David B. Brooks Blog

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David B. Brooks Blog  |  Jan 05, 2009  |  0 comments

Over the holiday season the mass media’s pundits, columnists, and political soothsayers dusted off their crystal balls and polished their moral compasses to spin their usual self-serving conventional wisdoms while obfuscating carefully not to embarrass any of their benefactors. The same exercise as any New Year brings out, but this 2008 to 2009 passage involved factors that deserved much more insight and candor, but apparently the courage and fortitude of journalistic celebrities remains tempered by the fact the mass media is the mouthpiece of corporate America and it is never wise to bite the hand that feeds one. I don’t get paid enough by a long shot to be restrained in the same manner, but at the same time I have not risen to a level of celebrity that induces an audacity to think I can see into the future.

David B. Brooks Blog  |  Jan 07, 2009  |  0 comments

Some months ago a photographer posting in the Shutterbug Forum mentioned he had purchased a Kodak Kodachrome K3 IT-8 profiling target slide from B&H. I must confess I did not know Kodachrome IT-8 target slides existed only those made on Ektachrome for calibrating and profiling a scanner. I thought I had kept up with Kodak Color Management, but maybe the company never catalogued or made public the existence of Kodachrome IT-8 target slides, but on the internet in the Kodak FTP site I did find an Index File to enable using the Kodachrome K3 IT-8 I purchased from B&H, And then after borrowing a Color Management suite from X-Rite containing software to make input profiles I was able to use the Kodachrome IT-8 to profile my scanners and run some tests.

David B. Brooks Blog  |  Jan 10, 2009  |  0 comments

From my experience from a lifetime of photography I have learned better than a new lens, or camera, any gadget or gizmo the best resource for getting better pictures and enjoying making photographs is information, understanding the tools I already have and how they work. The only way to get out of a camera all that it can reproduce is to know how it works, the only sure and easy way to control the photographic process to reproduce the images that you imagine and hope for is to understand how the photographic process functions.

David B. Brooks Blog  |  Jan 11, 2009  |  0 comments

How many things do we continue to do out of habit that we don’t change until circumstances force us to? That questions as far as tradeshows go seems to be one that 2009 is answering. I followed what was happening at the MacWorld show in San Francisco via the Internet, and what was reported was mostly disappointment overall. A lot of the anticipated new products from Apple did not materialize, so maybe besides having his own health problems, Steve Jobs did not make his annual keynote presentation just out of habit. Why bother in these difficult times doing something just for show and to keep an unneeded function alive? Like Jobs my health is a personal issue but more important I don’t need to go to a tradeshow to learn what new products there are available, the companies that have anything of interest to me have already sent me a news releases by e-mail. The only thing I found new shown at the Moscone Center floor of MacWorld is a neat, new inexpensive software package to design, format and output words and pictures in a Acrobat .PDF documents called iPublisher from iStudio (http://www.istudiopublisher.com/index.php/home/home/). Of course thats not all that was new, beside another MacBook model, Apple upgraded their functional software suites iLife and iWork with their usual evolutionary efficiency improvements.

David B. Brooks Blog  |  Jan 13, 2009  |  0 comments

The “prints too dark” problem inadvertently involves almost every aspect of computer image processing, displays, printers and their drivers, color management, and of course image editing. Yet it is just a single issue of prints that don’t match the screen in density/brightness. The explanation of why the problem seems insoluble is that all of these separate but involved functions are the domains of companies which compete with one another in a marketplace that discourages standards. For instance the driver interface for each brand of printer is different, as are the on-screen controls of each brand of LCD display. And of course the people who run these companies and the technical people who design the products do not see reality from the same perspective as users, who of course are an even more diverse population.

David B. Brooks Blog  |  Jan 26, 2009  |  1 comments

I was at least subliminally aware of LG Electronics between 2 and 3 year ago when I searched through their LCD Display offerings and decided to purchase one of their Flatron L2000C 20 inch displays. At that time in America LG Electronics was a barely known brand name, but has gotten more cache in the last year or so, but mostly for cell phones and TV’s, and little awareness in the LCD display market for computers. Since I purchased my 20 inch LGE display I have acquired two more different brands and tested and reported on several more, including LaCie and Eizo, both of which are familiar brands only in the niche pro-graphics market.

David B. Brooks Blog  |  Jan 27, 2009  |  0 comments

One of the primary functional advantages of Color Management for most individual computer users who are digital photographers is to facilitate making prints that match what they see on-screen in their computer’s display. In terms of color consistency, a Color Managed print workflow does achieve that goal, although too much complication and confusion can ensue in the implementation of a color managed print workflow, in my humble opinion.

David B. Brooks Blog  |  Feb 03, 2009  |  0 comments

This rather enigmatic movie title came to mind this week after engaging in both live and virtual e-mail conversation about the problem of “prints too dark” I have reported and commented on recently. It seems those most likely to have a knowledgeable understanding of the technical cause of this phenomenon, and any possible solutions are the least likely to want to admit the problem even exists. And if photographer computer users are obtaining too dark prints it is because they are at fault: either their home/office environment in which they do their photo processing on a computer is non-standard or their illumination for print viewing is inadequate.

David B. Brooks Blog  |  Feb 12, 2009  |  0 comments

I was just reminded by a list of currently established luminaries in the photography world, that what I knew and the names and images that inspired me during my early, formative years as a photographer are no longer current, replaced by names and images that are unfamiliar and don’t have an iconic role in the photography niche of contemporary culture. What has changed is not the quality of photographic work being done, but that there is now a greater volume of public information in a digitized cultural venue that is huge and rapidly evolving. Today’s photographic talent is simply lost in a deluge of image media of every kind and description. Magazines, newspapers and books still exist but even TV has been displaced partly by the internet and YouTube. How different it is when a movie star, Selma Hayek on a mission to Africa assisting in a campaign to reduce the high death rate of infants, is covered by ABC News in scene where she breast feeding a baby of a local woman who had gone dry. This most humane gesture caught on video has now gone “viral” on the internet. I find nothing to criticize, but in such an instantaneous global village of images, that will soon fade with the next “viral” pop news event, can any image attain a lasting iconic status, much less the person behind the camera who made the image?

David B. Brooks Blog  |  Feb 16, 2009  |  1 comments

In this morning’s in-box was a news release that Samsung has an 8 megapixel camera/cell phone it is releasing to the market after showing it in Spain over the weekend. At this same event Sony-Erricson had a prototype camera/cell phone with 12.1 megapixels. This news immediately asks questions about the possible affects on the digital camera market, but more significantly is this going to further a trend we have already seen of major news events recorded by cell phone users on the scene at the time, and then broadcast around the world. How will this impact culture? Will Facebook and YouTube become even more significant to peoples lives?

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