LATEST ADDITIONS

Maria Piscopo  |  Apr 18, 2014  |  First Published: Mar 01, 2014  |  0 comments
While Uncle Ned might be bragging that he can take care of the photography at his niece’s wedding with his D-SLR with built-in flash, amusing and sometimes bitter experiences have taught prospective brides that there’s nothing like an experienced photographer to do the job right. But getting yourself and your work in front of that group of brides and wedding planners can be a challenge, and that’s what this month’s column is all about. We’ll take a look at changes in the business model, including portfolios, marketing materials, networking with wedding vendors, and bridal shows.
Press Release  |  Apr 18, 2014  |  1 comments
The Obscura by ILFORD Pinhole Photography Kit was introduced in mid 2013. The original kit continues to be available and comes complete with starter packs of black and white film and paper, together with a simple Exposure Calculator and Instruction Book.
Joe Farace  |  Apr 15, 2014  |  First Published: Mar 01, 2014  |  0 comments

Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.

Josh Miller  |  Apr 15, 2014  |  First Published: Mar 01, 2014  |  1 comments

As primarily a landscape photographer Iam often in a situation where I am struggling to give a feeling of scale to big dramatic views. I will look for something to place close to the camera, such as a dramatic flower or rock, to capture the viewer’s attention and draw them deeper into the photo. In some cases, though, I find including a person rather than a natural element within the scene does a better job of it. Not only does the figure add scale, but it also makes viewers feel like they are standing within the scene rather than looking at a print on the wall, a kind of visual empathy.

Press Release  |  Apr 15, 2014  |  1 comments
Olympus introduced a breakthrough in its Ultra Zoom camera line-up with the new STYLUS SP-100, the world’s first-ever camera with a built-in dot-sight, enabling you to easily track moving subjects, like a soccer game or a flying bird. This technology will allow you to record smoother videos and will help you to not lose sight of your subject. Once the subject is still, then you can frame and shoot. The dot-sight combines with the SP-100’s newly developed 24-1200mm 50x optical Ultra Zoom lens, or 2400mm 100x Super Resolution zoom, for capturing detailed shots of moving, distant subjects.
Joe Farace  |  Apr 11, 2014  |  First Published: Mar 01, 2014  |  1 comments

First impressions: the D-Lite RX ONE To Go Kit includes a pair of Elinchrom monolights so you know it’s going to contain quality products. Then you discover that the maximum output of each light is 100 watt seconds and you start to think you’ll need more power. That’s until you’re reminded that this fully loaded two-monolight Elinchrom kit sells for less than $700. Interested now?

Lorin R. Robinson  |  Apr 11, 2014  |  First Published: Feb 01, 2014  |  0 comments

It is probably true that a photographer, through almost single-minded devotion to a place, can help make it known, understood, and appreciated. But the converse is also true. A place can make a photographer. Its beauty, its landscape, its human dimensions, its impact on the creative spirit can mold or shape a photographer—both as artist and person. That’s been the experience of fine art photographer William Davis in his 45-year symbiotic relationship with Northern New Mexico and the small town of Taos.

Press Release  |  Apr 11, 2014  |  0 comments
The aerodynamic iON camera line features a number of significant industry firsts, including Wi-Fi connectivity and free cloud storage. The unique iON PODZ™ system—thin, circular discs that attach to the back of the basic camera, adding virtually no weight or volume—extends the capabilities of the iON camera lines. The Wi-Fi capabilities of the PODZ work with the iON app for iOS and Android devices, allowing users to control camera functions and settings, preview scenes before shooting, instantly replay recordings and immediately upload footage to Facebook, YouTube and other social networks.
Joe Farace  |  Apr 07, 2014  |  First Published: Mar 01, 2014  |  1 comments
New & Updated Photoshop Actions
Remember the ASCII-art dot-matrix photos that were popular in the 1980s? PanosFX’s free ASCII-art action recreates the effect by producing images pieced together from ASCII characters. The set contains five actions that let you produce not only the classic ASCII-art effect but four modern variations as well, including Gray, Color, Color tiles, and Color tubes. The free Paperworks actions were created by Pit Hermann and let you make papercraft projects. His Pencil Stand actions let you produce (surprise) pencil stands with your photos printed on them. There’s also a set of Advent Calendar actions and Panos Efstathiadis has bundled his Paper Cube actions that let you make paper cubes with images printed on them. Mac OS and Windows versions work with Photoshop CS4 and later as well as Photoshop Elements 11 or later.
Jim Corbran  |  Apr 07, 2014  |  First Published: Feb 01, 2014  |  0 comments

The idea for Phil Pantano’s photographic series, “The American Worker,” walked into his office at a local steel mill in Lackawanna, New York, where Pantano holds a day job as a computer analyst. The man who came through the door was Jay “Elvis” Borzillieri, a fourth-generation steelworker whose father died in the mill. It doesn’t matter to the story what Elvis stopped in for that day, but when Pantano looked into his face a flash went off in his mind.

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