The Nikon D500 is the “little sister” of the company’s flagship D5 professional DSLR system. The prosumer/enthusiast-focused Nikon D500 is the long-awaited successor to both the D300, which was shipped in 2007, and the upgraded D300S from 2009. The new camera offers an APS-C-sized sensor with a little more than 20MP in resolution. (The D300/D300S had a 12.3MP chip.)
The new Nikon D5100 D-SLR is a compact and lightweight DX-format camera. The body is about two-thirds the size of a D300, recording on SD/SDHC/SDXC memory cards. The similarly compact kit lens, an 18-55mm VR, provides good balance, and, along with my Nikon SB-900 Speedlight, all fits neatly into a compact camera bag. The grip on the D5100 was a little smaller than what I was used to, but I soon grew accustomed to it.
The new Nikon D5600 is a midrange DSLR camera based around a 24.2-megapixel DX-format (APS-C) sensor. The sensor offers the same resolution as the previous D5500. The same goes for the image processor—the Expeed 4 system—that was used in the D5500, which was launched two years ago (January 2015).
Feeling very much in hand like a pro camera, with magnesium alloy top and rear body construction, the Nikon D7000 (list: $1199, body only) has all the bells and whistles of a modern D-SLR, including a high megapixel count CMOS sensor, a new image processor to handle all the data it can capture, including 14-bit NEF, a high ISO 6400 “normal” (expandable two stops), and the currently requisite 1080p HD movie capability. This DX (APS-C) format camera also features dual SD card slots, with spillover or format sort capability, a nice and speedy 6 frames-per-second (fps) shooting capability for up to a 100 frame burst (JPEG), and full-time AF with video and Live View. The monitor is bright and highly readable in just about every lighting condition. Unfortunately, it is fixed and does not articulate, but the penta-prism finder makes one pray that Nikon will never go EVF (electronic viewfinder), yielding 100 percent coverage and being a pleasure to view through, especially after suffering some recent EVF obscuring experiences.
The Nikon D7200 will seem quite familiar to those who have worked with the forerunner D7100: indeed, the image sensor of the new D7200 is basically the same. It offers 24MP resolution, but now has a higher “standard” ISO range up to ISO 25,600 (which was the High or “push” mode” offered by the D7100) that can now be expanded to an ISO 102,400 equivalent, albeit in monochrome mode only. These higher speed settings are possible because the D7200 uses a new image processor dubbed “Expeed 4.”
Here we go again. That’s what Nikon owners might be saying to themselves now that another possible problem with a new DSLR from the company has surfaced. Several owners of the new Nikon D750 have reported that a dark shadowy band will appear in images with lens flare. The effect slices off the top of the flare, creating a distracting split between light and shadow across the top of the frame.
Nikon had been relatively quiet in introducing DSLRs aimed at enthusiast photographers but that all changed with the new D7500, the company’s latest camera in the D7000 line. As the successor to the D7200, the Nikon D7500 (MSRP: $1,249, body only) joins Nikon’s APS-C (DX format) DSLR camera lineup, which includes the flagship D500, with a 20.9MP CMOS sensor and no low-pass filter.
The 24.5MP Nikon D780 is a DSLR. Remember those? The D780, which was introduced by Nikon in January, is a "throwback" camera in other ways as well. It uses the venerable F-mount introduced on the Nikon F in 1959 and features a 44mm throat with a 46.5mm flange-to-focal plane distance.
The 45.7-megapixel D850 is Nikon’s first DSLR with an FX-format (aka full frame), backside-illuminated CMOS sensor with no low-pass filter, which is designed to shoot high-quality images and video even in low light. The D850 can capture 4K UHD at 24/30 frames per second (fps) that’s output at a full-frame width of 16:9, allowing widescreen 4K clips at a true field of view.
One key task when reviewing a new camera is to answer the important question “Who’s it for?” This challenge is a bit more difficult than usual with Nikon’s new Nikon D850 DSLR, because this powerful camera is one that defies classification.
If you’re considering buying a high-resolution full-frame camera, you’ve likely considered both the Nikon D850 DSLR or the Sony A7R III mirrorless camera.
Nikon just unveiled the new Nikon D500, a prosumer DSLR with a new 20.9-megapixel, DX-format (i.e. crop/APS-C size) CMOS sensor. The Nikon D500 was just officially announced and here are some important details about the new DSLR.
Nikon has just introduced a special new DSLR kit for film buffs. Called the Nikon D750 Filmmaker’s Kit, the package includes some essentials for photographers interested in getting started in the world of cinema.
The Nikon D850 full-frame DSLR is a powerful tool for videographers, and this morning Nikon introduced a custom bundle designed to help users take advantage of the camera’s extensive video capabilities. This new Nikon D850 Filmmaker’s Kit includes the camera, some great Nikkor glass, and other essentials for video creation.