Tamron and Shutterbug magazine proudly announce the winners of the Tamron Nature Photography Contest.
Nature photography has long captured the hearts and minds of amateur and professional photographers dedicated to capturing images of the great outdoors. We received over 2,000 entries and selected three outstanding images.
Congratulations to all who entered and to the three winners who will each receive a Tamron lens.
Donna Pagakis - San Diego, California
“As I was leaving the park, I noticed this Great White Egret, preening itself on the reflecting pond. The lighting was magical, at the time of evening, two hours before sunset. I placed my camera on the tripod and used continuous shooting mode, to capture as many frames as possible. The RAW file was processed with Bridge, Photoshop, Photomatix and Nik Software.”
Our Picture This! assignment this month was Pen and Ink, in which we asked readers to send us images that emulated a pen and ink drawing, that is, reducing the image content to line, texture, and form. Software makes it easy to convert an image file to just about any type of illustrative format, from oil paint to pastels and more. There are many ways to achieve the effect, but as with all images it’s how the content matches the technique that counts. Readers sent in all types of subject matter and achieved the effect in various ways, all of which show how malleable images are these days and how working with software can open up new ways of seeing and sharing images.
As collectors of 19th century American paintings, my wife and I are very familiar with the wonderful twilight paintings of Frederic Church, Albert Bierstadt, Jasper Cropsey, Samuel Colman, and Jervis McEntee. While touring Grand Teton National Park in the fall of 2009 we passed by the overlook to Lava Creek on numerous occasions and stopped to determine the possibility for a good panoramic shot. I took several over the course of a few days but was not satisfied with the lighting conditions.
On The Cover
This month, in addition to our usual run of product reviews, we are presenting you with a bit of software magic, as we share new tools and tricks we uncovered in the latest image-editing applications. We are also featuring an assortment of photo essays by photographers who realize the power the black-and-white medium holds.
RTP, Rehabilitation Through Photography announces the election of Jackie Augustine to the position of President of the Board of Directors. Jackie is a 30 year veteran of the photographic industry. She served as Group Publisher of VNU/Nielsen’s Performance Group of Magazines and prior to that she was VP, Group Publisher of the High Technology Group of magazines at Primedia which included Petersen’s PHOTOgraphic and Shutterbug magazines. Currently she is the President of Jackie Augustine Consulting, a company focused on integrated media and marketing solutions. She is also a Member of the PMDA Board of Directors and Editor of the PMDA website.
Our Picture This! assignment this month was Handheld Pan, a shooting technique that involves a long shutter speed and some sort of motion while shooting on the part of the photographer. We generally do everything we can to keep the camera steady and make sure there is no photographer-induced motion in a shot, including using image stabilized lenses, often elaborate tripods and heads, and even mirror lockup. The assignment requested just the opposite—adding motion to a shot that might include following a subject in motion across a plane, jiggling the camera to make lights record as lines rather than points, and even moving the camera in a circular motion to completely abstract the color and form.
While in Kenya on business I visited the Nairobi Railway Museum, home to a variety of fantastic and rare trains from the Colonial Era, including the famed Lunatic Express. Yet little effort, if any, was made to preserve these historic treasures as they silently deteriorated in the equatorial heat and humidity. I spotted this one rusting train engine bearing the fallen Masai of Kenya nameplate (painted in Masai red) and thought it summed up the state of the museum quite well.
Our Picture This! assignment this month was Industrial Design. While nothing can beat the variety and beauty of nature, where patterns and designs have their own rhythm and pace, certain objects have a beauty and grace that speak to an aesthetic that is inherently human. Products of handmade origin or the Industrial Age that satisfy the need for function while maintaining a beauty of form are sometimes taken for granted, and sometimes, with a photographer’s keen eye, transformed into sculptural objects that seem to transcend their utility. We can contemplate them less for something we would use as a tool and more as objects of wonder or beauty that appeal to a deeper aesthetic sensibility. That’s what we sought, and found, in this month’s readers’ images.
On The Cover
While we don’t offer a formal “Buyer’s Guide” for this time of year we thought we’d bring you a host of gift ideas that (only) a photographer might love, including tripod heads, tabletop tripods, and the always popular gimbal mounts. And for good measure we mixed in a roundup of today’s most fashionable camera bags aimed at the distaff side and a trio of cameras that cover the gamut from advanced amateur to semipro.
Being a musician, a visit to the historic Sun Studio was a must-see tour on a recent trip to Memphis, Tennessee. I selected black and white on my Nikon D300 to capture an authentic feel of the 1950s era inside and outside. Upon leaving the building, a 1955 Cadillac pulled up to drop something off. I had just a minute to get set, compose, and snap off a couple of shots. This classic car under an historic landmark reminded me of one of my favorite country songs, “Guitars, Cadillacs.”