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Joe Farace  |  Apr 01, 2009  |  0 comments

Olympus decided to build an impressive camera that goes where none has gone before, the Olympus E-30.

George Schaub  |  Apr 01, 2009  |  0 comments

Like cameras in cell phones (and vice versa) and MP3 players in everything, the new Canon EOS 5D Mark II can be thought of as another item in the multimedia trend.

Joe Farace  |  Apr 01, 2009  |  0 comments

Right now it’s all about megapixels and Nikon’s latest entry in the super D-SLR race is the 24.5-megapixel D3X.

Peter K. Burian  |  Apr 01, 2009  |  0 comments

Panasonic has developed an Interchangeable Lens Digital Camera (ILDC) that’s not a single lens reflex model.

George Schaub  |  Feb 01, 2009  |  0 comments

While driving around upstate New York during the peak fall foliage season and testing the new Canon EOS 50D, I met the perfect candidate for this camera.

Peter K. Burian  |  Feb 01, 2009  |  0 comments

Boasting incredibly high resolution for a 35mm-size D-SLR, the A900 features a full-frame sensor and some unique technology. Sony developed an Exmor 24x36mm CMOS chip for this camera; it’s packed with 24.6 million effective pixels but they’re quite large (5.9 microns vs. 5.5 microns with the A700) thanks to the oversized sensor and improved design. As a bonus, analog-to-digital...

Joe Farace  |  Feb 01, 2009  |  0 comments

The Nikon N90s was the first autofocus 35mm SLR that I owned and I have many fond memories of using and capturing film images with that camera.

Peter K. Burian  |  Jan 01, 2009  |  1 comments

The primary emphasis was on D-SLRs during the photokina 2008 show, but many new digicams with integral lenses were introduced, including some inexpensive models strictly for quick snapshooting. While those may find eager buyers, I’ll concentrate on cameras intended for the photo enthusiast. In these categories, only a few trends became obvious, starting with resolution: 13- and 14-megapixel...

Peter K. Burian  |  Jan 01, 2009  |  0 comments

Although digicams with built-in lenses still outsell D-SLRs by 10 to 1, market research indicates that 20 percent of consumers are planning to upgrade to an interchangeable-lens camera. As a result, most manufacturers are devoting significant R&D efforts to the D-SLR category, and we found some really desirable new cameras at photokina. The trend was toward more of the high-tech...

Roger W. Hicks  |  Jan 01, 2009  |  0 comments

Let’s start with the cheapest Large Format (LF) camera at the show, and, as far as I am concerned, the one that is likely to be of the most interest to the largest number of our readers: the Bulldog 10x8” camera (also available in 8x10” for the American market—it’s a reversing back and can be used either way). The UK price is £250, which means that although a...

George Schaub  |  Dec 01, 2008  |  0 comments

Dubbed an “entry-level” D-SLR, the new Canon EOS Rebel XS is bound to be found under a number of Christmas trees this year, what with its $699 retail price and included EF-S 18-55mm f/3.5-5.6 lens. This kit lens is Optical Image Stabilized and adds to the allure of a camera with Live View, dust cleaning with Canon’s “Integrated Cleaning System,” and a (effective)...

George Schaub  |  Nov 01, 2008  |  0 comments

The Nikon D700 is the latest in what is clearly a continuing trend in so-called “full-frame” D-SLRs. Unless a radical departure from the classic 35mm form factor takes place, this class of camera cannot accommodate a larger sensor, at least in terms of area. The D700 does offer an (effective) 12.1-megapixel resolution, modest in terms of some of the competition, but also priced to...

Peter K. Burian  |  Nov 01, 2008  |  0 comments

Until recently, 10 megapixels was the norm among the enthusiast-level D-SLRs but that changed with the introduction of Nikon’s 12-megapixel D300. Pentax was the first to move to even higher resolution with their 14.6-megapixel model, the K20D, followed by Sony with their 14.2-megapixel Alpha A350. Aside from a 4.6 million increase in effective pixels, the Pentax K20D boasts some other...

Joe Farace  |  Oct 01, 2008  |  0 comments

Fuji's FinePix S100FS (Film Simulation) is an electronic viewfinder digicam that's designed to produce film-like images at the point of capture. How it does it is not all that different than a D-SLR set on Picture Styles or similar, but the S100FS does this with menu items with such magical names as Provia and Velvia, Fujifilm's renowned slide emulsions. Overlooked...

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