Photoshop How To

Ugly Dust Spots can really spoil a photo, whether they're caused by a dirty lens or a sensor that's overdue for a cleaning. Unfortunately, conventional post-processing repairs don't always do a perfect job—especially when the artifacts are difficult to notice at first glance.

Whether you shoot portraits, wildlife images, or cute photos of your beloved pets, the eyes are the most important element to get dialed with precision. Achieving accurate focus on the subject's iris when capturing an image goes a long way to achieving this goal. But there's much more you can do to accentuate the eyes during post processing.

Most landscape photographers know that a dramatic realistic-looking sky is often a key element in captivating photos. Today you'll learn a simple-two step edit that provides compelling results without sky replacement, image stacking, or other complicated procedures.

Earlier this month we featured a tutorial explaining a Lightroom technique for editing b&w photos to achieve maximum impact. The quick tutorial below takes a similar approach for all of you Photoshop users.

Today's very helpful Lightroom tutorial begins with this quote from one of our favorite young photographers Austin James Jackson: "I've seen enough Lightroom catalogs to know that there are a lot of people who struggle to organize. In this video I'm going to help you solve that problem."

The second day of the week is often referred to as Taco Tuesday, but Shutterbug readers know it's also Tutorial Tuesday when we often post the weekly lessons from Park Cameras—one of the leading photo retailers in the UK. This episode explains the difference between Vibrance and Saturation sliders, so you'll understand when and how to put these simple sliders to use.

Here's the frustrating thing about shooting sunsets: While these scenes are among the most popular that we capture, oftentimes our results fall far short of the splendor we witnessed through the viewfinder. That's because the beautiful warm tones and a perfectly balanced  exposure can be very difficult to get right in the camera.