Among the most challenging conditions faced by landscape photographers is bright midday light. In this situation you can either go home and try again under better conditions or understand how to make the most of harsh light.
We addressed the first problem in an earlier tutorial and today you'll learn how to cope with the latter. Instructor Simon d'Entremont is an accomplished Canadian pro, specializing in wildlife imagery, and he walks you through the steps he takes to capture great images when the light is far from ideal.
Outdoor photographers spend a lot of time chasing “great light” as they strive to make the best photos possible. But according to one trusted pro, “There’s no such thing as bad light.”
I spoke with Pepper Yandell only days before he left for Dubai on an automotive assignment. In fact, while he does shoot domestically, many of his jobs take him overseas, to the United Arab Emirates, Europe, Asia, and South America. And sometimes the work even extends to aviation. But the project doesn’t end in camera.
It would be easy to categorize Jordan Matter as a dance photographer—he has published three books of his dance images—or as a portrait photographer—it was what he did before turning to dance, and he still includes it in his repertoire.
Love live music? Love photography? Then, in all likelihood, you’re probably interested in concert photography. In the below video from COOPH, Leica photographer Michael Agel gives you five tips on how to shoot amazing photos of concerts.
Last week we posted an overview of making nighttime the right time for shooting after the sun drops below the horizon. That tutorial was designed for those new to the technique, and today we're following up with a deeper dive on one compelling aspect of this style of photography that's of particular interest to cityscape and street photographers.
Summer offers many opportunities for landscape photographers, one of which is dramatic lightning that often accompanies thunderstorms this time of year. With a few basic techniques for photographing electrical storms, it’s easy to capture truly epic landscape images.
Shooting incredible color infrared (IR) photos is fascinating and surprisingly easy if you use the right tools and techniques. In this two-part story we first look at the conversion of a DSLR to shoot IR photos, and then later in Part 2 we explore everything you need to know to get great infrared imaging results (setting White Balance, Channel Swapping and post-processing techniques). Ready for some mind-blowing colors? Read on…
In this two-part story we first looked at the conversion of a digital camera to shoot color IR photos. Link to that story is here. Here in Part 2 we go out into the field with my converted Fujifilm X-Pro1 and explore everything you need to know to get great results when shooting and processing infrared images.
Moody photos that conjure feelings of sadness, intensity and beauty are all the rage these days, but have you ever wondered how to shoot one that doesn't look fake and corny? If so, check out the below tutorial from Mango Street showing you how to capture just the right amount of darkness and emotion for an effective moody photo.
One powerful way to capture outdoor photos that make viewers pay attention with admiration is to thoughtfully compose a scene with proper balance throughout the frame. The quick tutorial below from Mike Smith provides several helpful techniques for doing just that.
Nailing exposure is a critical aspect of all genres of photography as you refine your skills, and this can be difficult when shooting outdoors under varied illumination. This is a particularly challenging task when the light is everchanging as clouds pass through a scene, or when subjects in motion move in and out of sunlight and shadow.
Remember the philosophical question, “If a tree falls in the woods and no one is around to hear it, does it make a sound”? Put in photographic terms, “If nobody notices your photos, do they really matter?”