Photographers can now trigger and quickly set ratios for three groups of radio controlled Qflashes and/or Trios. Set lighting ratios on the fly, right from your camera. Simply turn three controls on the CoPilot to instantly adjust lighting ratios as you shoot.
Canon U.S.A. Inc., a leader in digital imaging solutions, is once again joining forces with several of the country’s acclaimed national parks to offer free photography workshops to visitors this summer. The Canon Photography in the Parks Program provides participants with free equipment loans and professional photography instruction as they take part in a guided walking photo tour. Following the tour, participants have the opportunity to print images for free and take home a CD of their image files. Visitors of all ages and experience levels are welcome to participate.
Bicycles are integral to the city of Amsterdam’s lifestyle and while traveling there, I decided to give myself an assignment and carve out time to concentrate on them alone. I set up in the open window of my hotel room along a busy, narrow thoroughfare with a designated bicycle lane, next to the Amstel River, and began to shoot. I recorded an incredible variety of bikes, including some for hauling everything from pets to freight, but this one, which I call “Rush Hour,” has become my favorite.
Our Picture This! assignment this month was “At the Flea Market.” The amazing diversity of material found at flea markets and antique malls is grist for a photographer’s mill. Not only are there odd and unusual items aplenty—from castoffs to treasures unknown—there’s also the element of the yet-undiscovered art directors, the dealers and vendors who arrange these items in sometimes random, sometimes ironically intentional ways. When photographers talk about capturing “found art” they needn’t go farther than their local flea market to find all they need.
Traveling in winter on the train from Dresden, Germany, the mostly overcast countryside zipped by as the train quickly moved along on its way to our destination in Prague, Czech Republic. Occasionally the sun peeked out from the clouds and lit up the houses and the industrial areas we traveled through. At first I thought my images might be impaired by a too slow shutter speed and the reflection in the train windows, but I quickly decided to use those problems to my advantage. The photos I ultimately made (and named “Views From the Train”) clearly indicate movement, low light, and reflections; qualities that mirror both the literal and metaphorical aspects of the country we traveled through.
On The Cover
In this month’s issue we have lab test reports on two ends of the camera spectrum, the Pentax Q and the Nikon D800. The D800 will come in two versions, one without a low-pass filter, so we thought it a good time to also explore the low-pass debate and what might be ahead for digital cameras. We also look at a sampling of new gear, from lighting to lenses to software. New: Check out web-exclusive tests at www.shutterbug.com.
Our Picture This! assignment this month was “Things Are Looking Up” and readers responded with a great variety of images with a skyward point of view. Many were architectural studies, and the fascinating compositions we received transformed the spaces in which we work, visit, and live. The abstraction engendered by taking a new point of view was certainly visually rewarding in all the entries we saw. It reminded us that some of the best images we can make are those that are made by looking anywhere but straight ahead, and we think when you look at the images below you’ll agree.
Hiking through the mountains in the Poudre Canyon above Fort Collins, Colorado, I happened upon a small clearing. Up against a mountain and surrounded by a grove of aspen trees, I found this very old abandoned cabin. The sight of this stopped me in my tracks. I immediately felt chills and a sense that I was stepping back in time. I took very slow steps as I listened to the wind move through the cracks of this home from the past. I felt as though I was trespassing on a family from long ago. I stayed long enough to capture this image with the sun setting the front aglow.
On The Cover
In this issue we feature tests on a myriad of image software programs for everything from creating unique images to speeding workflow to aids in organizing and editing your work. We also continue our Image Tech series with in-depth tests on Nikon and Panasonic cameras plus take a look at a new trend in inkjet papers as well as a handy Wacom tablet that will make working with all that software in our tests so much easier. And visit us at www.shutterbug.com for more web-exclusive content added daily.
While it might seem odd to have fall colors in late winter, we thought we’d take advantage of the crop of image ops available when the contest began (those luscious fall hues) and to have a bit of color to fight off the winter blahs right now. In any case, readers sent in a host of images from all around the country showcasing the fantastic colors and richness of that very special season. Editing from all the photos received was tough, but we found numerous images that we hope that for you, like for us, was a reminder that seasons do change and that gray and cold (at least here in the Northeast) is not how it always is outside. Please note that while we did not limit the post-processing allowed on these images we tended to choose those where processing enhanced the image and did not overwhelm it.