Chuck Gloman

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Chuck Gloman Posted: Apr 26, 2011 0 comments

Lighting portrait subjects with different hair and skin color can be a challenge, especially when you are using a dark background. With a little time spent adjusting the color temperature and placement of your lights, you won’t have to rely on color correcting the images later. No lighting challenge is too extreme if you break it down into a few simple steps. Do you want hair lighter or darker; do you want to complement or contrast the skin tone; and what is the overall “look” you desire—warm or cold? By answering these questions, you will be able to determine which color temperature of light you need to create the mood for the image. Again, don’t just set the camera on auto white balance. Set your daylight or tungsten balance lights accordingly and manually adjust the camera’s color temperature—you’ll be glad you did.

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Chuck Gloman Posted: May 31, 2011 0 comments

Backlight is light that comes from behind the subject, whether it’s an artificial source or the sun. In the following examples, I decided to use the sun as my only light source, placed behind the subjects and guided by reflectors both natural and man-made.

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Chuck Gloman Posted: Apr 26, 2011 0 comments

When fighting with the sun, your flash might not be powerful enough to fill in the deep shadows created by that large key light in the sky. Luckily, we have help in the form of reflectors which send almost all of the reflected light onto the subject. I will be referring to two types of reflectors here: the Flexfill (and its variations) and reflective (silver-sided) foam core.

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