I thought that Tamron had outdone itself first with its 70-300mm lens and then with the 24-70mm f/2.8 and 90mm f/2.8 Macro lenses: all bearing the SP (super performance), VC (vibration compensation), Di (digitally integrated primarily for full-frame sensors), and USD (ultrasonic silent drive) monikers. There are of course other noteworthy lenses in the lineup, but these are the ones I tested for Shutterbug. Now comes the impressive Tamron SP15-30mm f/2.8 Di FC USD, which the company first previewed way back at photokina 2014. With this lens Tamron has created a near-flawless masterpiece in optics that simply blew me away!
Tenba recently introduced their new Packlite Travel Bags: a packable, self-stowing camera bag. Packlite bags can be easily stored inside larger bags, backpacks and rolling cases, or used separately when you need a smaller bag. Photographers and filmmakers now have a versatile pack that can adjust to any situation.
I see a lot of cool imaging gadgets in my line of work but the Lily Flying Camera is one of the more intriguing devices I’ve looked at in a while. A remote controlled aerial drone in the vein of the popular Phantom quadcopters from DJI, Lily adds an interesting new twist to UAVs (unmanned aerial vehicles). It’s fully automated and requires very little to no practice from users to take it for an aerial spin and capture sky-high video footage and still photos.
Olympus has introduced two new premium M.ZUIKO Digital PRO lenses: the M.ZUIKO Digital ED 7-14mm f2.8 PRO lens (an ultra-wide-angle zoom with a 35mm equivalent focal length of 14-28mm) and the M.ZUIKO Digital ED 8mm Fisheye PRO lens, (f/1.8 aperture, with a minimum working distance of just 2.5cm).
The M.ZUIKO Digital ED 7-14mm f2.8 PRO is ideal for wide-angle shooting in any weather condition. It includes weather sealing in 11 locations, enabling use in rain and snow or even on the beach—facing the hazards of ocean spray and dust. At just under 19 ounces, the M.ZUIKO Digital ED 7-14mm f2.8 PRO is about 45 percent lighter than similar lenses.
The Canon Rebel T6s and T6i are based on the same camera design: Both use an APS-C sized sensor (Canon's “APS-C” with 22.9 x 14.9 mm) with a resolution of 24MP. They also use the same image processor, the DIGIC 6. However, there are some design differences. While the TS6i looks like a little modified version of its forerunner T5i, the design of the T6s is more reminiscent of the mid-range SLR system EOS 70D. The illustrations provided show the differences in design and setup between the two models.
I’ve often wished I had a camera that could go from 24mm to 2000mm at the touch of a button and without being weighed down by a ton of glass. Okay, maybe not all the way to 2000mm and perhaps not in a power zoom, but you get my point. The Nikon Coolpix P900 superzoom (super-duper-zoom?) camera gives you that reach in a fairly compact body, relative to a lens with such a broad range of focal lengths.
Canon made some unexpected lens news overnight: the company introduced the lightweight and compact Canon EF 50mm f/1.8 STM standard lens. This fixed focal length lens is designed for advanced amateur photographers and has an effective focal length of 80mm when paired with an APS-C sensor-based EOS camera such as the Canon Rebel T6i.
Here’s another photography list for you. Like any list of the best of anything, this list is subjective. Even if it were the “most useful,” “most thoughtful” or “funniest” quotes about photography, it would still be subjective.
Aimed at outdoor photographers, MindShift Gear just launched the new, higher volume rotation180° Horizon rotating backpack. The larger-sized (compared to the previous model) rotation180° Horizon backpack (with a rotating beltpack) allows for instant access to cameras, lenses, food, binoculars, and other essential gear.