The Super Zoom tutorial below doesn't involve shooting with long telephoto lenses; rather, it's all about how to use Photoshop's oft-ignored Super Zoom neural filter. This powerful tool enables you alter the appearance of a photo by zooming in and cropping a portion of the image before Photoshop takes over and adds extra pixels to compensate for the subsequent loss of resolution and detail.
Whether you’re attempting to photograph the Milky Way, or simply trying to capture a sparkling nighttime sky over your backyard, astrophotography can be intimidating. And once you’ve captured a few shots, editing the images may also seem like a daunting task.
One way to achieve perfect exposures under contasty lighting conditions is by applying a bit of post-processing wizardry. The problem is that some methods can be either convoluted or unsatisfactory, unlike the quick and easy approach you’ll see below.
There are several reasons why unsightly white fringing appears in photographs. Sometime the cause is a high-contrast scene, like dark trees against a bright sky. These ugly halos may also result from heavy-handed editing, such as too much Sharpening or Clarity.
One of the most challenging—and gratifying—subjects to photograph is wildlife. The primary obstacle is getting close enough to wild animals to take dramatic photos of them. Your best bet is a telephoto lens—a few point-and-shoot film cameras offer built-in zooms as long as 200mm at the telephoto end, and...
Most landscape photographers always carry a polarizing filter to solve a bunch a problems. These affordable tools let you darken pale blues skies, reduce reflections on water and other non-metallic objects, and even boost saturation if need be. But as you'll see in this tutorial from the PHLOG Photography YouTube channel, these benefits often come at a cost.
One filter that's in the bag of every experienced outdoor photographer is the versatile polarizer. Unfortunately, there's a lot of misinformation out there about the best way to use this affordable tool, and today's tutorial from Photo Masters clears up all the confusion in barely 12 minutes.
There are many ways to plan, prepare and work in nature that can benefit your photography, make you more efficient and keep you safe. Determining what I would need for a 3-day assignment with nothing but a backpack to store all of my food, clothing and photo equipment made my job easier as I headed into Yosemite’s backcountry (#1). How you prepare makes a huge difference in how you work. In musical terms, this is your sound check, and since a musician rarely plays cold, as photographers we too should create our own run-through before the performance.
There’s no better way to up your game than by following the advice of accomplished professionals. In this interesting tutorial you’ll learn how to make better images by shooting in Manual with Auto ISO.
Technical skills are undoubtedly important, but sometimes they're not enough to capture images with maximum impact. That's because even if you know your way around the camera your images will suffer if you're not equally adept at composing scenes in the field.
When manufacturers design a camera’s menu they do so without knowing the type of images you shoot or what style of imagery you prefer. And that’s why it’s important to modify the default settings so they meet your specific needs.
Whether you shoot landscapes, wildlife, sports, or just about any other type of photos, if you miss focus you’ve pretty much botched the job. That’s because unsharp results are one of the most common ways to spoil an otherwise great scene.
Capturing images of your travels involves many of the same techniques used when shooting other forms of outdoor photography. But there are a few extra considerations to keep in mind if you want optimum results.
Think back to when you were first getting started, and what you were told about ISO settings. If you’re like most of us, you were imbued with the notion that using ISO 100 (or lower) was the only way to obtain clean and noise-free images. Right?
It often takes considerable concentration to capture compelling images, and every so often we miss a distracting background element while focusing on our main subject. Other times we’re aware of the distraction, but make the shot anyway because there’s no way to recompose and avoid the problem.