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Making Digital Contact Sheets From Negatives; A Hybrid Solution For The Film/Digital Photographer
With labs charging from $8-$12 or more per color contact sheet, you can save
the cash by doing them in your own computer darkroom studio. Moreover, this
process gives you working digital images of entire rolls that you can inspect
close-up on your monitor. As digital image files you can mark them up on screen,
adjust orientation (horizontal/vertical), excerpt selections to send as JPEGs,
and of course, adjust the image quality. You can also print them out and treat
them like normal
For those of us still processing our black and white at home, but who have abandoned the chemical print darkroom in favor of digital scanning, this is the answer for making contact sheets. And it’s also a great way to archive all your old color negatives that might have become separated from the prints. What You’ll Need
Setup Procedure
Lay the negative page out carefully on the scanner. Place the turned-on light
box on top, light side down. Adjust the scanner controls on your computer to
handle negatives, transparencies, color or black and white, whatever you’re
using. I usually increase the contrast to halfway between default and maximum.
I leave the color balance at default, though I often find that the color comes
out much truer after the individual scan. If color is critical at the contact
sheet stage, you may have to experiment to find the most accurate color for
your combination of film and scanner. The light source of most light boxes and
scanners is supposed to be close to daylight, but you still may have to make
adjustments. Use the preview function to get the positioning just right, since
you may not have a lot of tolerance on one side or the other, and you don’t
want to lose any part of your image.
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