Chuck Gloman

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Chuck Gloman  |  Apr 26, 2011  |  0 comments

Lighting portrait subjects with different hair and skin color can be a challenge, especially when you are using a dark background. With a little time spent adjusting the color temperature and placement of your lights, you won’t have to rely on color correcting the images later. No lighting challenge is too extreme if you break it down into a few simple steps. Do you want hair lighter or darker; do you want to complement or contrast the skin tone; and what is the overall “look” you desire—warm or cold? By answering these questions, you will be able to determine which color temperature of light you need to create the mood for the image. Again, don’t just set the camera on auto white balance. Set your daylight or tungsten balance lights accordingly and manually adjust the camera’s color temperature—you’ll be glad you did.

Chuck Gloman  |  Nov 01, 2010  |  0 comments

Light Emitting Diodes (LEDs) are a highly efficient way to provide additional illumination to your shot. Not only are they small and portable, but LEDs consume far less power than tungsten units, can last over 100,000 hours, and give off little or no heat. If you are looking for studio lights that are easily metered (because they can stay on all day), cool to the touch, color temperature...

Chuck Gloman  |  Nov 17, 2012  |  0 comments
Rain or shine, you can always depend on an umbrella to give you soft, even illumination on your subjects. Whether using tungsten lighting, photofloods, or flash activated monolights, pointing the light into the umbrella will provide a controllable source of lighting. What follows are just some of the possibilities you have at your disposal with umbrellas. Changing the positioning of the unit(s), the output, the color of the umbrella, adding a gel and changing the background can make any subject a work of art.

Chuck Gloman  |  Jul 01, 2010  |  1 comments

When the weather is nice outdoors, nothing beats an informal portrait. You do not want to shoot in the direct sunlight because your subject will be squinting. However, if you can find a shady spot under a tree, both you and your subject will be much happier.

So, how can you take the best portrait outdoors and still compete with the sun? The answer is usually right on top of your...

Chuck Gloman  |  Nov 01, 2010  |  1 comments

One of the most beautiful, natural forms of illumination has to be window light. The warm rays of summer gently filtered through window glass or the cool light reflected off winter’s snow all create the ethereal glow that’s soft enough for portraits. The examples shown here are but a few of the myriad of possibilities.

As with all lighting examples shown here, a...

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