George Schaub

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George Schaub  |  Jan 01, 2007  |  0 comments

While HP did show a number of consumer-oriented printers, perhaps the most interest was generated by their new HP Designjet Z2100 and Z3100 models. Both use HP Vivera pigment ink technology (introduced with the HP Photosmart Pro B9180) and have built-in color management with an embedded spectrophotometer. According to HP, the use of the Vivera pigmented inks yields 200+ years...

George Schaub  |  Jan 01, 2007  |  0 comments

These days traveling means taking smaller and smaller devices to fit in with carryon luggage standards. Anything that cuts down on the number and size of those devices is welcome. A number of so-called portable storage devices were seen at the show, many addressing the need for greater storage capacity and raw file reading capability.

The JOBO GIGA Vu PRO...

George Schaub  |  Dec 01, 2006  |  1 comments

Recently we had an opportunity to witness first hand Canon's involvement with the US National Parks, the occasion being the 90th anniversary of the founding of the National Park Service and the opening of the new Canyon Visitor Education Center in Yellowstone. As we sat through the opening ceremonies, addressed by Secretary of the Interior Dirk Kempthorne, we learned how...

George Schaub  |  Dec 01, 2006  |  0 comments

In this issue we ask our contributors to pose their thoughts about the future of photography, at least looking forward a year. As is their wont, each has a particular revelation, wish, or projection based upon their sense of optimism (or lack of it) and field of expertise. You'll read echoes of nostalgia for film photography, thoughts on what needs to change to make things...

George Schaub  |  Dec 01, 2006  |  0 comments

Is it possible that one day we might be able to bypass basic, global in computer editing for our digital images, and rely instead on the powerful on-board microprocessors in future digital SLRs? That's the implication of some of the new features in Nikon's latest enthusiast-aimed camera, the D80. Priced at $999 (body only) list, with a kit including an 18-135mm...

George Schaub  |  Nov 01, 2006  |  0 comments

When the term pro gear is used these days it means more than a high-priced camera and fast lens, or a strobe setup that can fire three heads at once and still have juice to spare. Pros these days also have to be concerned with fast computers, terabytes of backup, and large-screen monitors that display images in all their glory. They also need the software to run it all, and the...

George Schaub  |  Nov 01, 2006  |  0 comments

When Nikon refines a camera but does not substantially change its attributes the company often designates the change by adding a lowercase "s" to the model name. It did so with the revamped D70 (the D70s) and now has done the same with their latest flagship pro digital SLR, the D2Xs. (As we went to press the D70s has been replaced with the D80, so interim status is...

George Schaub  |  Nov 01, 2006  |  0 comments

Photographers who soup their own film know about developers. There are those for sharpness and those for speed, with agitation schedules and dilution ratios all part of creating a custom negative. Stretching the analogy, as we are wont to do when translating film to digital terms, today's raw converters are like custom developers, where you can manipulate image information...

George Schaub  |  Oct 01, 2006  |  0 comments

To celebrate the release of Corel's Paint Shop Pro Photo Art Suite--a complete software tool kit that helps users manage, fix, and add a creative touch to their digital photos--Corel and Shutterbug sponsored the Photo Art Masters Search contest. With the Photo Art Suite, users can turn their digital photos into striking paintings that look like real works of art.

George Schaub  |  Oct 01, 2006  |  0 comments

Photography by definition is "drawing with light." It is creating a frame around a play of light that translates to a continuous tonal image. That definition helps identify one of the most important aspects of the craft, which is first seeing and then understanding how the play of light influences the image; how it expresses the photographer's vision and creates...

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