod.
News
Press Release Sep 30, 2013 0 comments
Rokinon has announced the release of its 16mm T2.2 Cine lens. The Rokinon 16mm is a wide-angle lens for DSLR and mirrorless cameras in both the APS-C and Micro Four Thirds formats.
Jack Neubart Sep 27, 2013 Published: Aug 01, 2013 0 comments
The Phottix Odin is a radio frequency-controlled system, or simply radio remote. The basic package includes two units: a transmitter and a receiver. Additional receivers are optional. You only need one transmitter to sit in the camera’s hot shoe and trigger compatible i-TTL strobes, but you need a receiver for each off-camera flash. And recently, Phottix introduced a new combo pack that includes one additional receiver—perfect for my two-speedlight setups. The unit tested here is for Nikon and I worked with my Nikon SB-900 speedlights.