Panasonic FZ150 Camera Review
The Panasonic FZ150 is a super-zoom bridge camera with a 12MP sensor and an integral 24x zoom lens.
The design of the body is similar to classic SLR systems, but the camera has no interchangeable lens system. It offers a zoom lens that ranges from a wide-angle setting (25mm) to an extreme tele setting (600mm, 35mm film equivalent). The FZ150 utilizes Panasonic’s newest version of the O.I.S. (Optical Image Stabilizer), dubbed “Power O.I.S.” It works very well and allows users to shoot images with long shutter speed settings as slow as 1/20 sec when using the maximum tele setting of 600mm.
The image stabilizer also works when the camera shoots video (“Active Mode”); it records Full HD video with 1920x1080 pixels and can shoot in 50p mode with high bit rates because it works with the new AVCHD 2.0 standard.
The SLR-like body design allows for comfortable shooting. The large grip on the right side provides comfortable handling and the shutter release button and the zoom rocker switch fit perfectly for easy operation. The camera offers two additional switches on the left side of the lens system. The first switch is an additional zoom switch, the second switch allows for very fast changes of the focusing modes, including AF, AF macro setting (down to 1cm distance to the front lens), and manual focusing.
The only thing missing is a lens ring for manual zooming or manual focusing. Manual focusing is controlled with the setup dial on the back, which isn’t really comfortable. Manual focusing operation is aided by zooming into the center of the electronic viewfinder image when moving the setup dial (and when manual focusing is activated by the switch on the left-hand side).
The large LCD screen (3 inches) is fully articulated and can be flipped upward, swiveled to the side, downward, and even to the front for shooting self-portraits. The monitor offers a resolution of 460,000 RGB dots, which is standard in this camera class. The camera offers an additional EVF (electronic viewfinder); the user has to toggle manually between both systems by pressing the “EVF/LCD” switch.
The FZ150 is very fast: it offers a serial mode with up to 12 frames per second (with locked AF system) and up to 5.5 frames per second with activated AF for every image. The internal buffer allows the user to take sequences with 12 images.
The camera offers a large and handy mode dial on the top. The photographer can use standard exposure modes (P, S, A, M) and 24 scene modes in the “SCN” setting. In addition, it offers six of the most important scene modes on the mode dial (portrait, landscape, for example) and the “Creative Control” setting. This allows the user to create images with various special effects, including “Retro Look,” “High Key Mode,” and “Miniature Effect.”
Color: The automatic white balance system causes a very slight light bluish touch in the standard test image. This is also visible in the color chart, which also shows that brighter areas are shifted into the more yellow and green areas.
This tendency is also noticeable in the background of the portrait test shot, although the results show natural-looking skin tones and a realistic reproduction of red colors (there is only a minor shift into the more yellow/green area). The saturation is a little lower than in images taken with competitive cameras: 98.96 percent saturation is a low result for a compact camera system, but it helps create realistic-looking, nuanced color results.
Sharpness: The results of the resolution tests are very good for a super-zoom camera. The FZ150 achieves up to 2689 lines in picture height, which would be a very good result even for an SLR system with a nominal resolution of 3000 lines in picture height. Nevertheless, the contrast lines in our test images show that the camera boosts sharpness by an electronic filtering system that creates some oversharpening that results in some halos/double contours on contrast lines.
Noise: Noise results are on a good level: the camera uses a 1x2.3” sensor with a moderate resolution of 12MP and creates clean images up to ISO 400. Due to the luminance noise factor (y-factor), which is on a high level even in lower ISO speed settings, we saw some noise artifacts even in our standard test shots done with the ISO 100 setting. Nevertheless, these noise artifacts are very discreet because the more annoying color noise is very low and electronically filtered.
Image Tech is where we publish web-exclusive lab reports on cameras. To read the reports please go to the Shutterbug homepage at www.shutterbug.com and click on the Image Tech tab on the top navigation bar. New reports are published frequently, so check Image Tech for updates. The following reports are available now:
• Leica X1
• Ricoh GR Digital IV
• Nikon P7100
• Olympus E-P3
• Panasonic FZ48
• Sigma SD1
• Sony SLT-A35
• Sony NEX-C3
• Very handy and fast camera
• Extreme zoom lens for wide-angle and extreme tele shots
• Robust, rugged body
• Internal flash system and additional
• Raw image option
• Swivel monitor
• Manual focus controlled by setup dial
Lab results and test images by BetterNet, our TIPA-affiliated testing lab. Edited by George Schaub.
- Is Olympus Planning a Whopping 300-500mm F/2.8-4 Lens for Micro Four Thirds Cameras?
- Bay Photo Lab’s Xpozer Photo Wall Display Review
- Ask A Pro: Scott Kelby Answers Your Photography Questions
- Seagate Unveils the World’s Highest Capacity Hard Drive with Room for All Your Images, Videos & More
- Sony A6300 Mirrorless Camera Review