This tutorial is about a common image-killing editing error that you may be guilty of yourself, and demonstrates how easy it is to fix. It’s all about using the wrong Lightroom slider for certain simple tasks when there’s a better approach that’s just as easy to implement
While more and more landscape photographers are turning to long telephotos when shooting in the field, the trusty wide-angle is still the go-to choice for most of us. And there’s a good reason: The perspective provided by short focal length lenses is often perfect for capturing dramatic, expansive vistas.
Photography is all about maximizing light, and landscape photographers are always at the mercy of prevailing conditions. The quick tutorial below demonstrates how to make necessary adjustments in Lightroom when Mother Nature fails to cooperate.
It’s not uncommon to return from a daylong photo shoot with dozens if not hundreds of images or more. And that means spending hours behind the computer separating rejects from potential keepers before you can begin editing.
Whether you’re a beginner or a more advanced shooter it’s likely that a few “bad habits” are stifling your growth and preventing you from realizing your true potential. Today we’ll discuss how avoiding three common impediments will greatly expand your skills when shooting in the field.
We all hear about so-call “hidden” editing tools that deliver great results. But while many of these methods are effective, some are quite familiar to photographers of all skill levels.
Earlier this month we began posting weekly installments of a remarkable new 10-part Lightroom masterclass from our friends at Phlog Photography. Episode #1 covered basic tools for beginners, while Part 2 was all about using masks.
Winter is officially over and spring has finally sprung, and that means it’s time to pull out a macro lens and bone up on your skills. The quick video below provides five very helpful tips that are different from those we’ve discussed in the past.
Last week we brought you a basic primer on achieving maximum sharpness in the camera, regardless of the subject or lens you use. But long telephotos are a unique case, requiring even more precision and careful techniques.
Motion blur is a very popular technique in which slow shutter speeds are used to give photos a sense of movement, and appropriate subjects span the gamut from flowing water, clouds blowing across the sky, and even action shots of athletes. This effect can be achieved in the camera or during post processing.